Collection: Poetry

Evelyn Berry's debut poetry collection, Grief Slut, is an examination of the queer lineage of pleasure, grief, and resilience in the American South. Berry offers a portrait of a girl living through boyhood and grappling with the violence of nostalgia in poems that blend high art, archival slivers, and Taco Bell. This collection invites us into a landscape home to sloppy kissers, swamp suitors, scrappy "limbwrecked boys," and drag queens drenched in glitter sweat, where "each day is trespass" and queer youth fight to "hear one another breathe just a little while longer."

The new edition of a prize-winning memoir-in-poems, a meditation on life as a queer Indigenous man--available for the first time in the United States

"i am one of those hopeless romantics who wants every blowjob to be transformative." Billy-Ray Belcourt's debut poetry collection, This Wound Is a World, is "a prayer against breaking," writes trans Anishinaabe and Métis poet Gwen Benaway. "By way of an expansive poetic grace, Belcourt merges a soft beauty with the hardness of colonization to shape a love song that dances Indigenous bodies back into being. This book is what we've been waiting for."

Part manifesto, part memoir, This Wound Is a World is an invitation to "cut a hole in the sky / to world inside." Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where "everyone is at least a little gay." Presented here with several additional poems, this prize-winning collection pursues fresh directions for queer and decolonial theory as it opens uncharted paths for Indigenous poetry in North America. It is theory that sings, poetry that marshals experience in the service of a larger critique of the coloniality of the present and the tyranny of sexual and racial norms.

2017 Foreword INDIES Book of the Year Awards Gold Winner

2018 Levis Reading Prize Winner

2017 Julie Suk Award Winner

A 2017 Nautilus Silver Award Winner

2017 Florida Book Award Gold Winner

A 2018 First Horizon Award Winner

Winner of the 2017 John C. Zacharis First Book Award

A 2018 Montaigne Medal Finalist

A 2017 NPR Best Book of the Year

A 2017 Library Journal Best Book of the Year

A 2017 Entropy Magazine Best Book of the Year

A 2017 The Coil Best Book of the Year

A 2017 Interview Best Book of the Year

Addiction. Recovery. Repeat. Akbar blazes the poetry scene with this introspective, powerful, and passionate debut.

This highly-anticipated debut boldly confronts addiction and courses the strenuous path of recovery, beginning in the wilds of the mind. Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight.

from "Stop Me If You've Heard This One Before"

Sometimes you just have to leave

whatever's real to you, you have to clomp

through fields and kick the caps off

all the toadstools. Sometimes

you have to march all the way to Galilee

or the literal foot of God himself before you realize

you've already passed the place where

you were supposed to die. I can no longer remember

the being afraid, only that it came to an end.

Rich continues: "Refusing to be circumscribed by any simple identity, Audre Lorde writes as a Black woman, a mother, a daughter, a Lesbian, a feminist, a visionary; poems of elemental wildness and healing, nightmare and lucidity. Her rhythms and accents have the timelessness of a poetry which extends beyond white Western politics, beyond the anger and wisdom of Black America, beyond the North American earth, to Abomey and the Dahomeyan Amazons. These are poems nourished in an oral tradition, which also blaze and pulse on the page, beneath the reader's eye."

From bestselling Landmarks author Robert Macfarlane and acclaimed artist and author Jackie Morris, a beautiful collection of poems and illustrations to help readers rediscover the magic of the natural world.

In 2007, when a new edition of the Oxford Junior Dictionary -- widely used in schools around the world -- was published, a sharp-eyed reader soon noticed that around forty common words concerning nature had been dropped. Apparently they were no longer being used enough by children to merit their place in the dictionary. The list of these "lost words" included acorn, adder, bluebell, dandelion, fern, heron, kingfisher, newt, otter, and willow. Among the words taking their place were attachment, blog, broadband, bullet-point, cut-and-paste, and voice-mail. The news of these substitutions -- the outdoor and natural being displaced by the indoor and virtual -- became seen by many as a powerful sign of the growing gulf between childhood and the natural world.

Ten years later, Robert Macfarlane and Jackie Morris set out to make a "spell book" that will conjure back twenty of these lost words, and the beings they name, from acorn to wren. By the magic of word and paint, they sought to summon these words again into the voices, stories, and dreams of children and adults alike, and to celebrate the wonder and importance of everyday nature. The Lost Words is that book -- a work that has already cast its extraordinary spell on hundreds of thousands of people and begun a grass-roots movement to re-wild childhood across Britain, Europe, and North America.

"These are poems which blaze and pulse on the page."--Adrienne Rich "The first declaration of a black, lesbian feminist identity took place in these poems, and set the terms--beautifully, forcefully--for contemporary multicultural and pluralist debate."--Publishers Weekly "This is an amazing collection of poetry by . . . one of our best contemporary poets. . . . Her poems are powerful, often political, always lyrical and profoundly moving."--Chuckanut Reader Magazine "What a deep pleasure to encounter Audre Lorde's most potent genius . . . you will welcome the sheer accessibility and the force and beauty of this volume."--Out Magazine

In a novel-in-verse that brims with grief and love, National Book Award-winning and New York Times bestselling author Elizabeth Acevedo writes about the devastation of loss, the difficulty of forgiveness, and the bittersweet bonds that shape our lives.

Camino Rios lives for the summers when her father visits her in the Dominican Republic. But this time, on the day when his plane is supposed to land, Camino arrives at the airport to see crowds of crying people...

In New York City, Yahaira Rios is called to the principal's office, where her mother is waiting to tell her that her father, her hero, has died in a plane crash.

Separated by distance--and Papi's secrets--the two girls are forced to face a new reality in which their father is dead and their lives are forever altered.

And then, when it seems like they've lost everything of their father, they learn of each other.

Great for summer reading or anytime! Clap When You Land is a Today show pick for "25 children's books your kids and teens won't be able to put down this summer!"

Plus don't miss Elizabeth Acevedo's The Poet X and With the Fire on High!

In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama's appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem's artistry and explores how its meaning can reach into our own lives.

Focusing mainly on poets writing today, Ó Tuama engages with a diverse array of voices that includes Ada Limón, Ilya Kaminsky, Margaret Atwood, Ocean Vuong, Layli Long Soldier, and Reginald Dwayne Betts. Natasha Trethewey meditates on miscegenation and Mississippi; Raymond Antrobus makes poetry out of the questions shot at him by an immigration officer; Martín Espada mourns his father; Marie Howe remembers and blesses her mother's body; Aimee Nezhukumatathil offers comfort to her child-self. Through these wide-ranging poems, Ó Tuama guides us on an inspiring journey to reckon with self-acceptance, history, independence, parenthood, identity, joy, and resilience.

For anyone who has wanted to try their hand at a conversation with poetry but doesn't know where to start, Poetry Unbound presents a window through which to celebrate the art of being alive.

Christian Wiman braids poetry, memoir, and criticism to create an inspired, career-defining work.

Few contemporary writers ask the questions about faith, morality, and God that Christian Wiman does, and even fewer--perhaps none--do so with his urgency and eloquence. Wiman, an award-winning poet and the author of My Bright Abyss, lays the motion of his mind on the page in this genre-defying work, an indivisible blend of poetry, criticism, theology, and searing memoir. As Marilynne Robinson wrote, "[Wiman's] poetry and his scholarship have a purifying urgency that is rare in this world . . . [It] enables him to say new things in timeless language, so that the reader's surprise and assent are one and the same."

Zero at the Bone begins with Wiman's preoccupation with despair, and through fifty brief pieces, he unravels its seductive appeal. The book is studded with the poetry and prose of writers who inhabit Wiman's thoughts, and the voices of Wallace Stevens, Lucille Clifton, Emily Dickinson, and others join his own. At its heart and Wiman's, however, are his family--his young children (who ask their own invaluable questions, like "Why are you a poet? I mean why?"), his wife, and those he grew up with in West Texas. Wiman is the rare thinker who takes on the mantle of our greatest mystics and does so with an honest, profound, and contemporary sensibility. Zero at the Bone is a revelation.

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. The epic tale of Odysseus and his ten-year journey home after the Trojan War forms one of the earliest and greatest works of Western literature. Confronted by natural and supernatural threats - shipwrecks, battles, monsters and the implacable enmity of the sea-god Poseidon - Odysseus must use his wit and native cunning if he is to reach his homeland safely and overcome the obstacles that, even there, await him.

Radiant poems that celebrate Black Southern womanhood and the many ways magic lives in the bonds between mothers, daughters, and sisters, from the bestselling author of Memphis.

"God can stay asleep / these women in my life are magic enuff"

An electrifying collection of poems that tells a universal tale of survival and revolution through the lens of Black femininity. Tara M. Stringfellow embraces complexity, grappling with the sometimes painful, sometimes wonderful way two conflicting things can be true at the same time. How it's possible to have a strong voice but also feel silenced. To be loyal to things and people that betray us. To burn as hot with rage as we do with love.

Each poem asks how we can heal and sustain relationships with people, systems, and ourselves. How to reach for the kind of real love that allows for the truth of anger, disappointment, and grief. Unapologetic, unafraid, and glorious in its nuance, this collection argues that when it comes to living in our full humanity, we have--and we are--magic enough.

The hidden history of a vulnerable gay man whose life and death were turned into tabloid fodder.

In the early 1990s, eight people living in a small conservative Florida town alleged that Dr. David Acer, their dentist, infected them with HIV. David's gayness, along with his sickly appearance from his own AIDS-related illness, made him the perfect scapegoat and victim of mob mentality. In these early years of the AIDS epidemic, when transmission was little understood, and homophobia rampant, people like David were villainized. Accuser Kimberly Bergalis landed a People magazine cover story, while others went on talk shows and made front page news.

With a poet's eulogistic and psychological intensity, Steven Reigns recovers the life and death of this man who also stands in for so many lives destroyed not only by HIV, but a diseased society that used stigma against the most vulnerable. It's impossible not to make connections between this story and how the twenty-first century pandemic has also been defined by medical misinformation and cultural bias.

Inspired by years of investigative research into the lives of David and those who denounced him, Reigns has stitched together a hauntingly poetic narrative that retraces an American history, questioning the fervor of his accusers, and recuperating a gay life previously shrouded in secrecy and shame.

"Much too long, suffering has been part of our collective queer legacy. We weather the storm of insult to character and seemingly irreconcilable injustice in tandem with the hope that the arc of time will bend towards justice; our time is now. A Quilt for David is a posthumous journal of vindication."--Brontez Purnell, author of 100 Boyfriends

"A stunning homage to people with AIDS."--Sarah Schulman, author of Let the Record Show: A Political History of ACT UP New York, 1987-1993

"I found this an incredibly moving book. Reigns deals in hard truths, revisioning one man's life and death, and our collective queer history."--Justin Torres, author of We the Animals

"A Quilt for David is amazing and so powerful, filled with anger and frustration . . . It's an unforgettable book."--Marie Cloutier, Greenlight Bookstore, Brooklyn, NY

"Told in short, occasionally haiku-like entries, Reigns has done what literature should: put the reader into the mind, the suffering, of another human being."--Andrew Holleran, author of Chronicle of a Plague, Revisited

"Steven Reigns lifts David Acer thirty years after his death to show the naked cost of violent, unexamined public opinion around the catastrophe of AIDS. This poetry masterfully documents the tangle of hatred and lies haunting a generation of survivors. I am often grateful for what poems give to me, most especially the ones in this book."--CAConrad, author of AMANDA PARADISE: Resurrect Extinct Vibration

"This writing is energetic, alive, and uncensored. Through poetry and prose we glean a deep understanding of a life misunderstood and mischaracterized. Reigns goes to the mat to find out what really happened, and with his expert pacing we're right there with him."--Natalie Goldberg, author of Writing Down the Bones

"One of the most important roles a poet can assume is that of emotional historian. Reigns certainly understands that notion in this necessary and genre-bending book."--Richard Blanco, 2013 Presidential Inaugural Poet, author of How to Love a Country

The breakout poetry collection in a multiform, poetic conversation between queer and trans artists and writers.

Like meeting under a disco ball, or listening to Arthur Russell on the Staten Island Ferry, Gay Heaven Is a Dance Floor but I Can't Relax proposes reading as a form of friendship. Conversational, inquisitive, and scrutinizing, this book goes out to anyone who has loved someone they'll never get to meet.

"Gay Heaven Is a Dance Floor but I Can't Relax gives me the same kind of excitement and imaginative heat that obsessing over the glossy photo middles of queer biographies does. These poems collectively form a watery slide between past and present, care and anxiety, form and formlessness, verb and noun. We can live large in the slippage between the relational and the overwhelmingly mysterious. It would be so easy to fall into a nostalgic hole, but charles isn't that kind of poet. Rather, we dance (or write) into the polymorphous dawn, "the extended cut, a technology for sensing forever." I'm grateful to have these poems for how they welcome us in through surreal syntax that then somehow forms a new grammar where metabolic harmony with cats and capybaras, zinnias and rambutans, is the norm, is the gay heaven."

- Stacy Szymaszek

"The poems in Gay Heaven Is a Dance Floor but I Can't Relax possess astonishing depths of love in their arrangements of words and sounds, in their amusement with and within exuberant complexities, and in their utter resistance to giving in to harm and harm's byways. The long title poem, on and for and with Arthur Russell, is a cascade of forms and voices channeled through dance and the untouch into the continuousness of collective knowledge, movement and grief in the face of devastation. And then like Martin Wong, among many other sources of art and hope, charles theonia digs the way firemen smell, listens for sounds waiting for an open mouth, and knows 'Begin can be replaced with any word that brings you closer.' This book is a companion for life."

- Anselm Berrigan

"Lucky for us we dream in landscapes / beyond our experience," writes charles theonia in the long poem opening their electric debut collection, and readers are all the luckier for it. Brimming with a sense of the possible, among its many offerings are 'other arrangements of the self;' the dance of bodies (textual and not) entangled in sound; portals to multiple elsewheres--'Utopia: a compulsion to keep remaking this world.' This world can't become on its own, hence its gregarious erotics. Jump in!"

- Mónica de la Torre

"charles theonia's poems are everything!"

- Tourmaline

"Nothing is not gay, and neither space nor time can prevent people from touching in charles theonia's new collection of poems, Gay Heaven Is a Dance Floor But I Can't Relax, in which language is motioned to meet desire, to rouse it, spark it, make it public and then make it echo--because why shouldn't it? theonia's poems are for creatures of feeling who want both/and. They arouse, resound and satisfy."

- Shiv Kotecha

A collection of poetry reclaiming Catholic prayers and biblical passages to empower girls, women, and members of the LGBTQIA+ community.

The extreme level of sass in Emily Austin's Gay Girl Prayers does not mean that this collection is irreverent. On the contrary, in rewriting Bible verses to affirm and uplift queer, feminist, and trans realities, Austin invites readers into a giddy celebration of difference and a tender appreciation for the lives and perspectives of "strange women."

Packed with zingy one liners, sexual innuendo, self-respect, U-Hauling, and painfully earnest declarations of love, this is gayness at its best, harnessed to a higher purpose and ready to fight the powers that be.

A modern love story, told in verse, about two teenaged trans boys who name themselves after two Revolutionary War soldiers. A lyrical, aching young adult romance perfect for fans of The Poet X, Darius the Great is Not Okay, and Aristotle and Dante Discover the Universe.

For as long as they can remember, Aaron and Oliver have only ever had each other. In a small town with few queer teenagers, let alone young trans men, they've shared milestones like coming out as trans, buying the right binders--and falling for each other.

But just as their relationship has started to blossom, Aaron moves away. Feeling adrift, separated from the one person who understands them, they seek solace in digging deep into the annals of America's past. When they discover the story of two Revolutionary War soldiers who they believe to have been trans man in love, they're inspired to pay tribute to these soldiers by adopting their names--Aaron and Oliver. As they learn, they delve further into unwritten queer stories, and they discover the transformative power of reclaiming one's place in history.

Further reading on trans history is included in backmatter.

One hundred of the most evocative modern poems on joy, selected by an award-winning contemporary poet
"Bursting with energy and surprising locutions. . . . Even the most familiar poets seem somehow new within the context of Joy."--David Skeel, Wall Street Journal "Wiman takes readers through the ostensible ordinariness of life and reveals the extraordinary."--Adrianna Smith, The Atlantic
Christian Wiman, a poet known for his meditations on mortality, has long been fascinated by joy and by its relative absence in modern literature. Why is joy so resistant to language? How has it become so suspect in our times? Manipulated by advertisers, religious leaders, and politicians, joy can seem disquieting, even offensive. How does one speak of joy amid such ubiquitous injustice and suffering in the world?

In this revelatory anthology, Wiman takes readers on a profound and surprising journey through some of the most underexplored terrain in contemporary life. Rather than define joy for readers, he wants them to experience it. Ranging from Emily Dickinson to Mahmoud Darwish and from Sylvia Plath to Wendell Berry, he brings together diverse and provocative works as a kind of counter to the old, modernist maxim "light writes white"--no agony, no art. His rich selections awaken us to the essential role joy plays in human life.