Dogtangle was my first Max Huffman comic that I've read and it was hilarious. I love his cartoony style. It's a fun, satirical way to look at corporate power and greed.-- "Taylor Talks Comics"

Dogtangle delivers sharp social critique through brilliantly abstract cartoons. The expressive, visually distinctive artwork is a joy to flick through.-- "Comics Bulletin"

Max Huffman's DOGTANGLE is an off the leash walk through a queasily off-kilter reality that still manages to feel real, if mostly lysergic.--Michael Cavender

Through the sheer madness, the intellectual heft, and the art that demands your enthusiastic participation, Dogtangle is one man's deeply human expression of living your life through art and trying to make a connection (any damn connection) in this day and age.-- "AIPT Comics"

Huffman allows us the satisfaction of seeing terrible people punished for their hubris... He's making science fiction about a world where corporate adventures have rewired the metaphysics of sky and animals.-- "The Comics Journal"

So far as I know, there are not a lot of Vorticist comics out there. Max's comics operate in some/several folded dimensions that are not totally forthcoming but must be captured and deciphered. The stories are zingy, go around impossible corners and I think Wyndham Lewis might have written a blurb for them as well.--Gary Panter

This is Jim Flora-esque, operatic, cartoon world-building, and world-ridiculing, and world-re-enchanting, and it's good.--Kevin Huizenga

What happens when a navel-gazing egocentric corporate creative decides to improve upon mankind's best friend? Horrors beyond comprehension of course! Beneath Dogtangle's beautiful stylized abstraction (I'm a big fan) is a blunt force absurdist critique of the tech-overlords and business elites remaking the world around us without our consent. I love this book!--Lale Westvind

Between the peculiar art, clever plotting, and general kooky vibe, Max Huffman has created a surrealist masterpiece.-- "The Newest Rant"

Huffman has a flair for character names--Caressa Vignette, Vernon Smilth, Councilman Burg--but it's his stylized, almost baroquely cartoony figures that steal the show. His cubist spin on mid-century comics illustration syncs lithe linework and ingenious use of negative space to the frenzied pace of the story. The result is a deliriously inventive send-up of corporate hubris.-- "Publishers Weekly"