Collection: Shop Woman

In C.J. Box's Badlands, the town of Grimstad used to be a place people came from but were never headed to. Now it's the oil capital of North Dakota. With oil comes money, with money comes drugs, and with drugs come the dirtiest criminals Grimstad's new deputy sheriff Cassie Dewell has ever encountered. . .

Twelve-year-old Kyle Westergaard dreams of getting out of Grimstad and leading a better life. Even though Kyle has been written off as a "slow" kid, he has dreams deeper than anyone can imagine. One day, while delivering newspapers, he witnesses a car accident and takes a mysterious bundle from the scene. Suddenly he's in possession of a lot of money--and packets of white powder--and Kyle can't help but wonder whether his luck has changed...for better or for worse.

"Suspenseful--you can't put it down.''--Library Journal

When the temperature drops to 30 below and a gang war heats up, it's up to Cassie to help restore law and order. But is she in over her head? As she is propelled on a collision course with a murderous enemy, she finds that the key to it all might come in the most unlikely form: a boy on a bike named Kyle. He keeps showing up where he doesn't belong. And he seems to know something that Cassie does not about what lies beneath the surface of this small and troubled town...

"The unrelenting cold makes this the perfect beach read."--Kirkus Reviews

This edition of the book is the deluxe, tall rack mass market paperback.

"This debut novel about an Irish expat millennial teaching English and finding romance in Hong Kong is half Sally Rooney love triangle, half glitzy Crazy Rich Asians high living--and guaranteed to please." --Vogue

A RECOMMENDED BOOK FROM:
The New York Times Book Review * Vogue * TIME * Marie Claire * Elle * O, the Oprah Magazine * The Washington Post * Esquire * Harper's Bazaar * Bustle * PopSugar * Refinery 29 * LitHub * Debutiful

An intimate, bracingly intelligent debut novel about a millennial Irish expat who becomes entangled in a love triangle with a male banker and a female lawyer

Ava, newly arrived in Hong Kong from Dublin, spends her days teaching English to rich children.

Julian is a banker. A banker who likes to spend money on Ava, to have sex and discuss fluctuating currencies with her. But when she asks whether he loves her, he cannot say more than "I like you a great deal."

Enter Edith. A Hong Kong-born lawyer, striking and ambitious, Edith takes Ava to the theater and leaves her tulips in the hallway. Ava wants to be her--and wants her.

And then Julian writes to tell Ava he is coming back to Hong Kong... Should Ava return to the easy compatibility of her life with Julian or take a leap into the unknown with Edith?

Politically alert, heartbreakingly raw, and dryly funny, Exciting Times is thrillingly attuned to the great freedoms and greater uncertainties of modern love. In stylish, uncluttered prose, Naoise Dolan dissects the personal and financial transactions that make up a life--and announces herself as a singular new voice.

A cynical tarot card reader seeks to uncover the truth about her friend's mysterious death in this delightfully clever whodunit, "a delicious blend of suspense and madcap humor" (Library Journal, starred review).

For Katie True, a keen gut and quick wit are just tools of the trade. After a failed attempt at adulting in Chicago, she's back in the suburbs living a bit too close to her overbearing parents, jumping from one dead-end job to the next, and flipping through her tarot deck for guidance. Then along comes Marley.

Mysterious, worldly, and comfortable in her own skin, Marley takes a job at the mall where Katie peddles Russian tchotchkes. The two just get each other. Marley doesn't try to fix Katie's life or pretend to be someone she's not, and Katie thinks that with Marley's friendship, she just might make it through this rough patch after all. Until the day when Katie, having been encouraged by Marley to practice soothsaying, reads the cards for someone who stumbles into her shop. But when she sneaks a glance at his phone, she finds more than intel to improve her clairvoyance. She finds a photo. Of Marley. With a gunshot wound to the head.

The bottom falls out of Katie's world. Her best friend is dead? Who killed her? She quickly realizes there are some things her tarot cards can't foresee, and she must put her razor-sharp instincts to the ultimate test. But Katie's recklessness lands her in the crossfire of a threat she never saw coming. Now she must use her street smarts and her inner Strength card to solve Marley's murder--or risk losing everything.

How organizations can foster diversity, equity, and inclusion: taking action to address and prevent workplace bias while centering women of color.

Few would disagree that inclusion is both the right thing to do and good for business. Then why are we so terrible at it? If we believe in the morality and the profitability of including people of diverse and underestimated backgrounds in the workplace, why don't we do it? Because, explains Ruchika Tulshyan in this eye-opening book, we don't realize that inclusion takes awareness, intention, and regular practice. Inclusion doesn't just happen; we have to work at it. Tulshyan presents inclusion best practices, showing how leaders and organizations can meaningfully promote inclusion and diversity.

Tulshyan centers the workplace experience of women of color, who are subject to both gender and racial bias. It is at the intersection of gender and race, she shows, that we discover the kind of inclusion policies that benefit all. Tulshyan debunks the idea of the "level playing field" and explains how leaders and organizations can use their privilege for good by identifying and exposing bias, knowing that they typically have less to lose in speaking up than a woman of color does. She explains why "leaning in" doesn't work--and dismantling structural bias does; warns against hiring for "culture fit," arguing for "culture add" instead; and emphasizes the importance of psychological safety in the workplace--you need to know that your organization has your back. With this important book, Tulshyan shows us how we can make progress toward inclusion and diversity--and we must start now.

Winner, 2020 Body and Embodiment Best Publication Award, given by the American Sociological Association

Honorable Mention, 2020 Sociology of Sex and Gender Distinguished Book Award, given by the American Sociological Association

How the female body has been racialized for over two hundred years

There is an obesity epidemic in this country and poor Black women are particularly stigmatized as "diseased" and a burden on the public health care system. This is only the most recent incarnation of the fear of fat Black women, which Sabrina Strings shows took root more than two hundred years ago.

Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals--where fat bodies were once praised--showing that fat phobia, as it relates to Black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of "savagery" and racial inferiority.

The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn't about health at all, but rather a means of using the body to validate race, class, and gender prejudice.

A new edition of the acclaimed debut story collection by two-time Lambda Literary Award winner Casey Plett.

By the author of Little Fish and A Dream of a Woman: eleven unique short stories featuring young trans women stumbling through loss, sex, harassment, and love in settings ranging from a rural Mennonite town to a hipster gay bar in Brooklyn. These stories, shiny with whiskey and prairie sunsets, rattling subways and neglected cats, show that growing up as a trans girl can be charming, funny, frustrating, or sad, but will never be predictable.
A Safe Girl to Love, winner of the Lambda Literary Award for transgender fiction, was first published in 2014. Now back in print after a long absence, this new edition includes an afterword by the author.

Lena Khalaf Tuffaha's Kaan and Her Sisters illuminates the work of grief and survival, the sordid legacies of official historical record and the liberatory practice of intimate narration. Tuffaha writes in the liminal space between languages, personifying Arabic verbs who guide the reader through a "history hurtling into the future." Kaan and Her Sisters centers character of the Arabic teacher, Miss Sahar, whose progressive displacements from Palestine and across Arab cities unfold in epistles, refashioned songs, and glimpses into the interiors of her lost home. In these disclosures, a study of time and a record of resistance to erasure emerges, and at its heart, the women who keep intergenerational memory. "Our mothers miraculous, persevering./No maps are new to the ancestors."

A riveting debut novel set in contemporary Seoul, Korea, about four young women making their way in a world defined by impossible standards of beauty, after-hours room salons catering to wealthy men, ruthless social hierarchies, and K-pop mania

"Powerful and provocative . . . a novel about female strength, spirit, resilience--and the solace that friendship can sometimes provide."--The Washington Post

ONE OF THE BEST BOOKS OF THE YEAR: Time, NPR, Esquire, Bustle, BBC, New York Post, InStyle

Kyuri is an achingly beautiful woman with a hard-won job at a Seoul "room salon," an exclusive underground bar where she entertains businessmen while they drink. Though she prides herself on her cold, clear-eyed approach to life, an impulsive mistake threatens her livelihood.

Kyuri's roommate, Miho, is a talented artist who grew up in an orphanage but won a scholarship to study art in New York. Returning to Korea after college, she finds herself in a precarious relationship with the heir to one of the country's biggest conglomerates.

Down the hall in their building lives Ara, a hairstylist whose two preoccupations sustain her: an obsession with a boy-band pop star, and a best friend who is saving up for the extreme plastic surgery that she hopes will change her life.

And Wonna, one floor below, is a newlywed trying to have a baby that she and her husband have no idea how they can afford to raise in Korea's brutal economy.

Together, their stories tell a gripping tale at once unfamiliar and unmistakably universal, in which their tentative friendships may turn out to be the thing that ultimately saves them.

And I have done more than just simply get by
So much more than escape or survive
Through the galvanisation of love, time and patience
I'll take hold of my story and thrive.
After life that was seldom what life ought to be
Through laughter and love I'll be whole
This story is mine from the cover to spine
And the narrative I will control

Whether she's writing letters to her younger self, advocating for women's rights or adapting fairy tales to process an abusive relationship, Len's voice is bold, unashamedly frank and unmistakably hers.

The poems in this collection, both funny and fiercely feminist, announce a formidable new talent. Moving deftly between English and Scots, poyums is as approachable as it is affecting.

A self-described failed filmmaker falls obsessively in love with her theorist-husband's colleague: a manifesto for a new kind of feminism and the power of first-person narration.

In I Love Dick, published in 1997, Chris Kraus, author of Aliens & Anorexia, Torpor, and Video Green, boldly tore away the veil that separates fiction from reality and privacy from self-expression. It's no wonder that I Love Dick instantly elicited violent controversies and attracted a host of passionate admirers. The story is gripping enough: in 1994 a married, failed independent filmmaker, turning forty, falls in love with a well-known theorist and endeavors to seduce him with the help of her husband. But when the theorist refuses to answer her letters, the husband and wife continue the correspondence for each other instead, imagining the fling the wife wishes to have with Dick. What follows is a breathless pursuit that takes the woman across America and away from her husband and far beyond her original infatuation into a discovery of the transformative power of first person narrative. I Love Dick is a manifesto for a new kind of feminist who isn't afraid to burn through her own narcissism in order to assume responsibility for herself and for all the injustice in world and it's a book you won't put down until the author's final, heroic acts of self-revelation and transformation.

CANADA READS 2020 WINNER
SHORTLISTED FOR THE 2020 EDNA STAEBLER AWARD FOR CREATIVE NON-FICTION
NATIONAL BESTSELLER
2020 LAMBDA LITERARY AWARD WINNER
ONE OF BOOK RIOT'S 100 MOST INFLUENTIAL QUEER BOOKS OF ALL TIME

How do you find yourself when the world tells you that you don't exist?

Samra Habib has spent most of their life searching for the safety to be themself. As an Ahmadi Muslim growing up in Pakistan, they faced regular threats from Islamic extremists who believed the small, dynamic sect to be blasphemous. From their parents, they internalized the lesson that revealing their identity could put them in grave danger.

When their family came to Canada as refugees, Samra encountered a whole new host of challenges: bullies, racism, the threat of poverty, and an arranged marriage. Backed into a corner, their need for a safe space--in which to grow and nurture their creative, feminist spirit--became dire. The men in Samra's life wanted to police them, the women in their life had only shown them the example of pious obedience, and their body was a problem to be solved.

So begins an exploration of faith, art, love, and queer sexuality, a journey that takes them to the far reaches of the globe to uncover a truth that was within them all along. A triumphant memoir of forgiveness and family, both chosen and not, We Have Always Been Here is a rallying cry for anyone who has ever felt out of place and a testament to the power of fearlessly inhabiting one's truest self.

From Bustle columnist and Twitter sensation Sophia Benoit, this "charming and often laugh-out-loud funny" (Vogue) memoir-in-essays explores the ins and outs of modern womanhood--from finding feminism, the power of pop culture, and how to navigate life's constant double standards--perfect for fans of Shrill and PEN15.Like so many women, Sophia spent her formative years struggling to do the "right" thing--to make others comfortable, to take minimal and calculated risks, to live up to society's expectations--only to realize that there was so little payoff to this tiresome balancing act. Tired of trying so hard, Sophia finally let go of the crushing pressure to be perfect. She navigates the highs and lows of the dating world (high: being a beta tester for Bumble; low: hastily shaving her legs before a hotel hookup and getting blood all over the sheets), and walks the line between being a "chill" girl and making sure her boyfriend's nonchalance about altitude sickness doesn't get him killed. She learns what it means to be a feminist, how to embrace her own voice, and when to listen to women who have been through more and have been doing the work longer. With topics ranging from how to be the life of the party (even when you have crippling anxiety), to an ill-fated consultation with a dietician who deemed Sophia's overindulgence in ketchup a serious health risk, to a masterful argument for why no one should judge you for having an encyclopedic knowledge of reality TV, Well, This Is Exhausting is not only "one of the funniest books you'll read this year, but it's also one of the most important" (Shondaland).

"A haunting peek at the life of a teenage girl in 1950s New Orleans."--Entertainment Weekly

It's 1950, and as the French Quarter of New Orleans simmers with secrets, seventeen-year-old Josie Moraine is silently stirring a pot of her own. Known among locals as the daughter of a brothel prostitute, Josie wants more out of life than the Big Easy has to offer. She devises a plan get out, but a mysterious death in the Quarter leaves Josie tangled in an investigation that will challenge her allegiance to her mother, her conscience, and Willie Woodley, the brusque madam on Conti Street.

Josie is caught between the dream of an elite college and a clandestine underworld. New Orleans lures her in her quest for truth, dangling temptation at every turn, and escalating to the ultimate test.

With characters as captivating as those in her internationally bestselling novel Between Shades of Gray, Ruta Sepetys skillfully creates a rich story of secrets, lies, and the haunting reminder that decisions can shape our destiny.

* INTERNATIONAL BESTSELLER *

"This novel delivers sweet, smart escapism." --People

"Fans of The Chilbury Ladies' Choir and The Guernsey Literary and Potato Peel Pie Society will adore The Jane Austen Society... A charming and memorable debut, which reminds us of the universal language of literature and the power of books to unite and heal." --Pam Jenoff, New York Times bestselling author of The Lost Girls of Paris

Just after the Second World War, in the small English village of Chawton, an unusual but like-minded group of people band together to attempt something remarkable.

One hundred and fifty years ago, Chawton was the final home of Jane Austen, one of England's finest novelists. Now it's home to a few distant relatives and their diminishing estate. With the last bit of Austen's legacy threatened, a group of disparate individuals come together to preserve both Jane Austen's home and her legacy. These people--a laborer, a young widow, the local doctor, and a movie star, among others--could not be more different and yet they are united in their love for the works and words of Austen. As each of them endures their own quiet struggle with loss and trauma, some from the recent war, others from more distant tragedies, they rally together to create the Jane Austen Society.

A powerful and moving novel that explores the tragedies and triumphs of life, both large and small, and the universal humanity in us all, Natalie Jenner's The Jane Austen Society is destined to resonate with readers for years to come.

NEW YORK TIMES BESTSELLER - GMA BOOK CLUB PICK - The author of the international phenomenon Crazy Rich Asians takes us from Capri to NYC, where a young woman finds herself torn between two men--and two very different cultures.

"Another riveting tale of privilege, culture and romance ... extravagant fashion and deceit, resulting in one truly modern love story." --CNN

On her very first morning on the jewel-like island of Capri, Lucie Churchill sets eyes on George Zao and she instantly can't stand him. She can't stand it when he gallantly offers to trade hotel rooms with her so that she can have a view of the Tyrrhenian Sea, she can't stand that he knows more about Casa Malaparte than she does, and she really can't stand it when he kisses her in the darkness of the ancient ruins of a Roman villa and they are caught by her snobbish, disapproving cousin Charlotte.

The daughter of an American-born Chinese mother and a blue-blooded New York father, Lucie has always sublimated the Asian side of herself in favor of the white side, and she adamantly denies having feelings for George. But several years later, when George unexpectedly appears in East Hampton, where Lucie is weekending with her new fiancé, Lucie finds herself drawn to George again. Soon, Lucie is spinning a web of deceit that involves her family, her fiancé, the co-op board of her Fifth Avenue apartment building, and, ultimately, herself as she tries mightily to deny George entry into her world--and her heart. Moving between summer playgrounds of privilege, peppered with decadent food and extravagant fashion, Sex and Vanity is a truly modern love story, a daring homage to A Room with a View, and a brilliantly funny comedy of manners set between two cultures.

Ten days, eight suspects, six cities, five authors, three bodies . . . one trip to die for.

"Quick, captivating, and oh-so-much-fun! This delicious mystery is as spellbinding as Knives Out."--Elle Cosimano, New York Times bestselling author of the Finlay Donovan series

All that bestselling author Eleanor Dash wants is to get through her book tour in Italy and kill off her main character, Connor Smith, in the next in her Vacation Mysteries series--is that too much to ask?

Clearly, because when an attempt is made on the real Connor's life--the handsome but infuriating con man she got mixed up with ten years ago and now can't get out of her life--Eleanor's enlisted to help solve the case.

Contending with literary competitors, rabid fans, a stalker--and even her ex, Oliver, who turns up unexpectedly--theories are bandied about, and rivalries, rifts, and broken hearts are revealed. But who's really trying to get away with murder?

Every Time I Go on Vacation, Someone Dies is the irresistible and hilarious series debut from Catherine Mack, introducing bestselling fictional author Eleanor Dash on her Italian book tour that turns into a real-life murder mystery, as her life starts to imitate the world in her books.