Description
Description
An unnamed writer embarks on an obsessive journey through Europe, drawn to the gravesites of her literary idols--Cesare Pavese, Italo Svevo, Franz Kafka--putting her life, her writing, and her politics in conversation with theirs.
Untethered and spirit-like herself, she moves among European cities: Berlin, Hamburg, Prague, Vienna, Zagreb, and Belgrade. At times there are companions--lovers and others--but she remains steadfast in her solitude. As she is uncannily drawn to Pavese's suicide, her journey transmutes passion for literature into desire for meaning.
Occupying a liminal space between past and present, life and death, Journey to the Edge of Life is a deeply inquisitive, atmospheric, and rebellious novel that shows what such a journey can mean for a woman who has spent her life within the confines established by others.
About the Author
About the Author
Maureen Freely is a writer, translator and Professor of English and Comparative Literary Studies and a member of English PEN. She is the author of six novels, three works of non-fiction and is the translator of five books by the Turkish Nobel laureate Orhan Pamuk.
Critical Reviews
Critical Reviews
Praise for Cold Nights of Childhood:
"A profoundly moving account of desperation, exhilaration, and endurance."--Kirkus Reviews
"In Özlü's posthumous English-language debut, a young woman describes her 1950s childhood and her treatment for mental illness in her 20s. 'All I ever wanted was to be free to think and act beyond the tedious limits set by the petit bourgeoisie, ' says the narrator... The edition includes a magnificent introduction from Ayşegül Savaş, who puts Özlü (1943-1986) in a lineage with Italo Svevo and Franz Kafka and praises her frank approach to sexuality as 'neither sensational nor metaphorical.'"--Publishers Weekly, Starred Review
"It's uncanny how clearly Özlü speaks of a different time yet, simultaneously, of this moment."--The Financial Times
"While these facts of Özlü's life story overlap with the events of Cold Nights, the interest of the book is not so much its autobiographical mirror but the way that life is endowed with an electric mutability. Madness, after all, disrupts the temporal narrative. Here, time is broken and reshuffled through the sharp-edge of consciousness. The self is peeled away layer by layer to arrive at its core: 'Then slowly, very slowly, I begin to remember. Myself. This is me. I am twenty-five years old. I am a woman. I am living through the second part of the madness that begins with joy. I have suffered the anguish of lethargy.'"--Ayşegül Savaş, author of White on White
Publishing Information
Publishing Information

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