"This smart, no-stone-unturned investigation into the horrific encounter between police and a young man of color doubles as a perceptive portrait of 1980s New York City, where, then as now, cynicism and corruption so often ran roughshod over the relatively powerless."
--Kirkus, Starred Review

"Elon Green's grimly vivid telling of this story and its aftermath in The Man Nobody Killed is part elegy for Stewart himself, part portrait of the city that failed him... The events recounted in Green's swift, unsparing book are as timely as ever; one can only hope they still have the power to shock."
-The New York Times Book Review

"This sterling true crime account from Edgar winner Green (Last Call) plunges readers into the gritty landscape of 1980s New York City. ...Balancing propulsive pacing, careful research, and shrewd cultural analysis, Green convincingly highlights the failures of justice that led to Stewart's death... It's a harrowing look at a forgotten tragedy."
--Publishers Weekly, Starred Review'

"Green's book is a vivid history of a singular moment in New York City, and everything that produced it."
--Hell Gate

"The murder of Michael Stewart remains, after more than forty years, an unstanched wound in the city's side. The incompetence, obfuscation, prevarication, corruption, and racism that prevented a resolution is documented in exacting detail by Elon Green, whose gift for pacing gives The Man Nobody Killed the feeling of a thriller. I've been following the story since 1983, and there is plenty here I didn't know."
--Lucy Sante, award-winning author of Low Life and I Heard Her Call My Name

"Elon Green's The Man Nobody Killed is a must read and just as riveting as his debut, Last Call. Prescient doesn't begin to cover the scope and many layers of New York society as police corruption, racial discrimination, music, and club culture all come under intense focus because of the untimely and unjust murder of Michael Stewart, someone who could have been as great and renowned like his contemporary, Basquiat."
--Morgan Jerkins, New York Times bestselling author of This Will Be My Undoing

"What Elon Green achieves in The Man Nobody Killed is extraordinary--a long- overdue and riveting biography of Michael Stewart; a searing examination of the systemic forces that unjustly took his life; and a kaleidoscopic and luminous portrait of an entire city. This is a monumental work that will grip and haunt you."
--David Grann, author of Killers of the Flower Moon and The Wager

"In The Man Nobody Killed, Elon Green takes us back--vividly, viscerally--to the New York City of the early 1980s and a case of police brutality, institutional incompetence and malfeasance, and justice pointedly undone that echoes maddeningly and infuriatingly our own era. Green deftly sketches the young Black artist Michael Stewart and the world in which he lived and died, and as the awful saga swirls and expands to include the likes of Madonna, Jean-Michel Basquiat, Robert Morgenthau, Jimmy Breslin, Eleanor Bumpurs, Bernhard Goetz, and even Toni Morrison, one feels oneself fully and persuasively--and harrowingly--immersed."
--Benjamin Dreyer, New York Times bestselling author of Dreyer's English

"Green's book is blisteringly smart and surprisingly tender in telling a story that could feel all too familiar."
--Boston Globe

"The first book-length account of a killing that captivated the city."
--The City

"Elon Green gives us a fascinating deep dive into the legal particulars and social context of a case that shocked the nation and rocked the cultural foundation of New York City in the 1980s; a page turner from start to finish."
--Alex S. Vitale, author of The End of Policing

"A young Black man arrives at Bellevue Hospital, hog tied, with no pulse. Police had accused him of tagging a subway station wall and beat him mercilessly with their billy clubs. Green, a veteran true crime writer, offers an urgent, humanizing portrait of Michael Stewart, the aspiring artist whose death and its aftermath -- all the way back in 1983 -- eerily foreshadowed our present moment."
- New York Times