Description
Description
About the Author
About the Author
Charlotte Gordon's previous publications include Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley (2015), Mistress Bradstreet: The Untold Story of America's First Poet (2005), and The Woman Who Named God: Abraham's Dilemma and the Birth of Three Faiths (2009). Romantic Outlaws was the winner of the 2016 National Book Critics Circle Award for Biography. Currently, she is the distinguished professor of the humanities at Endicott College.
Charles E. Robinson, was professor of English at the University of Delaware, frequently lectured on "The Ten Texts of Frankenstein" and edited Frankenstein; or, The Modern Prometheus: The Original Two-Volume Novel of 1816-1817 from the Bodleian Library Manuscripts, by Mary Wollstonecraft Shelley (with Percy Bysshe Shelley) (2008), reprinted in paperback by Vintage Books (2009). His other books included Shelley and Byron: The Snake and Eagle Wreathed in Fight (1976) and an edition of Mary Shelley: Collected Tales and Short Stories, with Original Engravings (1976); The Mary Shelley Reader (1990), coedited with Betty T. Bennett; and an edition of Mary Shelley's Mythological Dramas: Proserpine and Midas (1992) as well as the two-volume Frankenstein Notebooks (1996).
Critical Reviews
Critical Reviews
--N. K. Jemisin, The New York Times Book Review
"Frankenstein is as efficient and resonant a reference today as it was in 1818. . . In this bicentennial year, much will be written about Frankenstein, its adaptations, and whether there exists a definitive or superior version of the novel. . . The 1818 Text is reflective of the thrill and nervous energy that ushered in a new era of science and society. . . But part of what makes it a little unsettling is what makes it so interesting: The chance to watch a 200-year-old novel develop. In a story that's reflected so much of the last two hundred years, and centers so much on choices, storytelling, and the potential for change, it only makes sense that Frankenstein reflects changes within its own creator"
--Genevieve Valentine, NPR
Publishing Information
Publishing Information
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