Collection: Shop Latinx

Yolanda Arroyo Pizarro's writing blends research and fiction to summon voices silenced in archival records. The protagonists actively dissent from their condition as slaves and, more importantly, from their condition as negras--an identity constructed by and under Eurocentric epistemology. It doesn't matter whether the slave owners' initials inscribed on their flesh with blazing iron ever disappear; there won't be a way to identify them if they don't have a say. No wonder it's "the historians, for leaving us out," to whom Arroyo Pizarro dedicates Negras, aware that the stories of Wanwe, Ndizi, Tshanwe, and Petra burst into and fill historical lacunae that have been deliberately ignored. This bilingual edition also includes an anthology of Arroyo Pizarro's poetry.

The trial of the 'Grenada 17' for the assassination of Maurice Bishop, the popular leader of the Grenada Revolution, though resulting in a guilty verdict for all of them, left many unanswered questions. Among those questions were: who ordered the killing and where was the body taken? Now, after close to four decades comes an authoritative work that, while not claiming to provide all the answers, sheds new and credible light on the tragedy which unfolded on that fateful day in October 1983 and the chilling sequence of events that precipitated them.

At the heart of Godfrey Smith's revealing book, The Assassination of Maurice Bishop, is the role of Bernard Coard who, over the brief life of the revolution, was transformed from Bishop's friend and comrade into a jealous, power-hungry conspirator who manipulated a cadre of young, impressionable acolytes in the revolutionary army, to orchestrate an impractical proposal for a Bishop-Coard joint leadership which leads to a deadly schism in the party after Bishop ultimately rejects the idea, and a rapid descent into chaos ending in Bishop's assassination.

Smith skilfully contrasts the charisma and populist appeal of the flamboyant Maurice Bishop with the dour, methodical and ideologically rigid Bernard Coard, the two main protagonists in this intense, gripping and high-paced narrative. Other leading actors are vividly portrayed either in their roles as loyalists to Maurice Bishop or as pawns in a Coardite power grab, as he traces the events, personalities and issues in dramatic detail from the first challenge to Bishop's leadership in the Central Committee to the harrowing denouement at Fort Rupert.

The author leaves the best for last in the Afterword. For two and a half months, Smith immersed himself in Grenadian life, taking up residence in the country, beavering his way into the closed ranks of the 'Grenada 17', including all three members of the firing squad as well as its Commander, and winning the confidence of some of them. His travels also took him to Barbados, Cuba - a pivotal player in revolutionary Grenada - and to Jamaica in search of Bernard and Phyllis Coard for their version of the events.

Throughout, Smith's approach is non-intrusive, allowing the characters to speak for themselves and leaving readers to make their own assessments and reach their own conclusions. In this book, he has taken Grenadians a decisive step closer towards closure and final reconciliation.

Este debut literario relata la profunda y conmovedora historia de cómo una niña y su abuelita enfrentan varias manifestaciones del racismo en su vida cotidiana.

El tiempo en casa con Abuelita es divertido. Incluye comer panqueques, saltar charcos y pintarse las uñas. Mientras que las salidas para hacer compras no siempre son divertidas. En el supermercado y en el bus la gente es impaciente y desconfiada. A veces alzan la voz y gritan. Esto entristece, enfada y atemoriza a la niña protagonista de la historia. Ella decide nunca más salir de su casa. Esto cambia cuando en un instante la pequeña se da cuenta que unidas, ella y Abuelita, son mucho más fuertes.

Los cálidos y expresivos dibujos de Rafael Mayani ilustran magníficamente la ternura que existe entre la narradora y su querida Abuelita.

Uno de los mejores libros en español del 2020 del New York Times

"Autobiografía del algodón dota de un nuevo y extraordinario significante al territorio de la frontera norte de México, que aquí se erige majestuoso sobre el movimiento nómada y la ruta de los recuerdos." - Yásnaya Elena Aguilar.

Indagar sobre el origen personal es abrir una puerta a muchas preguntas a silencios y respuestas impensadas que aveces terminan por ser un revés de la memoria. En autobiografía del algodón, Cristina Rivera Garza sigue con curiosidad y asombro los pasos de aquellos hombres y mujeres que habitan su pasado familiar, obreros, campesinos que trabajaron la tierra que ahora conforma la frontera entre Tamaulipas y Texas, una región que alcanzó un alto nivel económico, social y cultural gracias al sistema de siembra del algodón.

Es así que esta novela es, además de íntima, un reencuentro con el territorio. O un desencuentro, debido a la migración, deportación, expulsión y repatriación de aquellos campesinos algodoneros, que tras el fracaso del sistema, dejaron libre su espacio, antes símbolo de progreso, hoy ocupado por la llamada guerra contra el narco.

ENGLISH DESCRIPTION

One of the best Spanish Books of 2020 by The New York Times

The Autobiography of Cotton provides a new and extraordinary signifier to the territory of the northern border of Mexico, that here raises up majestically upon the nomadic movement and the route of memories." - Yásnaya Elena Aguilar.

To look into personal origins is to open the door to many questions of silence and unthinkable answers that sometimes end up being a mishap of memory. In The Autobiography of Cotton, Cristina Rivera Garza follows, with curiosity and amazement, the steps of those men and women who dwell in her family's past, laborers, peasants who worked the land that now makes up the border between Tamaulipas and Texas, a region that achieved economic, social, and cultural prosperity thanks to the cultivation of cotton. Thus, this novel is, in addition to being intimate, a reunion with the land. Or, a disunion, due to the migration, deportation, expulsion, and repatriation of those cotton workers, who after the system failed, left their area unoccupied, before a symbol of progress, today taken over by the so-called war on drugs,

Winner of the Caughey Western History Prize
Winner of the Robert G. Athearn Award
Winner of the Lawrence W. Levine Award
Winner of the TCU Texas Book Award
Winner of the NACCS Tejas Foco Nonfiction Book Award
Winner of the María Elena Martínez Prize
Frederick Jackson Turner Award Finalist

"A page-turner...Haunting...Bravely and convincingly urges us to think differently about Texas's past."
--Texas Monthly

Between 1910 and 1920, self-appointed protectors of the Texas-Mexico border--including members of the famed Texas Rangers--murdered hundreds of ethnic Mexicans living in Texas, many of whom were American citizens. Operating in remote rural areas, officers and vigilantes knew they could hang, shoot, burn, and beat victims to death without scrutiny. A culture of impunity prevailed. The abuses were so pervasive that in 1919 the Texas legislature investigated the charges and uncovered a clear pattern of state crime. Records of the proceedings were soon filed away as the Ranger myth flourished.

A groundbreaking work of historical reconstruction, The Injustice Never Leaves You has upended Texas's sense of its own history. A timely reminder of the dark side of American justice, it is a riveting story of race, power, and prejudice on the border.

"It's an apt moment for this book's hard lessons...to go mainstream."
--Texas Observer

"A reminder that government brutality on the border is nothing new."
--Los Angeles Review of Books

Fairy tale meets detective drama in this David Lynch-like novel by a writer Jonathan Lethem calls "one of Mexico's greatest . . . we are just barely beginning to catch up to what she has to offer."

A fairy tale run amok, The Taiga Syndrome follows an unnamed Ex-Detective as she searches for a couple who has fled to the far reaches of the earth. A betrayed husband is convinced by a brief telegram that his second ex-wife wants him to track her down--that she wants to be found. He hires the Ex-Detective, who sets out with a translator into a snowy, hostile forest where strange things happen and translation betrays both sense and one's senses. Tales of Hansel and Gretel and Little Red Riding Hood haunt the Ex-Detective's quest into a territory overrun with the primitive excesses of Capitalism--accumulation and expulsion, corruption and cruelty--though the lessons of her journey are more experiential than moral: that just as love can fly away, sometimes unloving flies away as well. That sometimes leaving everything behind is the only thing left to do.

In this mosaic horror/crime novel, ghosts and old gods guide the hands of those caught up in a violent struggle to save the soul of the American southwest. A man tasked with shuttling children over the border believes the Virgin Mary is guiding him towards final justice. A woman offers colonizer blood to the Mother of Chaos. A boy joins corpse destroyers to seek vengeance for the death of his father.These stories intertwine with those of a vengeful spirit and a hungry creature to paint a timely, compelling, pulpy portrait of revenge, family, and hope."Call him the Barrio Palahniuk, a badass Henry Miller, Charles Willeford in Cholo-land-whatever the moniker, for my money Gabino Iglesias is one of the most fearless, original and riveting writers working today." - Jerry Stahl, author of Permanent Midnight"Iglesias is a master of compact phrasing and perfectly paced suspense." - Los Angeles Review of Books

Asina is How We Talk is a fresh and tasty morsel of language activism, a defense of that nepantla of a borderland between two cultures, two languages, two nations, where even how we accent our words, which languages we speak, and whether those languages are allowed to consort with each other become a political, personal, and possibly confrontational action. An anthem of biculturalism, it fills our senses with the tastes and sounds of that cultural and linguistic mix where children of the Aztec Quinto Sol express their uniqueness and pride "...Eating pepperoni pizza/With salsa verde..." (Nicolás Valdez) and learn that "cenizas quedan/ my body should be a furnace" (ire'ne lara silva.)

Un delicioso libro ilustrado sobre las formas en que los plátanos dan forma a la cultura, la comunidad, y la familia Latina/o/x/e, contado a través de las experiencias de una niña en la cocina con su abuela.

Abuela dice, "Los plátanos son amor."
Yo pensé que eran comida.
Pero Abuela dice que nos alimentan de más de una manera.

Con cada explosión de los tostones, puré de mangú y chisporroteo de los maduros, una niña aprende que los plátanos son su historia, son su cultura y, lo más importante, son amor.

A heartwarming storybook based on the hit PBS show Alma's Way, created by Emmy Award-winning actor Sonia Manzano -- best known as Maria on Sesame Street.

It's Halloween, and Alma and her little brother Junior can't wait to go trick-or-treating! But then Junior accidentally ruins his dinosaur costume. Can Alma help him turn his mistake into a fright-night delight? Includes stickers!

Una historia arrolladora, cuidadosamente revisada y actualizada, de la experiencia latina en Estados Unidos.

Es la primera reedición en diez años de este importante estudio sobre los latinos en la historia de Estados Unidos. La cosecha del imperio cubre un periodo de cinco siglos, desde las primeras colonias en el Nuevo Mundo, hasta la primera década del nuevo milenio. Hoy en día, los latinos representan el grupo minoritario más grande en Estados Unidos, y su impacto en la cultura popular del país --desde la comida, hasta el entretenimiento y la literatura-- es más profundo que nunca. Con retratos de familia de pioneros latinos migrantes, así como recuentos de los eventos y condiciones que los llevaron a dejar sus patrias, La cosecha del imperio es una lectura obligada para cualquiera que desee comprender la historia y el legado de este grupo, cuya influencia va en aumento.

Juan González, columnista del New York Daily News, ha vivido en Estados Unidos cincuenta de sus cincuenta y un años. Sus numerosos reconocimientos incluyen el Premio George Polk en 1998 por la excelencia en el periodismo, y el premio a su trayectoria de parte de la Academia Hispánica de Artes Mediáticas y Ciencias. Nacido en Puerto Rico, creció en un barrio de multifamiliares y fue cofundador del partido Young Lords en los años sesenta. Vive en la Ciudad de Nueva York.

ENGLISH DESCRIPTION

A sweeping history of the Latino experience in the United States-thoroughly revised and updated.

The first new edition in ten years of this important study of Latinos in U.S. history, Harvest of Empire spans five centuries-from the first New World colonies to the first decade of the new millennium. Latinos are now the largest minority group in the United States, and their impact on American popular culture-from food to entertainment to literature-is greater than ever. Featuring family portraits of real- life immigrant Latino pioneers, as well as accounts of the events and conditions that compelled them to leave their homelands, Harvest of Empire is required reading for anyone wishing to understand the history and legacy of this increasingly influential group.

From internationally renowned Haida artist Michael Nicoll Yahgulanaas comes an inspiring picture book for kids 5-8 about a courageous hummingbird who defies fear and expectations to save her forest home.

The great forest is on fire, and the terrified animals are fleeing for their lives. But not the little hummingbird. While the others watch, the brave little bird flies to the stream and back, over and over, each time carrying a single drop of water to put on the fire.

Based on a South American Indigenous story, The Little Hummingbird features:

• Stunning artwork in Michael Nicoll Yahgulanaas' iconic style
• An inspiring afterword from Nobel Peace Prize winner Wangari Maathai
• Scientific and cultural facts about hummingbirds

This evocative and uplifting tale encourages everyone to take responsibility for their home and the planet.

In this fun picture book romp about superstitions, can Miguel learn to make his own luck--and be rid of La Mala Suerte--before it's too late?

Miguel's abuelita warned him that opening an umbrella in the house will bring La Mala Suerte (Mrs. Bad Luck) who will follow him wherever he goes, and now Miguel's life is ruined! He trips, fails an exam, and he can't block a shot to save his life at soccer practice. Nothing he tries works to get rid of Mrs. Bad Luck--looking for a four-leaf clover, his aunt's "existential" oils... Now what? Using integrated Spanish words and playful language, La Mala Suerte Is Following Me takes a silly and heartfelt look at superstitions.

Ana loves stories. She often makes them up to help her little brother fall asleep. But in her small village there are only a few books and she has read them all. One morning, Ana wakes up to the clip-clop of hooves, and there before her, is the most wonderful sight: a traveling library resting on the backs of two burros-all the books a little girl could dream of, with enough stories to encourage her to create one of her own.

Inspired by the heroic efforts of real-life librarian Luis Soriano, award-winning picture book creators Monica Brown and John Parra introduce readers to the mobile library that journeys over mountains and through valleys to bring literacy and culture to rural Colombia, and to the children who wait for the BiblioBurro.

A portion of the proceeds from sales of this book was donated to Luis Soriano's BiblioBurro program.