Collection: Shop Latinx

"Without doubt one of the sexiest and most important writers I've ever read."--Justin Torres, author of Blackouts

"The sparks of clarity and brilliance that will later inspire a cadre of writers are all here, igniting the pathway that Gil Cuadros set before us. It is astonishing to behold the ardor of vulnerability in his art. We are indebted to his daring--how much brighter we all burn for his insistent testimony, his desire unabashed and incandescent."--Manuel Muñoz, author of The Consequences

Since City of God (1994) by Gil Cuadros was published 30 years ago, it has become an unlikely classic (an "essential book of Los Angeles" according to the LA Times), touching readers and writers who find in his work a singular evocation of Chicanx life in Los Angeles during and leading up to the AIDS epidemic, which took his life in 1996. Little did we know, Cuadros continued writing exuberant prose and poems in the period between his one published book and his untimely death at the age of 34. This recently discovered treasure, My Body Is Paper, is a stunning portrait of sex, family, religion, culture of origin, and the betrayals of the body. Tender and blistering, erotic and spiritual--Cuadros dives into these complexities which we grapple with today, showing us how to survive these times, and beyond.

Cruzita is going to be a pop star. All she has to do is win a singing contest at her favorite theme park and get famous. But she can't go to the theme park this summer. Instead, she has to help out at her family's bakery, which has been struggling ever since Tío Chuy died. Cruzita's great-uncle poured his heart into the bakery--the family legacy--and now that he's gone, nothing is the same.

When Cruzita's not rolling uneven tortillas or trying to salvage rock-hard conchas, she has to take mariachi lessons, even though she doesn't know how to play her great-grandpa's violin and she's not fluent in Spanish. At first, she's convinced her whole summer will be a disaster. But as she discovers the heart and soul of mariachi music, she realizes that there's more than one way to be a star―and more than one way to carry on a legacy.

The fruition of decades of labor, Vicuña's poetical works on the cosmologies and myths of the deer are now realized in a gorgeously designed artist's book

Inspired initially by Jerome Rothenberg's translation Flower World Variations, which Cecilia Vicuña (born 1948) first encountered in 1985, Cecilia Vicuña: Deer Book brings together nearly 40 years of the artist's poetry, "poethical" translations and drawings related to cosmologies and mythologies surrounding the deer, and sacrificial dance in cultures around the world. Woven like one of her quipu installations, Vicuña's texts--which include original compositions in Spanish as well as English translations by Daniel Borzutzky--become meditations on translation, not just of the sacred nature of this animal but on how our understandings of ceremony and ritual are transformed by this ongoing process. Taken as inspiration rather than conundrum, the impossibility of translation opens up poetic possibilities for Vicuña as she continues her lifelong exploration into the nature of communication across eras and distant lands, languages and shared symbols within Indigenous spiritualities.

A young boy from an immigrant Salvadoran family learns a valuable lesson about money, work, and the sacrifices that his family have made so that he can go to school.

Un niño de una familia inmigrante salvadoreña aprende una valiosa lección sobre el dinero, el trabajo y los sacrificios que ha hecho su familia para que él pueda ir a la escuela.

For all the kids who see their family working hard, this uplifting bilingual story - told in Spanish and English - shows how important it is that they have a chance at a better life. Fernando, a young first-generation immigrant, realizes how hard his Salvadoran family works for the community every day and he wants to help. Follow his adventures around Washington, DC as he tries to surprise his family with a contribution to their "rainy day jar." But when his ideas don't work out, Fernando learns that there are other ways for him to make his family proud. Through humor and charming details, this book highlights some of the ways immigrant families show love for each other.

A todos los niños que ven los esfuerzos de su familia, esta inspiradora historia -contada en español e inglés- les muestra la importancia de que tengan la oportunidad de gozar de una mejor vida. Fernando, un inmigrante de primera generación, se da cuenta de lo duro que su familia salvadoreña trabaja a diario por la comunidad, y decide ayudar. Sigue las aventuras que vive en Washington, D. C. en su intento de sorprender a su familia con una contribución para el bote de "los días lluviosos". Sus ideas no funcionan, pero Fernando aprende que hay otras cosas que puede hacer para que su familia se sienta orgullosa de él. A través del humor y detalles encantadores, este libro resalta algunas de las maneras en que las familias inmigrantes se demuestran su amor.

Lessons and inspiration from a lifetime of teaching about race and ethnic relations

When Al Camarillo grew up in Compton, California, racial segregation was the rule. His relatives were among the first Mexican immigrants to settle there--in the only neighborhood where Mexicans were allowed to live. The city's majority was then White, and Compton would shift to a predominantly Black community over Al's youth. Compton in My Soul weaves Al's personal story with histories of this now-infamous place, and illuminates a changing US society--the progress and backslides over half a century for racial equality and educational opportunity.

Entering UCLA in the mid 1960s, Camarillo was among the first students of color, one of only forty-four Mexican Americans on a campus of thousands. He became the first Mexican American in the country to earn a PhD in Chicano/Mexican American history, and established himself as a preeminent US historian with a prestigious appointment at Stanford University. In this candid and warm-hearted memoir, Camarillo offers his career as a vehicle for tracing the evolution of ethnic studies, reflecting on intergenerational struggles to achieve racial equality from the perspective at once of a participant and an historian.

Camarillo's story is a quintessential American chronicle and speaks to the best and worst of who we are as a people and as a nation. He unmasks fundamental contradictions in American life--racial injustice and interracial cooperation, inequality and equal opportunity, racial strife and racial harmony. Even as legacies of inequality still haunt American society, Camarillo writes with a message of hope for a better, more inclusive America--and the aspiration that his life's journey can inspire others as they start down their own path.

Abuelo, the Sea, and Me is a tender, heartwarming picture book that vividly explores intergenerational connections, family history, and the immigrant experience.

When this grandchild visits her abuelo, he takes her to the ocean. In summer, they kick off their shoes and let the cool waves tickle their toes. In winter, they stand on the cliff and let the sea spray prick their noses and cheeks. No matter the season, hot or cold, their favorite place to spend time together is the beach.

In a city called New York ...
In a neighborhood called El Bronx ...

• The Fernandex children own a very special pet: A white hen named after their favorite Hollywood movie star.
• A new girl comes to school - a gypsy child who can read palms and foretell the future.
• A young boy must face the humiliation of wearing his uncle's orange roach-killer shoes to his high school graduation.

In the South Bronx - or El Bronx, as it's known to the people who live there - anything can happen. A migrant "fresh off the boat" from Puerto Rico can be somebody on the mainland, pursue the American Dream ... and maybe even make it come true.

Here are stories that capture the flavor and beat of El Bronx in its heyday, from 1946-1956.