Collection: Shop Black

From one of the most vital and passionate LGBTQ+ activists comes a powerful memoir about self-discovery, community, love, and resilience in the face of adversity.

You never forget your first. First kiss. First love. First heartache. They all burrow their way into your subconscious, destined to reshape how you see the world forever.

Growing up in rural Oregon, Brandon Wolf grappled with the devastating loss of his supportive mother and with the embedded racism and homophobia of a community that made him feel like an unwelcome stranger. After the lack of connection and role models led him down a spiral of risky behavior, Wolf escaped to survive. In Orlando, he found what he'd been searching for: belonging--in a community that was a safe space with people he'd come to call his chosen family. They taught Wolf how to love, and be loved, unconditionally. Then, on June 12, 2016, in an exhilarating refuge where Wolf and hundreds of others had discovered a liberating new normal, they were suddenly challenged with fighting for a way out--in order to survive. Overnight, everything was ripped away by chaos, panic, and fear. But the unimaginable tragedy also gave Wolf a new power: purpose.

In this unforgettable coming-of-age memoir, Wolf shares his transformative journey from young outsider to galvanizing activist. Marshaling the compassion and strength of a community, Wolf explores how to get through the darkest times with healing, hope, and resistance. "With our backs against the wall," he writes, "we find a way out together."

A NEW YORK TIMES BESTSELLER

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR

"A spectacular novel that only this legend can pull off." -Ibram X. Kendi, #1 New York Times-bestselling author of HOW TO BE AN ANTIRACIST, in The Atlantic

"An exquisite tale of family legacy....The power and poetry of Woodson's writing conjures up Toni Morrison." - People

"In less than 200 sparsely filled pages, this book manages to encompass issues of class, education, ambition, racial prejudice, sexual desire and orientation, identity, mother-daughter relationships, parenthood and loss....With Red at the Bone, Jacqueline Woodson has indeed risen -- even further into the ranks of great literature." - NPR

"This poignant tale of choices and their aftermath, history and legacy, will resonate with mothers and daughters." -Tayari Jones, bestselling author of AN AMERICAN MARRIAGE, in O Magazine

An unexpected teenage pregnancy pulls together two families from different social classes and explores their histories - reaching back to the Tulsa race massacre of 1921 -- and exposes the private hopes, disappointments, and longings that can bind or divide us from each other, from the New York Times-bestselling and National Book Award-winning author of Another Brooklyn and Brown Girl Dreaming.

Moving forward and backward in time, Jacqueline Woodson's taut and powerful new novel uncovers the role that history and community have played in the experiences, decisions, and relationships of these families, and in the life of the new child.

As the book opens in 2001, it is the evening of sixteen-year-old Melody's coming of age ceremony in her grandparents' Brooklyn brownstone. Watched lovingly by her relatives and friends, making her entrance to the music of Prince, she wears a special custom-made dress. But the event is not without poignancy. Sixteen years earlier, that very dress was measured and sewn for a different wearer: Melody's mother, for her own ceremony-- a celebration that ultimately never took place.

Unfurling the history of Melody's family - reaching back to the Tulsa race massacre in 1921 -- to show how they all arrived at this moment, Woodson considers not just their ambitions and successes but also the costs, the tolls they've paid for striving to overcome expectations and escape the pull of history. As it explores sexual desire and identity, ambition, gentrification, education, class and status, and the life-altering facts of parenthood, Red at the Bone most strikingly looks at the ways in which young people must so often make long-lasting decisions about their lives--even before they have begun to figure out who they are and what they want to be.

Octavia E. Butler meets Marvel's Black Panther in The Deep, a story rich with Afrofuturism, folklore, and the power of memory, inspired by the Hugo Award-nominated song "The Deep" from Daveed Diggs's rap group Clipping.

Yetu holds the memories for her people--water-dwelling descendants of pregnant African slave women thrown overboard by slave owners--who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly is forgotten by everyone, save one--the historian. This demanding role has been bestowed on Yetu.

Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface escaping the memories, the expectations, and the responsibilities--and discovers a world her people left behind long ago.

Yetu will learn more than she ever expected about her own past--and about the future of her people. If they are all to survive, they'll need to reclaim the memories, reclaim their identity--and own who they really are.

The Deep is "a tour de force reorientation of the storytelling gaze...a superb, multilayered work," (Publishers Weekly, starred review) and a vividly original and uniquely affecting story inspired by a song produced by the rap group Clipping.

Winner of the John Boswell Prize from the American Historical Association 2018
Winner of the William Sanders Scarborough Prize from the Modern Language Association 2018
Winner of an American Library Association Stonewall Honor 2018
Winner of Lambda Literary Award for Transgender Nonfiction 2018
Winner of the Sylvia Rivera Award in Transgender Studies from the Center for Lesbian and Gay Studies

The story of Christine Jorgensen, America's first prominent transsexual, famously narrated trans embodiment in the postwar era. Her celebrity, however, has obscured other mid-century trans narratives--ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence.

Drawing on a deep and varied archive of materials--early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films--Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the "father of American gynecology," to the negation of blackness that makes transnormativity possible.

Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of "cross dressing" and canonical black literary works that express black men's access to the "female within," Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don't Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.

New York Times bestseller!

In The Memory Librarian: And Other Stories of Dirty Computer, singer-songwriter, actor, fashion icon, futurist, and worldwide superstar Janelle Monáe brings to the written page the Afrofuturistic world of one of her critically acclaimed albums, exploring how different threads of liberation--queerness, race, gender plurality, and love--become tangled with future possibilities of memory and time in such a totalitarian landscape...and what the costs might be when trying to unravel and weave them into freedoms.

Whoever controls our memories controls the future.

Janelle Monáe and an incredible array of talented collaborators have crafted a collection of tales comprising the bold vision and powerful themes that have made Monáe such a compelling and celebrated storyteller. Dirty Computer introduced a world in which thoughts--as a means of self-conception--could be controlled or erased by a select few. And whether you were human, AI, or other, your life and sentience were dictated by those who'd convinced themselves they had the right to decide your fate.

That was until Jane 57821 decided to remember and break free.

Expanding from that mythos, these stories fully explore what it's like to live in such a totalitarian society . . . and what it takes to get out of it. Building off the tradition of speculative fiction writers such as Octavia E. Butler, Ted Chiang, Becky Chambers, and Nnedi Okorafor--and filled with powerful themes and Monáe's emblematic artistic vision--The Memory Librarian serves to readers tales that dissect the human trials of identity expression, technology, and love, reaching through to the worlds of memory and time, and the stakes and power that pulse there.

Concrete Rose meets Things We Couldn't Say in Pritty, a debut novel by Keith F. Miller Jr.--the inspiration behind the forthcoming animated short film of Kickstarter fame--that follows two boys who get caught in the crossfire of a sinister plot that not only threatens everything they love but may cost them their own chance at love.

On the verge of summer before his senior year, Jay is a soft soul in a world of concrete. While his older brother is everything people expect a man to be--tough, athletic, and in charge--Jay simply blends into the background to everyone, except when it comes to Leroy.

Unsure of what he could have possibly done to catch the eye of the boy who could easily have anyone he wants, Jay isn't about to ignore the surprising but welcome attention. But as everything in his world begins to heat up, especially with Leroy, whispered rumors over the murder of a young Black journalist and long-brewing territory tensions hang like a dark cloud over his neighborhood. And when Jay and Leroy find themselves caught in the crossfire, Leroy isn't willing to be the reason Jay's life is at risk.

Dragged into the world of the Black Diamonds--whose work to protect the Black neighborhoods of Savannah began with his father and now falls to his older brother--Leroy knows that finding out who attacked his brother is not only the key to protecting everyone he loves but also the only way he can ever be with Jay. Wading through a murky history of family trauma and regret, Leroy soon discovers that there's no keeping Jay safe when Jay's own family is in just as deep and fighting the undertow of danger just as hard.

Now Jay and Leroy must puzzle through secrets hiding in plain sight and scramble to uncover who is determined to eliminate the Black Diamonds before someone else gets hurt--even if the cost might be their own electric connection.

*Named a Best Book of the Year by The New York Times, Publishers Weekly, NPR, Broadly, Buzzfeed (Nonfiction), The Undefeated, Library Journal (Biography/Memoirs), The Washington Post (Nonfiction), Southern Living (Southern), Entertainment Weekly, and The New York Times Critics*

In this powerful, provocative, and universally lauded memoir--winner of the Andrew Carnegie Medal and finalist for the Kirkus Prize--genre-bending essayist and novelist Kiese Laymon "provocatively meditates on his trauma growing up as a black man, and in turn crafts an essential polemic against American moral rot" (Entertainment Weekly).

In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to time in New York as a college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. Heavy is a "gorgeous, gutting...generous" (The New York Times) memoir that combines personal stories with piercing intellect to reflect both on the strife of American society and on Laymon's experiences with abuse. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, he asks us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free.

"A book for people who appreciated Roxane Gay's memoir Hunger" (Milwaukee Journal Sentinel), Heavy is defiant yet vulnerable, an insightful, often comical exploration of weight, identity, art, friendship, and family through years of haunting implosions and long reverberations. "You won't be able to put [this memoir] down...It is packed with reminders of how black dreams get skewed and deferred, yet are also pregnant with the possibility that a kind of redemption may lie in intimate grappling with black realities" (The Atlantic).

From one of the most important American novelists of the twentieth century--a novel of sexual, racial, political, artistic passions, set in Greenwich Village, Harlem, and France. - "Brilliant and fiercely told." --The New York Times

Stunning for its emotional intensity and haunting sensuality, this book depicts men and women, blacks and whites, stripped of their masks of gender and race by love and hatred at the most elemental and sublime.

Nominated as one of America's best-loved novels by PBS's The Great American Read.

NATIONAL BESTSELLER
WINNER OF THE BOOKER PRIZE

"A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum." --Booker Prize Judges

Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain's colonial history in Africa and the Caribbean.

The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London's funding-deprived schools; Carole, one of Shirley's former students, is a successful investment banker; Carole's mother Bummi works as a cleaner and worries about her daughter's lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class.

Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.

From one of our most important scholars and civil rights activist icon, a powerful study of the women's liberation movement and the tangled knot of oppression facing Black women.

"Angela Davis is herself a woman of undeniable courage. She should be heard."--The New York Times

Angela Davis provides a powerful history of the social and political influence of whiteness and elitism in feminism, from abolitionist days to the present, and demonstrates how the racist and classist biases of its leaders inevitably hampered any collective ambitions. While Black women were aided by some activists like Sarah and Angelina Grimke and the suffrage cause found unwavering support in Frederick Douglass, many women played on the fears of white supremacists for political gain rather than take an intersectional approach to liberation. Here, Davis not only contextualizes the legacy and pitfalls of civil and women's rights activists, but also discusses Communist women, the murder of Emmitt Till, and Margaret Sanger's racism. Davis shows readers how the inequalities between Black and white women influence the contemporary issues of rape, reproductive freedom, housework and child care in this bold and indispensable work.

#26 on The Guardian's list of 100 best nonfiction books of all time, the essays explore what it means to be Black in America

In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With films like I Am Not Your Negro and the forthcoming If Beale Street Could Talk bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction.

Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in "The Harlem Ghetto" to a sobering "Journey to Atlanta."

Notes of a Native Son inaugurated Baldwin as one of the leading interpreters of the dramatic social changes erupting in the United States in the twentieth century, and many of his observations have proven almost prophetic. His criticism on topics such as the paternalism of white progressives or on his own friend Richard Wright's work is pointed and unabashed. He was also one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses. Naturally, this combination of brazen criticism and unconventional empathy for white readers won Baldwin as much condemnation as praise.

Notes is the book that established Baldwin's voice as a social critic, and it remains one of his most admired works. The essays collected here create a cohesive sketch of black America and reveal an intimate portrait of Baldwin's own search for identity as an artist, as a black man, and as an American.

NATIONAL BESTSELLER - Two elven sisters become imprisoned in the intoxicating world of the fae, where danger and love lie in wait. Faebound is the first book in an enchanting new trilogy from the Sunday Times bestselling author of The Final Strife.

"A romantic fantasy of epic proportions, crackling with magic and passion."--Samantha Shannon, bestselling author of The Priory of the Orange Tree

Yeeran was born on the battlefield, has lived on the battlefield, and one day, she knows, she'll die on the battlefield.

As a warrior in the elven army, Yeeran has known nothing but violence her whole life. Her sister, Lettle, is trying to make a living as a diviner, seeking prophecies of a better future.

When a fatal mistake leads to Yeeran's exile from the Elven Lands, both sisters are forced into the terrifying wilderness beyond their borders.

There they encounter the impossible: the fae court. The fae haven't been seen for a millennium. But now Yeeran and Lettle are thrust into their seductive world, torn among their loyalties to each other, their elven homeland, and their hearts.

"Powerful, wrenching." -JOHN GREEN, #1 New York Times bestselling author of Turtles All the Way Down

"Raw and gripping." -JASON REYNOLDS, New York Times bestselling coauthor of All American Boys

"A must-read!" -ANGIE THOMAS, #1 New York Times bestselling author of The Hate U Give

Raw, captivating, and undeniably real, Nic Stone joins industry giants Jason Reynolds and Walter Dean Myers as she boldly tackles American race relations in this stunning #1 New York Times bestselling debut, a William C. Morris Award Finalist.

Justyce McAllister is a good kid, an honor student, and always there to help a friend--but none of that matters to the police officer who just put him in handcuffs. Despite leaving his rough neighborhood behind, he can't escape the scorn of his former peers or the ridicule of his new classmates.

Justyce looks to the teachings of Dr. Martin Luther King Jr. for answers. But do they hold up anymore? He starts a journal to Dr. King to find out.

Then comes the day Justyce goes driving with his best friend, Manny, windows rolled down, music turned up--way up, sparking the fury of a white off-duty cop beside them. Words fly. Shots are fired. Justyce and Manny are caught in the crosshairs. In the media fallout, it's Justyce who is under attack.

"Vivid and powerful." -Booklist, Starred Review

"A visceral portrait of a young man reckoning with the ugly, persistent violence of social injustice." -Publishers Weekly

This "important and timely" (Drew Faust, Harvard Magazine) #1 New York Times bestseller examines the legacy of slavery in America--and how both history and memory continue to shape our everyday lives.

Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks--those that are honest about the past and those that are not--that offer an intergenerational story of how slavery has been central in shaping our nation's collective history, and ourselves.

It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned-maximum-security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.

A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country's most essential stories are hidden in plain view--whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women, and children has been deeply imprinted.

Informed by scholarship and brought to life by the story of people living today, Smith's debut work of nonfiction is a landmark of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be.

Winner of the National Book Critics Circle Award for Nonfiction

Winner of the Stowe Prize

Winner of 2022 Hillman Prize for Book Journalism

A New York Times 10 Best Books of 2021

A comprehensive, authoritative biography of Civil Rights icon John Lewis, "the conscience of the Congress," drawing on interviews with Lewis and approximately 275 others who knew him at various stages of his life, as well as never-before-used FBI files and documents.

Born into poverty in rural Alabama, Lewis would become second only to Martin Luther King, Jr. in his contributions to the Civil Rights Movement. He was a Freedom Rider who helped to integrate bus stations in the South, a leader of the Nashville sit-in movement, the youngest speaker at the 1963 March on Washington, and the chairman of the Student Nonviolent Coordinating Committee (SNCC), which he made into one of the major civil rights organizations. He may be best remembered as the victim of a vicious beating by Alabama state troopers at the foot of the Edmund Pettus Bridge in Selma, Alabama, where he nearly died.

Greenberg's biography traces Lewis's life through the post-Civil Rights years, when he headed the Voter Education Project, which enrolled millions of African American voters across the South. The book reveals the little-known story of his political ascent first locally in Atlanta, and then as a member of Congress. Tapped to be a part of the Democratic leadership in Congress, he earned respect on both sides of the aisle for the sacrifices he had made on behalf of nonviolent integration in the South and came to be known as the "conscience of the Congress."

Thoroughly researched and dramatically told, Greenberg's biography captures John Lewis's influential career through documents from dozens of archives, interviews with hundreds of people who knew Lewis, and long-lost footage of Lewis himself speaking to reporters from his hospital bed following his severe beating on "Bloody Sunday" in Selma. With new details about his personal and professional relationships, John Lewis: A Life is the definitive biography of a man whose heroism during the Civil Rights movement helped to bring America a new birth of freedom.

A photographic celebration of the love and relationships of queer people of color by a former New York Times multimedia journalist

"Thank you, Jamal Jordan, for showing the world what true love looks like."--Billy Porter

Queer Love in Color features photographs and stories of couples and families across the United States and around the world. This singular, moving collection offers an intimate look at what it means to live at the intersections of queer and POC identities today, and honors an inclusive vision of love, affection, and family across the spectrum of gender, race, and age.