Collection: Horror

Widely recognized as one of literature's most gripping ghost stories, this classic tale of moral degradation concerns the sinister transformation of two innocent children into flagrant liars and hypocrites. The story begins when a governess arrives at an English country estate to look after Miles, aged ten, and Flora, eight. At first, everything appears normal but then events gradually begin to weave a spell of psychological terror.
One night a ghost appears before the governess. It is the dead lover of Miss Jessel, the former governess. Later, the ghost of Miss Jessel herself appears before the governess and the little girl. Moreover, both the governess and the housekeeper suspect that the two spirits have appeared to the boy in private. The children, however, adamantly refuse to acknowledge the presence of the two spirits, in spite of indications that there is some sort of evil communication going on between the children and the ghosts.
Without resorting to clattering chains, demonic noises, and other melodramatic techniques, this elegantly told tale succeeds in creating an atmosphere of tingling suspense and unspoken horror matched by few other books in the genre. Known for his probing psychological novels dealing with the upper classes, James in this story tried his hand at the occult -- and created a masterpiece of the supernatural that has frightened and delighted readers for nearly a century.

Victor Frankenstein has an aptitude for science and whilst at university he discovers a secret that allows him to impart life to non-living matter, and so his creation is born. The creature is not quite what Victor expected and so he flees in fear. Desperately alone the creature begs for a mate so as to have someone who wont fear him. Victor reluctantly agrees but, fearing the creature to be evil, he changes his mind after imaging them to breed and create a danger to mankind. The creature decides he must have revenge and Frankenstein is plunged into his very worst nightmare.

In a dark, dark room, in a soft, soft voice, tell a scary story!

Newly reillustrated, this classic I Can Read full of spooky stories is perfect for beginning readers who love a bit of a scare.

Victor Rivas's silly and spooky art will introduce a new generation to stories inspired by traditional folktales like "The Teeth," "In the Graveyard," "The Green Ribbon," "In A Dark, Dark Room," "The Night It Rained," "The Pirate," and "The Ghost of John."

The original edition has won many state awards and is an ALA Notable Children's Book.

In a Dark, Dark Room is a Level Two I Can Read book, geared for kids who read on their own but still need a little help.

Ghost story master Mary Downing Hahn spins a suspenseful yarn about two children who dislike their malicious younger stepsister, Heather--and tensions that escalate when Heather starts talking to a ghost named Helen.

In a chilling ghost story that is also an insightful family drama, Molly, 12, and her brother Michael, 10, are wary of their sneaky seven-year-old stepsister, Heather. Ever since they became a blended family, Heather has lied, tattled, and created tension between their parents.

Worst of all, Heather claims she has been talking to a ghost named Helen, and she warns Molly and Michael that Helen is coming for them. Molly feels certain Heather is getting herself into some kind of danger, but every time she tries to help, Heather maneuvers to get her into trouble. The whole family is at odds. It seems as if things can't get any worse. But they do--when Helen comes.

Also available as a graphic novel!

Carmilla

J. Sheridan LeFanu

Classic Gothic Fiction

GOTHIC VAMPIRES GALORE

Carmilla is a Gothic novella by Joseph Sheridan Le Fanu and one of the early works of vampire fiction. It was first published in 1871 as a serial narrative in The Dark Blue. It tells the story of a young woman's susceptibility to the attentions of a female vampire named Carmilla. It predates Bram Stoker's Dracula by 26 years. The story has been adapted many times in film and other media.

The story is presented by Le Fanu as part of the casebook of Dr. Hesselius, whose departures from medical orthodoxy rank him as the first occult doctor in literature. The story is narrated by Laura, one of the two main protagonists of the tale.

Laura begins her tale by relating her childhood in a "picturesque and solitary" castle in the midst of an extensive forest in Styria, where she lives with her father, a wealthy English widower, retired from the Austrian Service. When she was six years old, Laura had a vision of a beautiful visitor in her bedchamber. She later claims to have been bitten on the chest, although no wounds are found on her.

Twelve years later, Laura and her father are admiring the sunset in front of the castle when her father tells her of a letter he received earlier from his friend, General Spielsdorf. The General was supposed to bring his niece, Bertha Rheinfeldt, to visit the two, but the niece suddenly died under mysterious circumstances. The General ambiguously concludes that he will discuss the circumstances in detail when they meet later.

Laura is saddened by the loss of a potential friend, and longs for a companion. A carriage accident outside Laura's home unexpectedly brings a girl of Laura's age into the family's care. Her name is Carmilla. Both girls instantly recognize the other from the "dream" they both had when they were young.

Carmilla appears injured after her carriage accident, but her mysterious mother informs Laura's father that her journey is urgent and cannot be delayed. She arranges to leave her daughter with Laura and her father until she can return in three months. Before she leaves, she sternly notes that her daughter will not disclose any information whatsoever about her family, past, or herself, and that Carmilla is of sound mind. Laura comments that this information seems needless to say, and her father laughs it off.

A shipwrecked Edward Prendick finds himself stranded on a remote Noble island, the guest of a notorious scientist, Doctor Moreau. Disturbed by the cries of animals in pain, and by his encounters with half-bestial creatures, Edward slowly realizes his danger and the extremes of the Doctor's experiments.

Saturated in pain and disgust, suffused with grotesque and often unbearable images of torture and bodily mutilation, The Island of Doctor Moreau is unquestionably a shocking novel. It is also a serious, and highly knowledgeable, philosophical engagement with Wells's times, with their climate of scientific openness and advancement, but also their anxieties about the ethical nature of scientific discoveries, and their implications for religion. Darryl Jones's introduction places the book in both its scientific and literary context; with the Origin of Species and Gulliver's Travels, and argues that The Island of Doctor Moreau is, like all of Wells's best fiction, is fundamentally a novel of ideas.

In these powerful and elegant tales, Edith Wharton evokes moods of disquiet and darkness within her own era. In icy new England a fearsome double foreshadows the fate of a rich young man; a married farmer is bewitched by a dead girl; a ghostly bell saves a woman's reputation. Brittany conjures ancient cruelties, Dorset witnesses a retrospective haunting and a New York club cushions an elderly aesthete as he tells of the ghastly eyes haunting his nights.

"[A] Stephen Kinglike horror story...A chilling, bloody ghost story that resonates."--Kirkus

From the highly acclaimed author of the Bone Witch trilogy comes a chilling story of a Japanese ghost looking for vengeance and the boy who has no choice but to trust her, lauded as a "a fantastically creepy story sure to keep readers up at night"--RT Book Reviews

I am where dead children go.

Okiku is a lonely soul. She has wandered the world for centuries, freeing the spirits of the murdered-dead. Once a victim herself, she now takes the lives of killers with the vengeance they're due. But releasing innocent ghosts from their ethereal tethers does not bring Okiku peace. Still she drifts on.

Such is her existence, until she meets Tark. Evil writhes beneath the moody teen's skin, trapped by a series of intricate tattoos. While his neighbors fear him, Okiku knows the boy is not a monster. Tark needs to be freed from the malevolence that clings to him. There's just one problem: if the demon dies, so does its host.

Suspenseful and creepy, The Girl from the Well is perfect for readers looking for:

• Spooky books for young adults
• Japanese horror novels
• Ghost stories for teens
• East Asian folklore

Praise for The Girl from the Well

"There's a superior creep factor that is pervasive in every lyrical word of Chupeco's debut, and it's perfect for teens who enjoy traditional horror movies...the story is solidly scary and well worth the read."--Booklist

"Chupeco makes a powerful debut with this unsettling ghost story...told in a marvelously disjointed fashion from Okiku's numbers-obsessed point of view, this story unfolds with creepy imagery and an intimate appreciation for Japanese horror, myth, and legend."--Publishers Weekly STARRED review

"It hit all the right horror notes with me, and I absolutely recommend it to fans looking for a good scare."--The Book Smugglers

The first half of the highly acclaimed, Eisner-nominated horror fantasy tale, collected in a value-priced omnibus.

Emmy always knew that the woods surrounding her home crawled with ghosts and monsters. But on the eve of her eighteenth birthday, she learns that she is connected to these creatures--and to the land itself--in a way she never imagined.

Collects issues 1-16 of Harrow County.

The ultimate introduction to this supernatural hero features 16 standalone stories with Mignola's greatest collaborators--stories that can be read in any order.

This 368-page volume covers Hellboy's adventures from 1947 to 1961, reprinting stories from The Chained Coffin, The Right Hand of Doom, The Bride of Hell, The Crooked Man, The Troll Witch, and Hellboy's childhood adventure, The Midnight Circus, drawn by Duncan Fegredo, artist of The Wild Hunt, the basis for Neil Marshall's 2019 film Hellboy.

In 1994 Mike Mignola released the first Hellboy series, Seed of Destruction, as Hellboy faced his supposed destiny as Beast of the Apocalypse. Before that, he'd spent fifty years fighting monsters as a somewhat carefree member of the Bureau for Paranormal Research and Defense. The Complete Short Stories Volumes 1 & 2 present those early adventures.

"The Crooked Man" and "Double Feature of Evil," both of which earned Mignola and his legendary collaborator Richard Corben Eisner Awards, are collected with the complete "Hellboy in Mexico" saga, featuring collaborations with Corben, Mick McMahon, Gabriel Ba, and Fabio Moon, as well as one of Mignola's early masterpiece, "The Corpse."

The two volumes of The Complete Short Stories together with the four volume Hellboy Omnibus series collect all of Mignola's award-winning Hellboy stories in chronological order for a definitive reading experience.

Carmilla is an 1872 Gothic novella by Irish author Joseph Sheridan Le Fanu and one of the early works of vampire fiction, predating Bram Stoker's Dracula (1897) by 26 years.

First published as a serial in The Dark Blue (1871-72), the story is narrated by a young woman preyed upon by a female vampire named Carmilla, later revealed to be Mircalla, Countess Karnstein (Carmilla is an anagram of Mircalla). The character is a prototypical example of the lesbian vampire, expressing romantic desires toward the protagonist.

The novella notably never acknowledges homosexuality as an antagonistic trait, leaving it subtle and relatively unmentioned. The story is often anthologized and has been adapted many times in film and other media.

"A book that demands to be read in a single sitting, and through the cracks between one's fingers. There has never been a horror story quite like this. Josh Malerman truly delivers." -- Hugh Howey, New York Times bestselling author of Wool

Written with the narrative tension of The Road and the exquisite terror of classic Stephen King, Bird Box is a propulsive, edge-of-your-seat horror thriller, set in an apocalyptic near-future world--a masterpiece of suspense from the brilliantly imaginative Josh Malerman.

Something is out there . . .

Something terrifying that must not be seen. One glimpse and a person is driven to deadly violence. No one knows what it is or where it came from.

Five years after it began, a handful of scattered survivors remain, including Malorie and her two young children. Living in an abandoned house near the river, she has dreamed of fleeing to a place where they might be safe. Now, that the boy and girl are four, it is time to go. But the journey ahead will be terrifying: twenty miles downriver in a rowboat--blindfolded--with nothing to rely on but her wits and the children's trained ears. One wrong choice and they will die. And something is following them. But is it man, animal, or monster?

Engulfed in darkness, surrounded by sounds both familiar and frightening, Malorie embarks on a harrowing odyssey--a trip that takes her into an unseen world and back into the past, to the companions who once saved her. Under the guidance of the stalwart Tom, a motely group of strangers banded together against the unseen terror, creating order from the chaos. But when supplies ran low, they were forced to venture outside--and confront the ultimate question: in a world gone mad, who can really be trusted?

Interweaving past and present, Malerman's breathtaking debut is a horrific and gripping snapshot of a world unraveled that will have you racing to the final page.

"Carmilla" is a Gothic novella by Joseph Sheridan Le Fanu. First published in 1872, it tells the story of a young woman's susceptibility to the attentions of a female vampire named Carmilla. "Carmilla" predates Bram Stoker's Dracula by 25 years and has been adapted many times for cinema.

In a post-apocalyptic world of vampires vs. humans, Yuichiro brings vengeance upon his vampire overlords!

After trumpets of the apocalypse proclaim the fall of humanity, vampires arise from the shadows to rule the earth. Yuichiro wants just one thing--to get revenge by killing each and every vampire.

Now that Yuichiro has earned his place in the Japanese Imperial Demon Army, he prepares to undergo a fiendish test to acquire the most powerful and deadly of humanity's weapons against vampires--Black Demon Series Cursed Gear. Meanwhile, the vampire nobility welcome a new member--Mika, the best friend Yuichiro thinks died in their escape but who has his own bitter story of survival.

A futuristic story of tragic love and of the gradual extermination of the human race by plague, The Last Man is Mary Shelley's most important novel after Frankenstein. With intriguing portraits of Percy Bysshe Shelley and Lord Byron, the novel offers a vision of the future that expresses a reaction against Romanticism, and demonstrates the failure of the imagination and of art to redeem the doomed characters.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Look, my lord! See heaven itself declares against your impious intentions!'

The Castle of Otranto (1764) is the first supernatural English novel and one of the most influential works of Gothic fiction. It inaugurated a literary genre that will be forever associated with the effects that Walpole pioneered. Professing to be a translation of a mysterious Italian tale from the darkest Middle Ages, the novel tells of Manfred, prince of Otranto, whose fear of an ancient prophecy sets him on a course of destruction. After the grotesque death of his only son, Conrad, on his wedding day, Manfred determines to marry the bride-to-be. The virgin Isabella flees through a castle riddled with secret passages. Chilling coincidences, ghostly visitations, arcane revelations, and violent combat combine in a heady mix that is both chilling and terrifying.

In this new edition Nick Groom's wide-ranging introduction explores the novel's Gothic context in the cultural movement that affected political and religious thinking before Walpole developed it as a literary style, helping to explain the novel's impact on contemporaries, its importance, and Walpole's pioneering innovations in the horror genre.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.