Description
Description
A deeply personal study of post-9/11 film that exposes how genre can frame the shifting meanings of the War on Terror and its impact on American law and culture.
Critical Reviews
Critical Reviews
"This book examines cinematic responses to 9/11 in genre cinema of the twenty-first century. Negotiating film/media studies with cultural theory and social theory, it explores the ways films not ostensibly about the attacks channel various anxieties and fears surrounding them. The book's major strength is its confident close analysis of individual films within a cogently defined social/cultural context, but it also has the advantage of mounting a sustained argument from an individual point of view, one given added heft by being from an Arab-American's perspective." - James Morrison, Claremont McKenna College
Publishing Information
Publishing Information
Publisher:
State University of New York Press
Pub date:
2023-01-02
Length:
252 pages

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