Collection: Shop Woman

New York Times Bestseller

"There is no writer quite like Dolly Alderton working today and very soon the world will know it." --Lisa Taddeo, author of #1 New York Times bestseller Three Women

"Dolly Alderton has always been a sparkling Roman candle of talent. She is funny, smart, and explosively engaged in the wonders and weirdness of the world. But what makes this memoir more than mere entertainment is the mature and sophisticated evolution that Alderton describes in these pages. It's a beautifully told journey and a thoughtful, important book. I loved it." --Elizabeth Gilbert, New York Times bestselling author of Eat, Pray, Love and City of Girls

The wildly funny, occasionally heartbreaking internationally bestselling memoir about growing up, growing older, and learning to navigate friendships, jobs, loss, and love along the ride

When it comes to the trials and triumphs of becoming an adult, journalist and former Sunday Times columnist Dolly Alderton has seen and tried it all. In her memoir, she vividly recounts falling in love, finding a job, getting drunk, getting dumped, realizing that Ivan from the corner shop might just be the only reliable man in her life, and that absolutely no one can ever compare to her best girlfriends. Everything I Know About Love is about bad dates, good friends and--above all else-- realizing that you are enough.

Glittering with wit and insight, heart and humor, Dolly Alderton's unforgettable debut weaves together personal stories, satirical observations, a series of lists, recipes, and other vignettes that will strike a chord of recognition with women of every age--making you want to pick up the phone and tell your best friends all about it. Like Bridget Jones' Diary but all true, Everything I Know About Love is about the struggles of early adulthood in all its terrifying and hopeful uncertainty.

Set against the tumultuous political backdrop of late '60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen's investigation takes us back to Anka's life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.

A daughter pulled between two worlds and a mother willing to destroy both to protect her...

Demeter: a goddess of life, living half of one.

Demeter did not always live in fear. Once, she loved the world and the humans who inhabited it. After an act of devastating violence, though, she hides herself away among the grasses and wildflowers. Her only solace is her daughter...

Before she was Persephone, she was Core.

Core is as bright as summer and devoted to her mother, even during their millennia in exile from Olympus. But she craves freedom. Naïve and determined, she secretly builds a life of her own--and as she does so, she catches the eye of a powerful god...

The daughters of Olympus will have the last word...

Then Hades kidnaps Core and renames her as Queen of the Underworld. In the land without sun, she realizes she may have a chance to gain back what she thought she'd lost forever. But Demeter will destroy anything--even the humans she holds so dear--to bring her daughter back. A mother who has lost everything and a daughter with more to gain than she ever realized, they will irrevocably shape the world: all in the name of something as human as love.

A lush, emotional read perfect for fans of Madeleine Miller and Claire Heywood, this is the story of Persephone and Demeter.

"A riveting and exhilarating novel about making art and selling out...Senna is one of this country's most thrilling writers." -Rumaan Alam, author of Leave the World Behind

A brilliant dark comedy about love and ambition, failure and reinvention, and the racial- identity-industrial complex from the bestselling author of Caucasia

Jane has high hopes that her life is about to turn around. After a long, precarious stretch bouncing among sketchy rentals and sublets, she and her family are living in luxury for a year, house-sitting in the hills above Los Angeles. The gig magically coincides with Jane's sabbatical, giving her the time and space she needs to finish her second novel--a centuries-spanning epic her artist husband, Lenny, dubs her "mulatto War and Peace." Finally, some semblance of stability and success seems to be within her grasp.

But things don't work out quite as hoped. Desperate for a plan B, like countless writers before her Jane turns her gaze to Hollywood. When she finagles a meeting with Hampton Ford, a hot producer with a major development deal at a streaming network, he seems excited to work with a "real writer," and together they begin to develop "the Jackie Robinson of biracial comedies." Things finally seem to be going right for Jane--until they go terribly wrong.

Funny, piercing, and page turning, Colored Television is Senna's most on-the-pulse, ambitious, and rewarding novel yet.

A radical reframing of the past and present of Black resistance--both nonviolent and violent--to white supremacy

Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.'s nonviolence and Malcolm X's "by any means necessary." In We Refuse, historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.

The dismissal of "Black violence" as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force--from work stoppages and property destruction to armed revolt--has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away.

Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.

A bold and unabashed novel about a young Palestinian woman's unraveling as she teaches at a New York City middle school, gets caught up in a scheme reselling Birkin bags, and strives to gain control over her body and mind

The Coin's narrator is a wealthy Palestinian woman with impeccable style and meticulous hygiene. And yet the ideal self, the ideal life, remains just out of reach: her inheritance is inaccessible, her homeland exists only in her memory, and her attempt to thrive in America seems doomed from the start.

In New York, she strives to put down roots. She teaches at a school for underprivileged boys, where her eccentric methods cross boundaries. She befriends a homeless swindler, and the two participate in a pyramid scheme reselling Birkin bags.

But America is stifling her--her willfulness, her sexuality, her principles. In an attempt to regain control, she becomes preoccupied with purity, cleanliness, and self-image, all while drawing her students into her obsessions. In an unforgettable denouement, her childhood memories converge with her material and existential statelessness, and the narrator unravels spectacularly.

In enthralling, sensory prose, The Coin explores nature and civilization, beauty and justice, class and belonging--all while resisting easy moralizing. Provocative, wry, and inviting, The Coin marks the arrival of a major new literary voice.

"I Hope This Finds You Well is like a donut in a break room: unexpected, surprisingly sweet, and totally made my day. Which is to say: I devoured it! . . . Fans of The Office will delight." --SHELBY VAN PELT, New York Times bestselling author of Remarkably Bright Creatures

"Bright, hilarious, witty, and so moving, I absolutely loved Natalie Sue's debut novel." -- AMANDA EYRE WARD, New York Times bestselling author of The Jetsetters

In this wildly funny and heartwarming office comedy, an admin worker accidentally gains access to her colleagues' private emails and DMs and decides to use this intel to save her job--a laugh-till-you-cry debut novel you'll be eager to share with your entire list of contacts, perfect for fans of Anxious People and Eleanor Oliphant Is Completely Fine.

As far as Jolene is concerned, her interactions with her colleagues should start and end with her official duties as an admin for Supershops, Inc. Unfortunately, her irritating, incompetent coworkers don't seem to understand the importance of boundaries. Her secret to survival? She vents her grievances in petty email postscripts, then changes the text color to white so no one can see. That is until one of her secret messages is exposed. Her punishment: sensitivity training (led by the suspiciously friendly HR guy, Cliff) and rigorous email restrictions.

When an IT mix-up grants her access to her entire department's private emails and DMs, Jolene knows she should report it, but who could resist reading what their coworkers are really saying? And when she discovers layoffs are coming, she realizes this might just be the key to saving her job. The plan is simple: gain her boss's favor, convince HR she's Supershops material, and beat out the competition.

But as Jolene is drawn further into her coworker's private worlds and realizes they are each keeping secrets, her carefully constructed walls begin to crumble--especially around Cliff, who she definitely cannot have feelings for. Eventually she will need to decide if she's ready to leave the comfort of her cubicle, even if that means coming clean to her colleagues.

Crackling with laugh-out-loud dialogue and relatable observations, I Hope This Finds You Well is a fresh and surprisingly tender comedy about loneliness and love beyond our computer screens. This sparkling debut novel will open your heart to the everyday eccentricities of work culture and the undeniable human connection that comes along with it.

Coming soon from Knopf, an imprint of the Knopf Doubleday Publishing Group.

For fans of Casey McQuiston and Abby Jimenez comes a bold, hilarious, and out-of-the-box novel about mixing business with battery-operated pleasure . . .

When it comes to her career, Cade Elgin has it all figured out. Only "professional talk" has become her default mode, relationships are nonexistent, and don't even mention the word "orgasm." All work and no play makes Cade a dull human. But when she inherits a sex toy store, Cade is caught between business and a store filled with every imaginable kind of pleasure--including her infuriatingly irresponsible and deliciously sexy new co-owner.

Selena Mathis learned the hard way that she can have too much of a good thing. Which is precisely why she's taken an oath of celibacy and is focusing on how to make Satisfaction Guaranteed a success. She won't mess this up. Not this time. But once again, Selena's emotions are getting in the way and tempting her with a serious attraction to buttoned-up Cade.

But the shop isn't exactly vibe-ing, and Cade and Selena are on the verge of losing both their income and the possibility of love. Can they find a way to work together . . . before Satisfaction Guaranteed runs out of batteries?

An incisive history of self-serving white feminists and the inspiring women who've continually defied them

Women including Elizabeth Cady Stanton, Margaret Sanger, and Sheryl Sandberg are commonly celebrated as leaders of feminism. Yet they have fought for the few, not the many. As award-winning scholar Kyla Schuller argues, their white feminist politics dispossess the most marginalized to liberate themselves.

In The Trouble with White Women, Schuller brings to life the two-hundred-year counter history of Black, Indigenous, Latina, poor, queer, and trans women pushing back against white feminists and uniting to dismantle systemic injustice. These feminist heroes such as Frances Harper, Harriet Jacobs, and Pauli Murray have created an anti-racist feminism for all. But we don't speak their names and we don't know their legacies. Unaware of these intersectional leaders, feminists have been led down the same dead-end alleys generation after generation, often working within the structures of racism, capitalism, homophobia, and transphobia rather than against them.

Building a more just feminist politics for today requires a reawakening, a return to the movement's genuine vanguards and visionaries. Their compelling stories, campaigns, and conflicts reveal the true potential of feminist liberation. An Entropy Magazine Best Nonfiction Book of 2020-2021, The Trouble with White Women gives feminists today the tools to fight for the flourishing of all.

USA Today bestselling author Sherry Thomas turns the story of the renowned Sherlock Holmes upside down in the first novel in this Victorian mystery series....

With her inquisitive mind, Charlotte Holmes has never felt comfortable with the demureness expected of the fairer sex in upper class society. But even she never thought that she would become a social pariah, an outcast fending for herself on the mean streets of London.

When the city is struck by a trio of unexpected deaths and suspicion falls on her sister and her father, Charlotte is desperate to find the true culprits and clear the family name. She'll have help from friends new and old--a kind-hearted widow, a police inspector, and a man who has long loved her.

But in the end, it will be up to Charlotte, under the assumed name Sherlock Holmes, to challenge society's expectations and match wits against an unseen mastermind.

An NPR Best Book of 2016

"An autobiographical account of how a psychiatric nurse specialist became a folk medicine healer; this also explains the origins and practice of one of the oldest forms of medicine in the New World."--Kirkus.

A surprising, groundbreaking, and fiercely entertaining medical history that is both a collective narrative of women's bodies and a call to action for a new conversation around women's health.

For as long as medicine has been a practice, women's bodies have been treated like objects to be practiced on: examined and ignored, idealized and sexualized, shamed, subjugated, mutilated, and dismissed. The history of women's healthcare is a story in which women themselves have too often been voiceless--a narrative instead written from the perspective of men who styled themselves as authorities on the female of the species, yet uninformed by women's own voices, thoughts, fears, pain and experiences. The result is a cultural and societal leg-acy that continues to shape the (mis)treatment and care of women.

While the modern age has seen significant advancements in the medical field, the notion that female bodies are flawed inversions of the male ideal lingers on--as do the pervasive societal stigmas and lingering ignorance that shape women's health and relationships with their own bodies.

Memorial Sloan Kettering oncologist and medical historian Dr. Elizabeth Comen draws back the curtain on the collective medical history of women to reintroduce us to our whole bodies--how they work, the actual doctors and patients whose perspectives and experiences laid the foundation for today's medical thought, and the many oversights that still remain unaddressed. With a physician's knowledge and empathy, Dr. Comen follows the road map of the eleven organ systems to share unique and untold stories, drawing upon medical texts and journals, interviews with expert physicians, as well as her own experience treating thousands of women.

Empowering women to better understand ourselves and advocate for care that prioritizes healthy and joyful lives-- for us and generations to come--All in Her Head is written with humor, wisdom, and deep scientific and cultural insight. Eye-opening, sometimes enraging, yet always captivating, this shared memoir of women's medical history is an essential contribution to a holistic understanding and much-needed reclaiming of women's history and bodies.

An exuberant debut, The Husbands delights in asking: how do we navigate life, love, and choice in a world of never-ending options? ("A time-bending gem"--Gabrielle Zevin; "Kaleidoscopic and bright and very, very funny." -Claire Lombardo)

When Lauren returns home to her flat in London late one night, she is greeted at the door by her husband, Michael. There's only one problem--she's not married. She's never seen this man before in her life. But according to her friends, her much-improved decor, and the photos on her phone, they've been together for years.

As Lauren tries to puzzle out how she could be married to someone she can't remember meeting, Michael goes to the attic to change a lightbulb and abruptly disappears. In his place, a new man emerges, and a new, slightly altered life re-forms around her. Realizing that her attic is creating an infinite supply of husbands, Lauren confronts the question: If swapping lives is as easy as changing a lightbulb, how do you know you've taken the right path? When do you stop trying to do better and start actually living?

Christina Lauren, the instant New York Times bestselling and "reigning romance queens" (PopSugar), returns with a delicious new romance between the buttoned-up heir of a grocery chain and his free-spirited artist ex as they fake their relationship in order to receive a massive inheritance.

Anna Green thought she was marrying Liam "West" Weston for access to subsidized family housing while at UCLA. She also thought she'd signed divorce papers when the graduation caps were tossed, and they both went on their merry ways.

Three years later, Anna is a starving artist living paycheck to paycheck while West is a Stanford professor. He may be one of four heirs to the Weston Foods conglomerate, but he has little interest in working for the heartless corporation his family built from the ground up. He is interested, however, in his one-hundred-million-dollar inheritance. There's just one catch.

Due to an antiquated clause in his grandfather's will, Liam won't see a penny until he's been happily married for five years. Just when Liam thinks he's in the home stretch, pressure mounts from his family to see this mysterious spouse, and he has no choice but to turn to the one person he's afraid to introduce to his one-percenter parents--his unpolished, not-so-ex-wife.

But in the presence of his family, Liam's fears quickly shift from whether the feisty, foul-mouthed, paint-splattered Anna can play the part to whether the toxic world of wealth will corrupt someone as pure of heart as his surprisingly grounded and loyal wife. Liam will have to ask himself if the price tag on his flimsy cover story is worth losing true love that sprouted from a lie.

Finalist for the 2022 National Book Award in Translated Literature!

"Was desire something like being possessed by a nightmare?"

Fernanda and Annelise are so close they are practically sisters: a double image, inseparable. So how does Fernanda end up bound on the floor of a deserted cabin, held hostage by one of her teachers and estranged from Annelise?

When Fernanda, Annelise, and their friends from the Delta Bilingual Academy convene after school, Annelise leads them in thrilling but increasingly dangerous rituals to a rhinestoned, Dior-scented, drag-queen god of her own invention. Even more perilous is the secret Annelise and Fernanda share, rooted in a dare in which violence meets love. Meanwhile, their literature teacher Miss Clara, who is obsessed with imitating her dead mother, struggles to preserve her deteriorating sanity. Each day she edges nearer to a total break with reality.

Interweaving pop culture references and horror concepts drawn from from Herman Melville, H. P. Lovecraft, and anonymous "creepypastas," Jawbone is an ominous, multivocal novel that explores the terror inherent in the pure potentiality of adolescence and the fine line between desire and fear.