Collection: Poetry

All of the published poetry of James Baldwin, including six significant poems previously only available in a limited edition

During his lifetime (1924-1987), James Baldwin authored seven novels, as well as several plays and essay collections, which were published to wide-spread praise. These books, among them Notes of a Native Son, The Fire Next Time, Giovanni's Room, and Go Tell It on the Mountain, brought him well-deserved acclaim as a public intellectual and admiration as a writer. However, Baldwin's earliest writing was in poetic form, and Baldwin considered himself a poet throughout his lifetime. Nonetheless, his single book of poetry, Jimmy's Blues, never achieved the popularity of his novels and nonfiction, and is the one and only book to fall out of print.

This new collection presents James Baldwin the poet, including all nineteen poems from Jimmy's Blues, as well as all the poems from a limited-edition volume called Gypsy, of which only 325 copies were ever printed and which was in production at the time of his death. Known for his relentless honesty and startlingly prophetic insights on issues of race, gender, class, and poverty, Baldwin is just as enlightening and bold in his poetry as in his famous novels and essays. The poems range from the extended dramatic narratives of "Staggerlee wonders" and "Gypsy" to the lyrical beauty of "Some days," which has been set to music and interpreted by such acclaimed artists as Audra McDonald. Nikky Finney's introductory essay reveals the importance, relevance, and rich rewards of these little-known works. Baldwin's many devotees will find much to celebrate in these pages.

Eduardo Corral, author of SLOW LIGHTNING and GUILLOTINE, selected this compelling collection by Maya Jewell Zeller to receive the New American Poetry Prize: "In OUT TAKES/ GLOVE BOX, the speaker thinks beautifully through the shifting sands of mothering and tracks the body as it spirals through time," says Corral. "The language is dazzling. We're privy to a 'vermillion funeral' and learn an astonishing thing, '[t]he square root of whiskey is water.' Intimacy, here, includes the natural world. Animals and plants are tended to, torn into, and observed with an enviable capacity to render them mythic, tangible. These poems are spellbinding-read them out loud to experience their full power." Diane Seuss, Pulitzer Prize-winning author of FRANK: SONNETS, has offered the following praise: "In Maya Jewell Zeller's enchanting OUT TAKES/ GLOVE BOX, the vehicles that carry us into and out of imaginative spaces abound, from a rusted car with its glove box full of dirt to a horse, 'hinged and winged/ like moths, its wet little eggs / still bobbing in their soft ponds.' Eggs abound, their mothers and their hatchlings. Indeed, the book could be said to be an 'oocyte opera' of ovarian orbits and eddies, each month offering up its 'vermilion funeral.' Zeller's surrealism is embodied and embedded in myth, fairy tale, the realm of the family, and the kingdom of the natural world. She calls her process, in one title, 'Re-Making the Personal Environmental Imagination.' The poems are oceanic, Edenic, their music, as she writes in a poem, 'vowelly, ' but that lyric fluidity is crenelated by the notion and practice of 'out takes, ' and the image of the 'glove box, ' compound words snapped, like bones, in two. Images and ideas are honed and reiterated; they drop their beauty and defer to honesty. It is the kind of deft performance only a mermaid or a mother could pull off."

Best friendship blossoms into something more in this gorgeously written queer literary romance.

"The heartache and longing of witnessing a beloved character pine hopelessly over her best friend has never brought me this much unadulterated joy." -National Book Award Finalist Sonora Reyes, author of The Lesbiana's Guide to Catholic School

Over the past five years, Mitra Esfahani has known two constants: her best friend Bea Ortega and The Book--a dogeared moleskin she and Bea have been filling with the stanzas of an epic, never-ending poem since they were 13.

For introverted Mitra, The Book is one of the few places she can open herself completely and where she gets to see all sides of brilliant and ebullient Bea. There, they can share everything--Mitra's complicated feelings about her absent mother, Bea's heartache over her most recent breakup--nothing too messy or complicated for The Book.

Nothing except the one thing with the power to change their entire friendship: the fact that Mitra is helplessly in love with Bea.

Told in lyrical, confessional prose and snippets of poetry Just Another Epic Love Poem takes readers on a journey that is equal parts joyful, heartbreaking, and funny as Mitra and Bea navigate the changing nature of I love you.

"The Dream of a Common Language explores the contours of a woman's heart and mind in language for everybody--language whose plainness, laughter, questions and nobility everyone can respond to. . . . No one is writing better or more needed verse than this."--Boston Evening Globe

Shakespeare had an ear and hand that was able to capture our everyday thoughts and emotions, pin them to a page, and express them so well that still today they can make us feel stunned to be seen.

'Better three hours too soon than a minute too late.'
'Make not your thoughts your prisons.'
'Wisely and slow. They stumble that run fast.'
'And I have heard it said, unbidden guests are often welcomest when they're gone.'

With a quote for every day of the year, this beautiful book gathers the finest lines from the lesser-known corners of Shakespeare's plays and poems. While you may not be familiar with these 400-year-old phrases, you will be surprised by the immediate, easy resonance they have with modern day-to-day life and, hopefully, inspired to learn a few quotes, say them out loud, and drop them into conversation.

Each page bears a gift of Shakespearean delight - around which lies a treasure trove of trivia, miscellaneous fact, and opportunities for reflection.

The Crystals - son and father - draw attention to points of daily life, literary, linguistic, and theatrical interest through their entertaining commentary. They offer notes of context for anyone who wants to know who originally said the words, in which play, and why. And finally, the authors provide three indexes, allowing readers to help find the right quote for a task, or to follow-up on a quote's original source.

Shakespeare's words are a mirror for us to peer into, to see if any part of ourselves, familiar or strange, is visible. Each day as you read his lines, you'll get glimpses of loves you've known, jealousies you've felt, relationships you've had, and situations you've encountered that bring a smile - or a wince - of familiarity.

Everyday Shakespeare shares the simple lines that encapsulate the wondrous complexity of life, and the enduring appeal of the Bard.

Shakespeare was not of an age, but for all time. - Ben Jonson

This is the only fully annotated and modernized edition to bring together Shakespeare's sonnets as well as all his poems (including those attributed to him after his death) in one volume. A full introduction discusses his development as a poet, and how the poems relate to the plays, and detailed notes explain the language and allusions. While accessibly written, the edition takes account of the most recent scholarship and criticism.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Poet and podcaster Jarod K. Anderson (creator of The CryptoNaturalist Podcast and author of Field Guide to the Haunted Forest) contemplates mental health and celebrates the natural world with warmth and humor. The poetry and prose in this collection are an eclectic mix unified by themes of stubborn hope and empathy. Vivid and approachable, the work gathered here invites readers to rediscover commonplace wonders and find new beauty in topics ranging from owls to atoms. The poems in this collection highlight our connection to a living universe and affirm our place in a wilderness worthy of our love.

An acclaimed young poet explores her identity as a twenty-first-century Indigenous woman. Poem by poem, Tibble carves out a bold new way of engaging history, of straddling modernity and ancestry, desire and exploitation.

Intimate, moving, virtuosic, and hilarious, Tayi Tibble is one of the most exciting new voices in poetry today. In Poūkahangatus (pronounced "Pocahontas"), her debut volume, Tibble challenges a dazzling array of mythologies--Greek, Māori, feminist, kiwi--peeling them apart, respinning them in modern terms. Her poems move from rhythmic discussions of the Kardashians, sugar daddies, and Twilight to exquisite renderings of the natural world and precise emotions ("The lump in her throat swelled like a sea that threatened to take him from her, and she had to swallow hard"). Tibble is also a master narrator of teenage womanhood, its exhilarating highs and devastating lows; her high-camp aesthetics correlate to the overflowing beauty, irony, and ruination of her surroundings.

These are warm, provocative, and profoundly original poems, written by a woman for whom diving into the wreck means taking on new assumptions--namely, that it is not radical to write from a world in which the effects of colonization, land, work, and gender are obviously connected. Along the way, Tibble scrutinizes perception and how she as a Māori woman fits into trends, stereotypes, and popular culture. With language that is at once colorful, passionate, and laugh-out-loud funny, Poūkahangatus is the work of one of our most daring new poets.

Some days are easy! The sky is sunny, and it feels like the whole world is your oyster. Everything goes according to plan, and we know what to expect. Other days are tough! There might be raindrops or skinned knees. Things don't go our way and we feel overwhelmed. But that is the up-and-down rollercoaster ride we call life. And everyone experiences it. The most important thing to remember is "No matter your day, tomorrow's brand new!" Lyrical text and colorful artwork remind readers of all ages that life is a vibrant adventure with an array of experiences and emotions, and tomorrow always offers a fresh start. What a difference a day can make! An important message to keep in mind.

Short Film Starring My Beloved's Red Bronco, selected by Tyehimba Jess for the 2022 Ballard Spahr Prize for Poetry, is an aching tribute to the power and precarity of queer love. In small-town Mississippi, before the aughts, a child "assigned 'woman'" and a boy "forced to call / himself a girl" love one another--from afar, behind closed doors, in motels. The child survives an injurious mother and the beast-shaped men she brings home; the boy becomes a soldier. Years later, the boy--the eponymous beloved, Missy--dies by suicide, kicking up a riptide of memory. This is where K. Iver writes, at the confluence of love poem and elegy. "I say to the water if you were here, / you'd be here." With cinematic precision, they conjure dorm-room landlines, the lingering sweetness of shared candy, a ballet strap and "soft / fingers tracing it, afraid to touch / the skin." They punctuate depictions of familial abuse and the cruel politics of the Deep South with fairy tales: a girl who endures abuse refusing to grow into a mother who inflicts it herself, queer youth kissing fearlessly, bodies transcending the violence of a reductive gender binary. In these fantasies, "there's no / reason to leave town no hidden / torches waiting for us to fall asleep." Short Film Starring My Beloved's Red Bronco sees us through a particular kind of grief--one so relentless, it's precious. It presses us, also, to continue advocating for a world in which queer love fantasies become reality and queer love poems "swaddle the impossible / contours of joy."

From the bestselling author of the princess saves herself in this one comes an accessible guide to welcoming magic into your life, perfect for beginner witches and the magic-curious alike.

As witchcraft grows ever more popular, there are countless introductions and paths into magical practice to choose from--so many that you might not know where to begin. When you're just getting started, it's easy to be intimidated or discouraged or to feel that there's no place for you in the craft.

With make your own magic, amanda lovelace aims to change that. This inviting beginner's guide shows that magic doesn't have to be fancy, time-consuming, or one-size-fits-all. It introduces the tenets of witchcraft so that you can develop your own practice and relationship with magic in whatever way works for you. With simple explanations, twenty all-new inspiring poems, words of encouragement, magical journaling prompts, and more, this book sweeps away the gatekeeping and offers you the tools needed to begin building a strong, long-lasting practice focused on self-love.

From Leaves of Grass to "Song of Myself," all of Whitman's poetry in one volume

In 1855 Walt Whitman published Leaves of Grass, the work that defined him as one of America's most influential voices and that he added to throughout his life. A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation, and what it meant to be an American. From the joyful "Song of Myself" and "I Sing the Body Electric" to the elegiac "When Lilacs Last in the Dooryard Bloom'd," Whitman's art fuses oratory, journalism, and song in a vivid celebration of humanity. Containing all Whitman's known poetic work, this edition reprints the final, or "deathbed," edition of Leaves of Grass (1891-92). Earlier versions of many poems are also given, including the 1855 "Song of Myself." - Features a completely new--and fuller--introduction discussing the development of Whitman's poetic career, his influence on later American poets, and his impact on the American cultural sensibility
- Includes chronology, updated suggestions for further reading, and extensive notes

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Lena Khalaf Tuffaha's Kaan and Her Sisters illuminates the work of grief and survival, the sordid legacies of official historical record and the liberatory practice of intimate narration. Tuffaha writes in the liminal space between languages, personifying Arabic verbs who guide the reader through a "history hurtling into the future." Kaan and Her Sisters centers character of the Arabic teacher, Miss Sahar, whose progressive displacements from Palestine and across Arab cities unfold in epistles, refashioned songs, and glimpses into the interiors of her lost home. In these disclosures, a study of time and a record of resistance to erasure emerges, and at its heart, the women who keep intergenerational memory. "Our mothers miraculous, persevering./No maps are new to the ancestors."

Published in association with the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular collection of poems reflecting on our relationship to the natural world by fifty of our most celebrated contemporary writers. For many years, "nature poetry" has evoked images of Romantic poets standing on mountain tops. But our poetic landscape has changed dramatically, and so has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limón, this book challenges what we think we know about "nature poetry," illuminating the myriad ways our landscapes--both literal and literary--are changing.You Are Here features fifty previously unpublished poems from some of the nation's most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more. Each poem engages with its author's local landscape--be it the breathtaking variety of flora in a national park, or a lone tree flowering persistently by a bus stop--offering an intimate model of how we relate to the world around us and a beautifully diverse range of voices from across the United States.Joyful and provocative, wondrous and urgent, this singular collection of poems offers a lyrical reimagining of what "nature" and "poetry" are today, inviting readers to experience both anew.

And I have done more than just simply get by
So much more than escape or survive
Through the galvanisation of love, time and patience
I'll take hold of my story and thrive.
After life that was seldom what life ought to be
Through laughter and love I'll be whole
This story is mine from the cover to spine
And the narrative I will control

Whether she's writing letters to her younger self, advocating for women's rights or adapting fairy tales to process an abusive relationship, Len's voice is bold, unashamedly frank and unmistakably hers.

The poems in this collection, both funny and fiercely feminist, announce a formidable new talent. Moving deftly between English and Scots, poyums is as approachable as it is affecting.

Honored as a Best Book of 2021 by Publishers Weekly

This volume of verse displays the undeniable legacy June Jordan left on both our literature and culture. Collected here are blazing examples of poetry as activism, stanzas that speak truth to power and speak out against violence against women and police brutality. But Jordan also speaks on the significance of hope, mixing, as Brown puts it, 'the doom and devastation made mundane through media with the hard decision to love anyway.'--O, The Oprah Magazine

A selection of poems published between 1971 and 2001, this posthumous volume reflects Jordan's view of poetry as 'a political action' that can 'build a revolution.' Her own work is filled with love and delight as well as revenge and justice.--New York Times Book Review, Editor's Choice

The Essential June Jordan honors the enduring legacy of a poet fiercely dedicated to building a better world. In this definitive volume, introduced by Pulitzer Prize winner Jericho Brown, June Jordan's generous body of poetry is distilled and curated to represent the very best of her works. Written over the span of several decades--from Some Changes in 1971 to Last Poems in 2001---Jordan's poems are at once of their era and tragically current, with subject matter including racist police brutality, violence against women, and the opportunity for global solidarity amongst people who are marginalized or outside of the norm. In these poems of great immediacy and radical kindness, humor and embodied candor, readers will (re)discover a voice that has inspired generations of contemporary poets to write their truths. June Jordan is a powerful voice of the time-honored movement for justice, a poet for the ages. Introduced by Jericho Brown, winner of the 2020 Pulitzer prize in poetry.