Description
Description
Haunting and transcendently twisted, this English-language debut from a Cuban literary star is a tale of race, magic, belief, and fate
The Stuart family moves to a marginal neighborhood of Cienfuegos, a city on the southern coast of Cuba. Arturo Stuart, a charismatic, visionary preacher, discovers soon after arriving that God has given him a mission: to build a temple that surpasses any before seen in Cuba, and to make of Cienfuegos a new Jerusalem. In a neighborhood that roils with passions and conflicts, at the foot of a cathedral that rises higher day by day, there grows a generation marked by violence, cruelty, and extreme selfishness. This generation will carry these traits beyond the borders of the neighborhood, the city, and the country, unable to escape the shadow of the unfinished cathedral. Told by a chorus of narrators--including gossips, gangsters, a ghost, and a serial killer--who flirt, lie, argue, and finish one another's stories, Marcial Gala's The Black Cathedral is a darkly comic indictment of modern Cuba, gritty and realistic but laced with magic. It is a portrait of what remains when dreams of utopia have withered away.
About the Author
About the Author
Marcial Gala is a novelist, poet, and architect from Cuba. He won the Pinos Nuevos Prize for best short story in 1999. The Black Cathedral received the Critics' Award and the Alejo Carpentier Award in 2012 and was published in English translation by FSG in 2020. Gala also won the 2018 Ñ Prize of the City of Buenos Aires-Clarín for his novel Call Me Cassandra. He lives in Buenos Aires and Cienfuegos.
The daughter of Cuban exiles, Anna Kushner was born in Philadelphia and has been traveling to Cuba since 1999. She has translated the novels of Norberto Fuentes, Leonardo Padura, Guillermo Rosales, and Gonçalo M. Tavares, as well as two collections of non-fiction by Mario Vargas Llosa.
Critical Reviews
Critical Reviews
"Accidental cannibals, tenderhearted killers, angst-ridden ghosts and well-behaved artists soon populate [The Black Cathedral's] topsy-turvy universe . . . Even as the novel charts the voyages of its vagabonds, it represents an attempt to draw the periphery into the center, steering us toward the provinces as it renovates the Cuban novel . . . Its narrators, more than a dozen in number, are usually granted a page at a time before other characters butt in, pick up the thread or offer their own spin on the same series of events." --Shaj Mathew, The New York Times
"By telling the story from the perspectives of various people in the community, Gala achieves an oral-history-like effect, producing a profound, and often humorous, meditation on how desires--religious, sexual, financial--clash in a small-town environment." --The New Yorker
"Marcial Gala's magnificent The Black Cathedral is a chorus of unforgettable characters that linger in the ashes of Revolution and personal passions. This novel is the broken mirror in which modern Cuba is portrayed with unsettling humanity." --Eduardo Lalo, author of Uselessness
Publishing Information
Publishing Information

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