Brutal Imagination

Cornelius Eady

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Book cover for Brutal Imagination
Image for variant 9781636702674
Book cover for Brutal Imagination
Image for variant 9781636702674

Brutal Imagination

Brutal Imagination

Cornelius Eady

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Description

The two sections that make up this work (each could be called a song cycle) confront the same subject: the black man in America. But this is no simplistic political screed. Early's art is too sophisticated for that, combining as it does the subtle with the charged, street idiom with elegant inversions, harsh images with witty asides. As The Kenyon Review wrote of an earlier volume: It's no easy thing for an African-American poet to find language that breaks through sociological and political configurations to sting us directly and a fresh with his experience". Eady does so with each new work.

The first cycle, which carries the book's title, deals with the vision of the black man in white imagination. Largely narrated by black kidnapper, a figment of Susan Smith's imagination invented to cover up her killing of her sons (a bridging section of poems is wittily told in the voices of such white creations as Uncle Ben and Aunt Jemima), the cycle displays all of Eady's range: his inventiveness, his deft and often subversive wit, and his skillfully targeted anger. One laughs and winces at the same time. Though these poems are spoken by a black man who is in fact invention, Eady contrives to make him as well as a black commenting on his white-invented self. The result is a stunning appraisal of race in America. The second cycle, "Running Man", presents the poems Eady drew on for his libretto for the music-drama of the same name. here, the focus in the black family and the barriers of class, and caste that tear it apart. The title character represents every dreaming black boy who ever crashed into the harsh realties of the whole as he reached manhood. As the Village voice wrote",Running Man isa hymn to all sons this country has stolen from her African-American families".

About the Author

Cornelius Eady is a poet, playwright and musician. He is cofounder of Cave Canem and is Professor of English and Chair of Excellence in Poetry at the University of Tennessee, Knoxville. His written work includes Kartunes, Victims of the Latest Dance Craze (winner of the Lamont Prize), The Gathering of My Name, Hardheaded Weather, and Brutal Imagination (finalist for The National Book Award in Poetry). Eady's accolades include fellowships from the NEA, the Guggenheim Foundation, and the Rockefeller Foundation, as well as a Strousse Award from Prairie Schooner, and a Lila Wallace Reader's Digest Award.

Critical Reviews

"Resuscitating this frightening invention of racism and desperation and letting him speak for himself is the bold and inspired idea behind Brutal Imagination...It's the sort of concept that grabs you instantly and ferociously."

--New York Times

"In transforming Brutal Imagination from poetry to theater, Eady has grown into a powerful playwright."

--BOMB Magazine

"Mixing facts, speculation and poetic extrapolation, Eady's script finds Susan and Mr. Zero entwined in a dreamlike world, recounting together the events leading up to and following the murder of her children and the racial stereotypes that played into her claim and their acceptance."

--New City Stage

"Eady's joy in language engenders our trust in the music that his art has made of love and pain."

--Publishers Weekly

"Over the course of the nine days between the shocking event and Susan Smith's confession of the crime, these two characters are brought to life in a powerful, theatrical encounter."

--TheaterMania

"Brutal Imagination is harrowing and powerful...a vivid theatrical experience."

--Associated Press


Publishing Information

Publisher: Theatre Communications Group
Pub date: 2026-09-29
Length: 112 pages

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