Erin Vincent is the author of Grief Girl (Penguin Random House), which was named a New York Public Library Best Book and an American Library Association Best Book Nominee. Her work has appeared in Electric Literature, The Guardian, Meanjin, The Offing, and elsewhere. She lives in a little cottage with her lovely and talented husband, Adam Knott, and their lovely and talented cat, Little Eve.

"Exhilarating and surprising . . . [Fourteen Ways of Looking]is not a narrative of smooth redemption but a wrenching and true reckoning with the lifelong work of grief." --The Guardian

"Freighted with more than 40 years of thinking, writing, consuming art and enduring grief, Fourteen Ways of Looking is a brilliant and startling read." --The Saturday Paper

"Frankly brilliant." --The Sydney Morning Herald

"Simply one of the best books I've read in ages. I read it in a reverie of blissed-out, horrified amazement. I can easily imagine it becoming a cultural touchstone like Max Porter's Grief Is the Thing with Feathers or Maggie Nelson's Bluets." --Sarah Manguso, author of Liars

"An astonishing formal experiment. The number fourteen becomes uncanny and arbitrary--both divine symbol and violent accident--as she remembers her younger self and tries to find patterns in chaos. An incredible achievement . . . unclassifiable, humane, and haunting." --Clare Pollard, author of Lives of the Female Poets

"Vincent brings to this astute exploration of personal grief the world's grief, the reader's grief, the planet's grief. All of time concertinas into these perfectly formed fragments that interrogate the number fourteen . . . This is an astounding work--resonant, intelligent, and generous." --Pip Adam, author of Audition

"An extraordinary marriage of feeling and form." --Brian Morton, author of Tasha: A Son's Memoir

"Deeply affecting. Grief blows a life into shards, and Vincent assembles here the precious fragments. Fourteen Ways of Looking is a deep dive into the moment after which nothing is the same--life as afterlife, and yet it's what we have. In her efforts to free herself by going back to the source of trauma, she is both Odysseus and Eurydice, damned and saved." --Anna Funder, author of Wifedom: Mrs. Orwell's Invisible Life

"An astonishing compendium of occurrences and observations, moments and moods. Fourteen Ways of Looking will likely resonate with readers of Sheila Heti and Maggie Nelson, though Vincent's voice is entirely her own . . . A hugely affecting and emotional reading experience." --Bryan Seitz, Literati Bookstore