Description
Description
A Washington Post Best Book of the Year
"One of the best [books] I have read on the phenomenology of OCD." --Scott Stossel, the Washington Post
Written with the indelible power of Girl, Interrupted, Brain on Fire, and Reasons to Stay Alive, a lyrical, poignant memoir by a young woman about her childhood battle with debilitating obsessive compulsive disorder, and her hard-won journey to recovery.
By the age of thirteen, Lily Bailey was convinced she was bad. She had killed someone with a thought, spread untold disease, and ogled the bodies of other children. Only by performing an exhausting series of secret routines could she make up for what she'd done. But no matter how intricate or repetitive, no act of penance was ever enough.
Beautifully written and astonishingly intimate, Because We Are Bad recounts a childhood consumed by obsessive compulsive disorder. As a child, Bailey created a second personality inside herself--"I" became "we"--to help manifest compulsions that drove every minute of every day of her young life. Now she writes about the forces beneath her skin, and how they ordered, organized, and urged her forward. Lily charts her journey, from checking on her younger sister dozens of times a night, to "normalizing" herself at school among new friends as she grew older, and finally to her young adult years, learning--indeed, breaking through--to make a way for herself in a big, wide world that refuses to stay in check.
Charming and raw, harrowing and redemptive, Because We Are Bad is an illuminating and uplifting look into the mind and soul of an extraordinary young woman, and a startling portrait of OCD that allows us to see and understand this condition as never before.
Critical Reviews
Critical Reviews
Remarkable... She writes with literary poise and a gift for mordant observation and self-deprecating humor that belie her youth.
-- Washington Post
London-based model and journalist Bailey offers an authentic and stunning account of her struggle with obsessive compulsive disorder in this beautifully-rendered memoir.
-- Publishers Weekly
Often as chilling as Sylvia Plath's The Bell Jar, but also full of so much inner and external turbulence that it reminded me at times of The Bourne Identity and Memento.
-- HuffPostUK
Extremely compelling
-- The Guardian
Publishing Information
Publishing Information

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