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In this dark, immersive tale steeped in atmosphere and drama, the author of Theatre of Marvels returns to Victorian London to tell the story of a young Black female doctor's dangerous quest to find the truth that unearth the secrets of the past.

London, 1833.

Doctress Hester Reeves has been offered a life-changing commission.

But it comes at a price. She must leave behind her husband and their canal-side home in Kings Cross and move to Tall Trees--a dark and foreboding house in Fitzrovia.

If Hester can cure the ailing health of its owner, Gervaise Cherville, she will receive payment that will bring her everything she could dream of.

But on arriving at Tall Trees, Hester quickly discovers that an even bigger task awaits her. Now she must unearth secrets that have lain hidden for decades - including one that will leave Hester's own life forever changed. . . .

In the latest from Shirley Jackson and Bram Stoker Award-winning author of THE DEVIL TAKES YOU HOME, a group of five teenage boys in Puerto Rico seek vengeance after one of their mothers is murdered; a Latinx STAND BY ME with a haunted, obsidianly dark heart.

For childhood friends Gabe, Xavier, Tavo, Paul, and Bimbo, death has always been close. Hurricanes. Car accidents. Gang violence. Suicide. Estamos rodeados de fantasmas was Gabe's grandmother's refrain. We are surrounded by ghosts. But this time is different. Bimbo's mom has been shot dead. We're gonna kill the guys who killed her Bimbo swears. And they all agree.

Feral with grief, Bimbo has become unrecognizable, taking no prisoners in his search for names. Soon, they learn Maria was gunned down by guys working for the drug kingpin of Puerto Rico. No one has ever gone up against him and survived. As the boys strategize, a storm gathers far from the coast. Hurricanes are known to carry evil spirits in their currents and bring them ashore, spirits which impose their own order.

Blurring the boundaries between myth, mysticism, and the grim realities of our world, House of Bone and Rain is a harrowing coming of age story; a doomed tale of devotion, the afterlife of violence, and what rolls in on the tide.

This tour de force of investigative journalism--in the vein of The Next Civil War and Why We're Polarized--depicts the United States of America as a country at a crossroads with the battle between the right and left spilling out from the darkest corners of the internet into the real world with often tragic consequences.

Award-winning journalist and CNN correspondent Elle Reeve was not surprised by the insurrection at the Capitol on January 6, 2021. With years of in-depth research and probing interviews under her belt, Reeve was aware of the preoccupations of the online far right and their journey from the computer to QAnon, militias, and racist groups.

At the same time, Reeve saw a parallel growth of counterforces, with citizen vigilantes using new tools and tactics to take down the far right. This ongoing battle, long fought mainly on the internet, has spilled out into the real world with greater and greater frequency, culminating in the attempted coup on January 6th.

Combining her years of on-the-ground reporting, Reeve clearly illustrates this shocking sweep of violence, where this cultural shift came from, and where it is going. She also introduces us to a shocking but powerful cast of characters, such as the creator of 8chan--an online hub for conspiracies and misogynistic rhetoric--and the white power leader who is still pulling the strings from a prison cell. Uncovering the hidden links between these events and how we can prevent further upheavals of this nature, Black Pill is a necessary read for any supporter of democracy.

The house breathes. The house contains bodies and secrets. The house is visited by ghosts, by angels that line the roof like insects, and by saints that burn the bedsheets with their haloes. It was built by a smalltime hustler as a means of controlling his wife, and even after so many years, their daughter and her granddaughter can't leave. They may be witches or they may just be angry, but when the mysterious disappearance of a young boy draws unwanted attention, the two isolated women, already subjects of public scorn, combine forces with the spirits that haunt them in pursuit of something that resembles justice.

In this lush translation by Sophie Hughes and Annie McDermott, Layla Martinez's eerie debut novel is class-conscious horror that drags generations of monsters into the sun. Described by Mariana Enriquez as "a house of women and shadows, built from poetry and revenge, " this vision of a broken family in our unjust world places power in the hands of the eccentric, the radical, and the desperate.

In this debut YA speculative romance perfect for fans of Rachael Lippincott, two queer, disabled, Jewish teens find themselves stuck in a time loop--and falling love.

Phoebe Mendel's day is never ending--literally.

On August 6th, she woke up to find herself stuck in a time loop. And for nearly a month of August 6ths since, Phoebe has relived the same day: pancakes with Mom in the morning, Scrabble with Dad in the afternoon, and constant research into how to reach tomorrow and make it to her appointment with a doctor who may actually take her IBS seriously. Everything is exactly, agonizingly the same.

That is, until the most mundane car crash ever sends Phoebe's childhood crush Jess crashing into the time loop.

Now also stuck, Jess convinces Phoebe to break out of her routine and take advantage of their consequence-free days to have fun. From splurging on concert tickets, to enacting (mostly) harmless revenge, to all-night road trips, Jess pulls Phoebe further and further out of her comfort zone--and deeper in love with them. But the more Phoebe falls for Jess, the more she worries about what's on the other side of the time loop. What if Jess is only giving her the time of day because they're trapped with no other options? What if Phoebe's new doctor dismisses her chronic pain? And perhaps worst of all: What if she never gets the chance to find out?

In 2022, it was reported that plus-sizes accounted for nearly twenty percent of all women's apparel sales in the United States and was one of the industry's few growth sectors. For many, this news seemed to herald a remarkably inclusive turn for an industry that long bartered in exclusivity. Yet the recent success of plus-size fashion obscures a rather complicated history-one that can be traced back over a century, and which illuminates the fraught relationship between fashion, fat, and weight bias in American culture.

Although many regard fat as a malady of the present, in the early twentieth century it was estimated that more than one-third of American women classified as "overweight." While modern weight bias had yet to fully cement itself in the American imaginary, the limitations of mass garment manufacturing coupled with the ascendent slender beauty ideal had already relegated larger women to fashion's peripheries. By 1915, however, fashion forecasters predicted that so-called "stoutwear" was well positioned to become one of the most lucrative subsectors of the burgeoning ready-to-wear trade. In the years that followed, stoutwear manufacturers set out to create more space for the fat woman in fashion but, in doing so, revealed an ancillary motivation: that of how to design fat out of existence altogether.

Fashion Before Plus-Size considers what came "before" plus-size fashion while also shedding new light on the ways that the fashion industry not only perpetuates but produces weight bias. By situating stoutwear at the confluence of mass manufacturing, beauty ideals, standardized sizing, health discourse, and consumer culture, this book exposes the flawed foundations upon which the contemporary plus-size fashion industry has been built.

Sparks fly when a young woman finds herself cast on a Love Island-inspired reality show and has to choose between her heart and her strategy in this sizzling new queer romantic comedy from the beloved author of Wanderlust.

This summer, things are about to heat up.

Cas Morgan has spent years of her life watching Hot Summer, the hit reality dating show that pairs together a bunch of sexy singles in an exotic island location. Like the rest of the TV-watching UK public, she's captivated by the hot contestants, outrageous fights, and hilarious banter. But she never quite thought she'd be a part of it, until her company secures a partnership with the production team behind the show, and Cas is handpicked as a contestant. She won't get any extra help making it through the eight weeks in the hot Cypriot sun, but if she does well and makes it to the finals, her long-awaited promotion will be secured.

Cas is ready to spend the summer trying to make herself more likeable to win over the voting public--and, if not likeable, then at least iconic. But just as she steps into the villa, her entire plan goes off course. She's instantly smitten with fellow contestant, Ada, who shockingly appears to be on the show to find a genuine relationship, one Cas can't give. Ada is gorgeous and charming, and seems to like Cas exactly as she is, sharp-edges and all. Cas isn't used to the side of herself Ada brings out, and when their connection becomes undeniable--and Cas's own standing in the villa precarious--she's torn between listening to her heart or sticking to her strategy.

The greatest love is one that surmounts even the greatest obstacles in this romance featuring Naru from the Love Nest series.

When a young chef confesses his love to a mysterious and attractive older stranger, he's drawn into a deep web of intrigue and buried family history that could threaten his attraction to the only man he's ever loved.

Mei has decided to put a lid on his infatuation with Naru and build a new relationship as nephew and uncle. However, every time Naru speaks fondly of his memories of his older brother--Mei's late father--he feels a disturbance in his heart. Meanwhile, Hayashida, the freelance writer who's been snooping around Mei, finally reveals his true nature!

From National Book Award finalist Randy Ribay comes a gripping new chapter--starring Avatar Roku--in the New York Times bestselling Chronicles of the Avatar series, set in the world of Avatar: the Last Airbender and The Legend of Korra

A young Avatar Roku has only just commenced his training at the Southern Air Temple when his erstwhile friend, Prince Sozin, requests his aid in preventing the Earth Kingdom from claiming a remote Fire Nation island. Despite his inexperience, Avatar Roku slips away with the help of an irritating young Airbender named Gyatso. As the reluctant companions delve deeper into their wayward mission, they begin to realize that even greater threats lie ahead. Plagued by self-doubt but eager to prove himself, Roku fights for his life and the lives of others while ensuring that the hidden secret of the island doesn't fall into the wrong hands.

This searing fifth installment in the Chronicles of the Avatar series explores the beginning of Roku's journey from privileged Fire Nation noble to the powerful but indecisive Avatar whose hesitancy may ultimately pave the way for the Hundred Year War.

A wonderful new book is coming from Random House Children's Books.

To save his family's failing funeral home--and his own chance at a queer love story--a reluctant clairvoyant must embrace the gift he long ignored in this poignant and tender debut, perfect for fans of the swoonworthy romance and queer community of One Last Stop and the macabre humor and family dysfunction of Mostly Dead Things.

"Part ghost story, part Jewish family epic, and part romance, Rules for Ghosting is a meditation on life, death, and healing that is at turns bitingly funny and deeply moving." --Anita Kelly, author of Love and Other Disasters

Rule #1: They can't speak.
Rule #2: They can't move.
Rule #3: They can't hurt you

Ezra Friedman sees ghosts, which made growing up in a funeral home a bit complicated. It might have been easier if his grandfather's ghost didn't give him such scathing looks of disapproval as he went through a second, HRT-induced puberty, or if he didn't have the pressure of all those relatives--living and dead--judging every choice he makes. It's no wonder that Ezra runs as far away from the family business as humanly possible.

But when the floor of his dream job drops out from under him and his mother uses the family Passover seder to tell everyone that she's running away with the rabbi's wife, Ezra finds himself back in the thick of it. With his parents' marriage imploding and the Friedman Family Memorial Chapel on the brink of financial ruin, Ezra agrees to step into his mother's shoes and help out . . . which means long days surrounded by ghosts that no one else can see.

And then there's his unfortunate crush on Jonathan, the handsome funeral home volunteer who just happens to live downstairs from Ezra's new apartment . . . and the appearance of the ghost of Jonathan's gone-too-soon husband, Ben, who is breaking every spectral rule Ezra knows.

Because Ben can speak. He can move. And as Ezra tries to keep his family together and his heart from getting broken, he quickly realizes that there's more than one way to be haunted--and more than one way to become a ghost.

A diverse group of New Yorkers are brought together by the search for a missing woman in this kaleidoscopic novel of betrayal, race and human connection from the critically acclaimed author of The Travelers.

Brooklyn, 2020. Theo Harper and his pregnant wife, Darla, head upstate to their summer cottage to wait out the lockdown. Not everyone in their upscale Park Slope condo building has their privilege: not Xavier, the teenager in the Cardi B t-shirt, nor Darla's best friend Ruby and her partner Katsumi, who stay behind to save their Michelin-starred restaurant.

During an upstate hike on the aptly named Devil's Path, Theo divulges a long-held secret--and when Darla disappears after the ensuing argument, he finds himself the prime suspect. As Darla and Theo's families and friends come together to search for her, with Ruby and Katsumi stepping in to broker the peace, past and present collide with startling consequences. For many brought back into the fold by Darla's disappearance--even those glimpsed fleetingly in the building lobby--it is a chance to renew connections or to review distances: what brings them together, and what sets them apart.

Set against the pulse of an ever-changing city, The Rich People Have Gone Away connects the lives of ordinary New Yorkers to tell a powerful story of hope, love, and inequity in our times--while reminding us that no one leaves the past behind completely.

The rollicking saga of reality television--an ambitious cultural history of America's most influential, most divisive artistic phenomenon, from the Pulitzer Prize-winning New Yorker writer

Who invented reality television, the world's most dangerous pop-culture genre? And why can't we look away? In this revelatory, deeply reported account of the rise of "dirty documentary"--from its contentious roots in radio to the ascent of Donald Trump--Emily Nussbaum unearths the origin story of the genre that ate the world, as told through the lively voices of the people who built it. At once gimlet-eyed and empathetic, Cue the Sun! explores the morally charged, funny, and sometimes tragic consequences of the hunt for something real inside something fake.

In sharp, absorbing prose, Nussbaum traces the jagged fuses of experimentation that exploded with Survivor at the turn of the millennium. She introduces the genre's trickster pioneers, from the icy Allen Funt to the shambolic Chuck Barris; Cops auteur John Langley; cynical Bachelor ringmaster Mike Fleiss; and Jon Murray and Mary-Ellis Bunim, the visionaries behind The Real World--along with dozens of stars from An American Family, The Real World, Big Brother, Survivor, and The Bachelor. We learn about the tools of the trade--like the Frankenbite, a deceptive editor's best friend--and ugly tales of exploitation. But Cue the Sun! also celebrates reality's peculiar power: a jolt of emotion that could never have come from a script.

What happened to the first reality stars, the Louds--and why won't they speak to the couple who filmed them? Which serial killer won on The Dating Game? Nussbaum explores reality TV as a strike-breaker, the queer roots of Bravo, the dark truth behind The Apprentice, and more. A shrewd observer who adores television, Nussbaum is the ideal voice for the first substantive history of the genre that, for better or worse, made America what it is today.

A dazzling, evidence-based account of one man's quest to heal from complex PTSD by turning to endangered coral reefs and psychedelic plants after traditional therapies failed--and his awakening to the need for us to heal the planet as well.

Professor Greg Wrenn likes to tell his nature-writing students, "The ecological is personal, and the personal is ecological." What he's never told them is how he's lived out those correspondences to heal from childhood abuse at the hands of his mother.

Weaving together memoir and cutting-edge science, Mothership is not just a queer coming-of-age story. It's a deeply researched account of how coral reefs and a psychedelic tea called ayahuasca helped Greg heal from complex PTSD--a disorder of trust, which makes the very act of bonding with someone else panic-inducing. From the tide pools in Florida where he grew up, to Indonesia's Raja Ampat archipelago and the Amazon rainforest, this is his search for wholeness when talk therapy and pharmaceuticals did little to help. Along the way, as his ecological conscience wakes up, he takes readers underwater to the last pristine reefs on earth, and into the psyche.

Written with prophetic urgency, Mothership ultimately asks if doses of nature will be enough to save us before it's too late.

New York Times-bestselling author adrienne maree brown transcends binary thinking about "accountability" and shares dignified, holistic ways for individuals and communities to address harmful and destructive patterns.

This selection of prescient, compassionate essays explores patterns we engage in that are rooted in limited thinking. Through a lens of "loving correction" rather than mere critique, author adrienne maree brown helps us reimagine how to hold ourselves, our loved ones, and our communities accountable by setting clear boundaries, engaging in reflection, and nurturing honest relationships.

Loving Corrections is divided into two sections, with the first portion featuring new essays including "A Word for White People" and "Relinquishing the Patriarchy" and writing on topics like moving from fragility to fortitude, disability, and navigating critique within activist communities. The second section expands and updates pieces from brown's popular monthly column "Murmurations" in YES! Magazine that explore accountability--within oneself and community--with depth, inventiveness, and empathy.

Along with allowing us more authentic access to ourselves and to each other, the "corrections" in the book's title are intended to explore and break identity-based patterns including white supremacy, fragility, patriarchy, and ableism. brown also offers practical guidance on how to apologize and be accountable from our nuanced positions of power, history, and resources.

Building on her previous work--especially Holding Change and We Will Not Cancel Us--brown reminds us how much we need each other: "It is only through relationship that we learn how to be, understand our impact on others and explore small shifts that may yield remarkable collective change."

A group of friends fight to choose their own fates in this trope-savvy, self-referential young adult thriller from the acclaimed author of Their Vicious Games, about a demonic force that acts according to horror movie rules in the spirit of the Scream movies.

Devon is always being left behind by her genius twin sister, Drew. At this point, it's a fact of life. But Devon has one last plan before Drew leaves for college a whole year early--The Best Summer Ever. After committing to the bit a little too much, the twins and their chaotic circle of friends learn why you don't ever mess with a Ouija board if you want to actually survive the Best Summer Ever, and soon find themselves being hunted down by...a demon?

But while there's no mistaking the creeping, venomous figure is not from around here, their method doesn't feel very demonic at all. In fact, it's downright human--going after them in typical slasher movie kill order. And that means Devon, the blonde, is up first and her decade-long crush, Yaya, is the Final Girl who must kill or be killed to end the cycle.

Devon has never liked playing by anyone else's rules though, not even a demon's, and the longer this goes on, the more she feels Drew and Yaya slipping away from her even as she tries to help them all survive. Can they use their horror movie knowledge to flip the script and become the hunters instead of the hunted? Or will their best summer ever be their last?