Collection: Feminism

#IAmHerTribe creator Danielle Doby shares her poetry for the first time in a collection long anticipated by her followers.

Positive and powerful, I Am Her Tribe is a collection of poetry drawing on the viral Instagram handle and online hashtag that serves to create moments of connection through empowerment and storytelling. Focusing on inspiration, Doby's poetry invites its reader to "Come as you are. Your tribe has arrived. Your breath can rest here."

both soft
and fierce
can coexist and still be powerful

A provocative and deeply important study of women's lives, women's choices--and an 'unspoken taboo'--that questions the societal pressures forcing women into motherhood

Women who opt not to be mothers are frequently warned that they will regret their decision later in life, yet we rarely talk about the possibility that the opposite might also be true--that women who have children might regret it. Drawing on years of research interviewing women from a variety of socioeconomic, educational, and professional backgrounds, sociologist Orna Donath treats regret as a feminist issue: as regret marks the road not taken, we need to consider whether alternative paths for women currently are blocked off. She asks that we pay attention to what is forbidden by rules governing motherhood, time, and emotion, including the cultural assumption that motherhood is a "natural" role for women--for the sake of all women, not just those who regret becoming mothers.

If we are disturbed by the idea that a woman might regret becoming a mother, Donath says, our response should not be to silence and shame these women; rather, we need to ask honest and difficult questions about how society pushes women into motherhood and why those who reconsider it are still seen as a danger to the status quo. Groundbreaking, thoughtful, and provocative, this is an especially needed book in our current political climate, as women's reproductive rights continue to be at the forefront of national debates.

Written between 1974 and 2016, Revolution at Point Zero collects four decades of research and theorizing on the nature of housework, social reproduction, and women's struggles on this terrain--to escape it, to better its conditions, to reconstruct it in ways that provide an alternative to capitalist relations.

Indeed, as Federici reveals, behind the capitalist organization of work and the contradictions inherent in "alienated labor" is an explosive ground zero for revolutionary practice upon which are decided the daily realities of our collective reproduction.

Beginning with Federici's organizational work in the Wages for Housework movement, the essays collected here unravel the power and politics of wide but related issues including the international restructuring of reproductive work and its effects on the sexual division of labor, the globalization of care work and sex work, the crisis of elder care, the development of affective labor, and the politics of the commons.

This revised and expanded edition includes three additional essays and a new preface by the author.

Longlisted for an Andrew Carnegie Medal for Excellence
A Washington Post Notable Book of the Year

America's national parks are breathing spaces in a world in which such spaces are steadily disappearing, which is why more than 300 million people visit the parks each year. Now Terry Tempest Williams, the New York Times bestselling author of the environmental classic Refuge and the beloved memoir When Women Were Birds, returns with The Hour of Land, a literary celebration of our national parks and an exploration of what they mean to us and what we mean to them.

From the Grand Tetons in Wyoming to Acadia in Maine to Big Bend in Texas, Williams creates a series of lyrical portraits that illuminate the unique grandeur of each place while delving into what it means to shape a landscape with its own evolutionary history into something of our own making. Part memoir, part natural history, and part social critique, The Hour of Land is a meditation and a manifesto on why wild lands matter to the soul of America.

The long-awaited collection by one of the most distinguished poets working today.

The story of four remarkable women who shaped the intellectual history of the 20th century: Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch.

On the cusp of the Second World War, four women went to Oxford to begin their studies: a fiercely brilliant Catholic convert; a daughter of privilege longing to escape her stifling upbringing; an ardent Communist and aspiring novelist with a list of would-be lovers as long as her arm; and a quiet, messy lover of newts and mice who would become a great public intellectual of our time. They became lifelong friends. At the time, only a handful of women had ever made lives in philosophy. But when Oxford's men were drafted in the war, everything changed.

As Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch labored to make a place for themselves in a male-dominated world, as they made friendships and families, and as they drifted toward and away from each other, they never stopped insisting that some lives are better than others. They argued that courage and discernment and justice--and love--are the heart of a good life.

This book presents the first sustained engagement with these women's contributions: with the critique and the alternative they framed. Drawing on a cluster of recently opened archives and extensive correspondence and interviews with those who knew them best, Benjamin Lipscomb traces the lives and ideas of four friends who gave us a better way to think about ethics, and ourselves.

CADA AÑO VIVIDO Y CADA ARRUGA CUENTAN MI HISTORIA.

Isabel Allende bucea en su memoria y nos ofrece un emocionante libro sobre su relación con el feminismo y el hecho de ser mujer, al tiempo que reivindica que la vida adulta hay que vivirla, sentirla y gozarla con plena intensidad.

En Mujeres del alma mía la gran autora chilena nos invita a acompañarla en este viaje personal y emocional donde repasa su vinculación con el feminismo desde la infancia hasta hoy. Recuerda a algunas mujeres imprescindibles en su vida, como sus añoradas Panchita, Paula o la agente Carmen Balcells; a escritoras relevantes como Virginia Woolf o Margaret Atwood; a jóvenes artistas que aglutinan la rebeldía de su generación o, entre otras muchas, a esas mujeres anónimas que han sufrido la violencia y que llenas de dignidad y coraje se levantan y avanzan... Ellas son las que tanto le inspiran y tanto le han acompañado a lo largo de su vida: sus mujeres del alma.

Finalmente, reflexiona también sobre el movimiento #MeToo --que apoya y celebra--, sobre las recientes revueltas sociales en su país de origen y, cómo no, sobre la nueva situación que globalmente estamos viviendo con la pandemia. Todo ello sin perder esa inconfundible pasión por la vida y por insistir en que, más allá́ de la edad, siempre hay tiempo para el amor.

ENGLISH DESCRIPTION

A passionate and inspiring meditation on what it means to be a woman, from one of the leading voices in Latin American literature, Isabel Allende.

English edition: THE SOUL OF A WOMAN, by Isabel Allende [Ballantine Books, 3/2/2021]

"When I say that I was feminist in kindergarten, I am not exaggerating," begins Isabel Allende. As a child, she watched her mother, abandoned by her husband, provide for her three small children without "resources or voice." Isabel became a fierce and defiant little girl, determined to fight for the life her mother couldn't have. As a young woman coming of age in the late 1960's, she rode the first wave of feminism. Among a tribe of like-minded female journalists, she for the first time felt comfortable in her own skin, as they wrote "with a knife between their teeth" about women's issues. She has seen what has been accomplished by the feminist movement in the course of her lifetime. And over the course of three passionate marriages, she has learned how to grow as a woman while having a partner, when to step away, and the rewards of embracing one's sexuality.

So, what do women want? To be safe, to be valued, to live in peace, to have their own resources, to be connected, to have control over their bodies and lives, and above all, to be loved. On all these fronts, there is much work to be done, and this book, Allende hopes, will "light the torch of our daughters and granddaughters with mine. They will have to live for us, as we lived for our mothers, and carry on with the work still left to be finished."

An ancient title of respect for women, the word "cunt" long ago veered off this noble path. Inga Muscio traces the road from honor to expletive, giving women the motivation and tools to claim "cunt" as a positive and powerful force in their lives. In this fully revised edition, she explores, with candidness and humor, such traditional feminist issues as birth control, sexuality, jealousy between women, and prostitution with a fresh attitude for a new generation of women. Sending out a call for every woman to be the Cuntlovin' Ruler of Her Sexual Universe, Muscio stands convention on its head by embracing all things cunt-related. This edition is fully revised with updated resources, a new foreword from sexual pioneer Betty Dodson, and a new afterword by the author.

"Bright, sharp, empowering, long-lasting, useful, sexy . . . " -- San Francisco Chronicle

" . . . Cunt provides fertile ground for psychological growth." -- San Francisco Bay Guardian

"Cunt does for feminism what smoothies did for high-fiber diets -- it reinvents the oft-indigestible into something sweet and delicious." -- Bust Magazine

Discover the complete social history of the housewife archetype, from colonial America to the 20th century, and re-examine common myths about the "modern woman."

The notion of "housewife" evokes strong reactions. For some, it's nostalgia for a bygone era, simpler and better times when men were breadwinners and women remained home with the kids. For others, it's a sexist, oppressive stereotype of women's work. Either way, housewife is a long outdated concept--or is it?

Lisa Selin Davis, known for her smart, viral, feminist, cultural takes, argues that the "breadwinner vs. homemaker" divide is a myth. She charts examples from prehistoric female hunters to working class housewives in the 1930s, from First Ladies to 21st century stay-at-home moms, on a search for answers to the problems of what is referred to as women's work and motherhood. Davis discovers that women have been sold a lie about what families should be. Housewife unveils a truth: interdependence, rather than independence, is the American way.

The book is a clarion call for all women--married or single, mothers or childless--and for men, too, to push for liberation. In Housewife, Davis builds a case for systemic, cultural, and personal change, to encourage women to have the power to choose the best path for themselves.

NOW A NEW YORK TIMES BESTSELLER - An Emma Watson "Our Shared Shelf" Selection for November/December 2018 - NAMED A BEST BOOK OF 2018/ MENTIONED BY: The New York Public Library - Mashable - The Atlantic - Bustle - The Root - Politico Magazine ("What the 2020 Candidates Are Reading This Summer") - NPR - Fast Company ("10 Best Books for Battling Your Sexist Workplace") - The Guardian ("Top 10 Books About Angry Women")

Rebecca Solnit, The New Republic: "Funny, wrenching, pithy, and pointed."

Roxane Gay: "I encourage you to check out Eloquent Rage out now."

Joy Reid, Cosmopolitan: "A dissertation on black women's pain and possibility."

America Ferrera: "Razor sharp and hilarious. There is so much about her analysis that I relate to and grapple with on a daily basis as a Latina feminist."

Damon Young: "Like watching the world's best Baptist preacher but with sermons about intersectionality and Beyoncé instead of Ecclesiastes."

Melissa Harris Perry: "I was waiting for an author who wouldn't forget, ignore, or erase us black girls...I was waiting and she has come in Brittney Cooper."

Michael Eric Dyson: "Cooper may be the boldest young feminist writing today...and she will make you laugh out loud."

So what if it's true that Black women are mad as hell? They have the right to be. In the Black feminist tradition of Audre Lorde, Brittney Cooper reminds us that anger is a powerful source of energy that can give us the strength to keep on fighting.

Far too often, Black women's anger has been caricatured into an ugly and destructive force that threatens the civility and social fabric of American democracy. But Cooper shows us that there is more to the story than that. Black women's eloquent rage is what makes Serena Williams such a powerful tennis player. It's what makes Beyoncé's girl power anthems resonate so hard. It's what makes Michelle Obama an icon.

Eloquent rage keeps us all honest and accountable. It reminds women that they don't have to settle for less. When Cooper learned of her grandmother's eloquent rage about love, sex, and marriage in an epic and hilarious front-porch confrontation, her life was changed. And it took another intervention, this time staged by one of her homegirls, to turn Brittney into the fierce feminist she is today. In Brittney Cooper's world, neither mean girls nor fuckboys ever win. But homegirls emerge as heroes. This book argues that ultimately feminism, friendship, and faith in one's own superpowers are all we really need to turn things right side up again.

A BEST/MOST ANTICIPATED BOOK OF 2018 BY: Glamour - Chicago Reader - Bustle - Autostraddle

Without credentials, connections or a college degree, a hip-hop journalist and community leader conquered her imposter syndrome while landing one of the most exclusive, sought-after and fun positions in the White House.

From the most unlikely person to end up as a senior official to President Barack Obama and First Lady Michelle Obama comes a candid, incredible and inspiring story. Moved by the election of the country's first Black president, Deesha Dyer applied for a White House internship in 2009 as a thirty-one-year-old part-time community college student, taking a leap that carried her through being hired in a full-time position, followed by two promotions landing her at the epicenter of politics.

But in spite of the little voice in her head telling her she didn't deserve to be there, Deesha thrived and rose to the highly coveted role of White House social secretary, giving her a front row-seat to executing events that communicated defining moments in history while curating some of the flyest parties 1600 Pennsylvania has ever seen. With humor and realness, she peels back the curtain, revealing the hard truth about why she spent years trying to hide behind it. Undiplomatic is a deeply personal narrative about combating the feeling of self-doubt while being on top of the world. Deesha reflects on how imposter syndrome threatened her self-esteem, proven aptitude and survival until she realized that it was neither her fault nor her responsibility.

In this vivid portrayal from a true "around the way girl" on the personal impact of the Obama presidency, Deesha shares her road map from imposter to impact. In Undiplomatic, she invites you on a journey of self-discovery where she overcame doubt, unearthed true love for herself and learned that your unique worth is not something to be earned, but something inherently deserved. Uplifting, funny and candid, Deesha's story shows you how to embrace your authenticity at all costs, and the joy and freedom that awaits on the other side.

Redefining UGLY for individual and collective liberation--uplift, glorify, and love yourself in an uglified world.

In a deep analysis of the constructs of uglification and their impact on our social structures, collective psyche, and identities, author Vanessa Rochelle Lewis flips the script on how we think about ugly--what it is, what it means, and how it functions in our culture--and shows readers how to to Reclaim, Uplift, Glorify and Love Yourself. Blending incisive social analysis with personal narrative and joyful self-help magic, Reclaiming UGLY! empowers readers to connect, revolt, and heal from the oppression of uglification with creative prompts, reflective meditations, and guided opportunities for self-love and community-building.

But what is uglification? Uglification is a tool, ideology, and type of oppression. It's ugly weaponized--it designates some bodies as more or less worthy of love, respect, or access. It determines who gets to exist in which spaces, and acts as a tool of the white supremacist cisheteropatriarchy. Like all forms of oppression, uglification is at work on systemic, interpersonal, and internalized levels--painfully interrupting life, love, joy, pleasure, hope, and possibility for those our culture uglifies. Lewis unpacks the insidious impacts of uglification--and shows us how reclaiming ugly is a subversive, empowering act in which we embrace joy, healing, and community. Moving us closer to a collective liberation that takes back what society tells us is ugly and taboo (and what we've told ourselves is ugly and taboo), Lewis' analysis, personal journey, and activity toolkit compassionately guide readers to radical self-acceptance, joyful community-centered healing, and authentic self-love.

Con un acercamiento claro, honesto y disruptivo a las complejidades de la experiencia materna en el siglo XXI, Mamá desobediente se ha convertido en un libro esencial sobre la maternidad en la era del feminismo.

Es posible ser mamá y feminista al mismo tiempo? Hay alguna salida al dilema carrera vs. familia ?

En Mamá desobediente, la periodista, socióloga y madre feminista Esther Vivas aborda estas y otras interrogantes al explorar la maternidad desde un punto de vista emancipatorio. Con un tono fresco pero riguroso, respaldado por una nutrida investigación y en la experiencia personal de la autora, este libro aborda los asuntos menos frecuentados en torno a la maternidad, como la infertilidad, el embarazo, el parto, la violencia obstétrica y la lactancia, ofreciendo guía, datos y herramientas a quienes deseen emprender este recorrido desde una postura crítica.

El enfoque de Vivas, aclamado en España y Latinoamérica, es claro y honesto, y refleja la necesidad que de abordar la experiencia materna desde ángulos disruptivos y realistas, alejados de la excesiva idealización que ignora sus obstáculos y retos, y la confina al ámbito de lo doméstico. Una vez hemos conquistado el derecho a elegir nuestra maternidad, debemos poder decidir cómo vivirla.

------

Is it possible to be a mother and a feminist at the same time? Is there a way out of the "career vs. family" dilemma? If we have chosen to be mothers, to what extent can we decide about our motherhood?

In Mamá desobediente, the Spanish journalist, sociologist, and feminist mom Esther Vivas tackles these and other interrogations, exploring maternity in an emancipating way and without impositions. With a fresh but rigorous note, underpinned in deep research and author's personal experience, this book addresses commonly neglected issues surrounding maternity, such as infertility, pregnancy, childbirth, obstetric violence, and breastfeeding, and offers guidance and actionable tools for those who desire to embark in this journey from a different standpoint.

Vivas' approach feels fresh and reflects the appetite amongst younger generations for disruptive, realistic, and political takes on maternity and parenting, removed from the idealization and over-romanticization that put aside its hitches and challenges, and confine them as exclusively private matters. In the last years, this has become a recurrent topic in Spanish-language literature, especially at the new wave of Latin American women writers, but remains a largely unexplored path in non-fiction.

A way to deepen our understanding of the relationship between social justice and the work of healing--healing as individuals, communities, and societies.

The newest title in the Emergent Strategy Series, Liberated to the Bone, addresses the intersections between healing our physical bodies and healing our social relations which are shaped by violence. Bodyworker and cultural worker Susan Raffo addresses intergenerational trauma, social justice, organizing, and how all of these things are relevant to our bodies. The book illuminates three different approaches to healing: ending violence, the significance of being rooted in the present, and creating the conditions to address unfinished histories and generational trauma. By showing how these approaches are intricately connected--physically and emotionally--Raffo interrupts the traumatic binaries of the political and spiritual, the physical and intellectual, and healing and organizing.

An exploration of the connections between feminine consciousness and altered states from ancient times to present day

- Explores the feminine qualities of the psychedelic self, ancient female roots of shamanism, and how altered states naturally tap into the female archetype

- Discusses feminist psychedelic activism, female ecstatics, goddess consciousness, the dark feminine, and embodied paths to ecstasy

- Includes contributions by Martina Hoffmann, Amanda Sage, Carl Ruck, and others

Women have been shamans since time immemorial, not only because women have innate intuitive gifts, but also because the female body is wired to more easily experience altered states, such as during the process of birth. Whether female or male, the altered states produced by psychedelics and ecstatic trance expand our minds to tap into and enhance our feminine states of consciousness as well as reconnect us to the web of life.

In this book, we discover the transformative powers of feminine consciousness and altered states as revealed by contributors both female and male, including revered scholars, visionary artists, anthropologists, modern shamans, witches, psychotherapists, and policy makers. The book begins with a deep look at the archetypal dimensions of the feminine principle and how entheogens give us open access to these ancient archetypes, including goddess consciousness and the dark feminine. The contributors examine the female roots of shamanism, including the role of women in the ancient rites of Dionysus, the Eleusinian Sacrament, and Norse witchcraft. They explore psychedelic and embodied paths to ecstasy, such as trance dance, holotropic breathwork, and the similarities of giving birth and taking mind-altering drugs. Looking at the healing potential of the feminine and altered states, they discuss the power of plant medicines, including ayahuasca, and the recasting of the medicine-woman archetype for the modern world. They explore the feminine in the creative process and discuss feminist psychedelic activism, sounding the call for more female voices in the psychedelic research community.

Sharing the power of "femtheogenic" wisdom to help us move beyond a patriarchal society, this book reveals how feminine consciousness, when intermingled with psychedelic knowledge, carries and imparts the essence of inclusivity, interconnectedness, and balance our world needs to heal and consciously evolve.

"Translation, here, is decolonial feminist work."
- from the Foreword by Françoise Vergès.

What are the histories, constraints, and possibilities of language in relation to bodies, origins, land, colonialism, gender, war, displacement, desire, and migration?

Moving across genres, memories, belongings, and borders, these luminous essays by poets, writers, and translators invite us to consider translation as a form of ethical and political love - one that requires attentive regard of an other - and a making and unmaking of self.

Contributors include: Khairani Barokka, Yasmine Haj, Otoniya J. Okot Bitek, Nedra Rodrigo, Suneela Mubayi, Iryn Tushabe, Gopika Jadeja, Rahat Kurd, Geetha Sukumaran, Norah Alkharashi, and Lisa Ndejuru.