Collection: Shop Black

From Grammy Award-winning singer Ashanti comes an empowering story about a girl who learns to love her unique name.

First days aren't easy for a girl with a name like Ashanti. It feels like no one can pronounce it correctly! But with some encouragement from her mom, Ashanti spells her name and learns just how special it is.

A is for awesome, S is for sunsets, H is for hand games, A is for art...

Inspired by Ashanti's own experience, this delightful picture book shares the joy that one child finds in her name.

A perfect pick for classrooms and all story times!

The long-awaited collection by one of the most distinguished poets working today.

"A charming novel about sisterhood, regrets, and second chances, [with] a peek into Southern comfort food. An utter delight from start to finish." --Terah Shelton Harris, author of One Summer in Savannah

Two strong-willed sisters fight their way to forgiveness in this feel-good Southern fiction, for fans of Terry McMillan and KJ Dell'Antonia's The Chicken Sisters.

Rose Tillman and her sister Marvina Nash haven't spoken in decades--not since Rose sent Marvina $40 to register their business, and Marvina used that money for her own personal purposes. Now retired, Rose wants to open the restaurant they'd once dreamed of. But, to her horror, Rose realizes she's forgotten their mother's secret spice mix recipe, known to only one other person in the world. With no other option, Rose embarks on a two-hour drive to Marvina's house back in Fork City, TX. Marvina has her own version of what caused their falling out, and it's a far cry from what Rose recalls. Marvina, skeptical and still indignant, but incurably polite, figures she'll give Rose a chance to speak her piece, before closing the door in her face.

As the sisters fight their way to forgiveness, they unpack their complicated past, form an unexpected alliance with a young mother-to-be, and reconnect through the tantalizing aroma of chicken dinners that hold the power to heal--or divide--a community.

In a tale rich with Southern charm, Rose and Marvina discover, through fussing, laughter, and tears, that the secret ingredient to a bright future might just be found in facing who they are today--and in forgiving the past to embrace a second chance at sisterhood.

"Full of heart, generosity, and charm, Sisters with a Side of Greens is the kind of story that invites everyone to be a part of something bigger." --Lucy Gilmore, author of The Lonely Hearts Book Club

"Chef's kiss! A captivating tale of sisterhood, forgiveness and what it means to live fully in the present. Stimpson delivers raw, complex characters and a delicious storyline that will stay with the reader long after the last page." --Kim Michele Richardson, New York Times bestselling author

Lawrence's landmark series on African American migration in context

In 1941, Jacob Lawrence, then just 23 years old, made a series of 60 small tempera paintings on the Great Migration, the decades-long mass movement of black Americans from the rural South to the urban North that began in 1915-16. The child of migrant parents, Lawrence worked partly from his own experience and partly from long research in his neighborhood library. The result was an epic narrative of the collective history of his people. Moving from scenes of terror and violence to images of great intimacy, and drawing on film, photography, political cartoons and other sources in popular culture, Lawrence created an innovative format of sequential panels, each image accompanied by a descriptive caption. Within months of its completion, the series entered the collections of The Museum of Modern Art, New York, and the Phillips Memorial Gallery (today The Phillips Collection), Washington, DC, each institution acquiring 30 panels.

The Migration Series is now a landmark in the history of modern art. Jacob Lawrence: The Migration Series, now in paperback, grounds Lawrence's work in the cultural and political debates that shaped his art and demonstrates its relevance for artists and writers today. The series is reproduced in full; short texts accompanying each panel relate them to the history of the Migration and explore Lawrence's technique and approach. Alongside scholarly essays, the book also includes 11 newly commissioned poems, by Rita Dove, Nikky Finney, Terrance Hayes, Tyehimba Jess, Yusef Komunyakaa, Patricia Spears Jones, Natasha Trethewey, Lyrae Van Clief-Stefanon, Crystal Williams and Kevin Young, that respond directly to the series. The distinguished poet Elizabeth Alexander edited and introduces the section.

Through this collection of essays, author and activist Reagan Jackson, chronicles her journey into the world of journalism. Art, cinema, social justice, feminism, Black reparations, health & reproductive rights, dance, education-while Jackson's subjects range far and wide, her writing brings an intimacy & immediacy to all.

Winner of a Caldecott Honor and a Coretta Scott King Illustrator Honor
A Kirkus Reviews Best Book of 2016
A School Library Journal Best Book of 2016: Nonfiction
Starred reviews from School Library Journal, Booklist, Kirkus Reviews, and The Horn Book Magazine
A Junior Library Guild Selection

This poetic, nonfiction story about a little-known piece of African American history captures a human's capacity to find hope and joy in difficult circumstances and demonstrates how New Orleans' Congo Square was truly freedom's heart.

Mondays, there were hogs to slop,

mules to train, and logs to chop.

Slavery was no ways fair.

Six more days to Congo Square.

As slaves relentlessly toiled in an unjust system in 19th century Louisiana, they all counted down the days until Sunday, when at least for half a day they were briefly able to congregate in Congo Square in New Orleans. Here they were free to set up an open market, sing, dance, and play music. They were free to forget their cares, their struggles, and their oppression. This story chronicles slaves' duties each day, from chopping logs on Mondays to baking bread on Wednesdays to plucking hens on Saturday, and builds to the freedom of Sundays and the special experience of an afternoon spent in Congo Square. This book includes a forward from Freddi Williams Evans (freddievans.com), a historian and Congo Square expert, as well as a glossary of terms with pronunciations and definitions.

There is only one QUEEN OF SOUL! Discover why Aretha Franklin garners so much R-E-S-P-E-C-T.

Aretha Franklin was a musical and cultural icon whose legacy spanned six decades! Born in Memphis, Tennessee, in 1942, Aretha got her start singing in front of her father's Baptist congregation and found minor success as a gospel singer. She then set her sights on becoming a pop music artist and used her powerful voice and impressive skills on the piano to get a record deal. Aretha released her first of many celebrated albums at the age of 18. In 1987, she was inducted into the Rock and Roll Hall of Fame, making her the first female artist to grace the prestigious list. With iconic hits such as "Respect" and "Think," and countless awards to her name including eighteen Grammys, Aretha Franklin was one of the bestselling artists of all time.

Nominated for an NAACP Image Award! Named one of The LA Times Best Books of 2015! "In these extraordinary tales, American Book Award-winner Due (My Soul to Take) uses a clear-eyed view of history to explain (but never excuse) the present." - Publishers Weekly (Starred) Stephen King says, "Ms. Due accomplishes the hardest thing of all with deceptive ease, creating characters we care about on their most human level." Whether weaving family life and history into dark fiction or writing speculative Afrofuturism, American Book Award winner and Essence bestselling author Tananarive Due's work is both riveting and enlightening. In her debut collection of short fiction, Due takes us to Gracetown, a small Florida town that has both literal and figurative ghost; into future scenarios that seem all too real; and provides empathetic portraits of those whose lives are touched by Otherness. Featuring an award-winning novella and fifteen stories-one of which has never been published before-GHOST SUMMER: STORIES, is sure to both haunt and delight. The title novella, Ghost Summer, won a Kindred Award from the Carl Brandon Society (originally published in The Ancestors). This collection includes Patient Zero, The Lake, The Knowing, Herd Immunity, and many other stories. With an Introduction by Nalo Hopkinson and an Afterword by Steven Barnes.

A New York Times Best Seller! Baltimore, one of our country's quintessential urban war zones, is brought powerfully to life by literary talent, D. Watkins

To many, the past 8 years under President Obama were meant to usher in a new post-racial American political era, dissolving the divisions of the past. However, when seventeen-year-old Trayvon Martin was shot by a wannabe cop in Florida; and then Ferguson, Missouri, happened; and then South Carolina hit the headlines; and then Baltimore blew up, it was hard to find any evidence of a new post-racial order.

Suddenly the entire country seemed to be awakened to a stark fact: African American men are in danger in America. This has only become clearer as groups like Black Lives Matter continue to draw attention to this reality daily not only online but also in the streets of our nation's embattled cities.

D. Watkins. fought his way up on the eastside (the "beastside") of Baltimore, Maryland--or "Bodymore, Murderland," as his friends call it. He writes openly and unapologetically about what it took to survive life on the streets while the casualties piled up around him, including his own brother. Watkins pushed drugs to pay his way through school, staying one step ahead of murderous business rivals and equally predatory lawmen. When black residents of Baltimore finally decided they had had enough--after the brutal killing of twenty-five-year-old Freddie Gray while in police custody--Watkins was on the streets as the city erupted. He writes about his bleeding city with the razor-sharp insights of someone who bleeds along with it. Here are true dispatches from the other side of America.

In this new paperback edition, the author has also added new material in a section title "Bonus Tracks", responding to the rising tide of racial resentment and hate embodied by political figures like Donald Trump and Ted Cruz as well as the heartbreaking killings of Alton Sterling and Philando Castile, and the impact this has had on issues of race in America. This book is essential reading for anyone trying to make sense of the chaos of our current political moment.

Donald Crews, the Caldecott Honor artist and award-winning creator of Freight Train, Truck, and many other classic picture books for young children, writes of his own childhood experiences visiting his grandparents in Florida. Share this book at home or in the classroom. Everyone will enjoy the memories of a perfect day in the country, exploring and playing, and the connections among family members across generations.

Four children travel with their mother, and when the train arrives in Cottondale, Florida, the summer at Bigmama's house begins! Donald Crews brilliantly evokes the sights, sounds, and emotions of a memorable childhood experience.

Beautifully and richly illustrated, this is a wonderful choice for family reading and classroom sharing. "A very special book by a superb artist and storyteller."--The Horn Book

A fun read-aloud, it also helps children ages 3 to 6 learn about how to share details of place in storytelling. Celebrate the bonds of family over generations with Donald Crews's evocative picture books Bigmama's and its companion, Shortcut.

America's foremost novelist reflects on the themes that preoccupy her work and increasingly dominate national and world politics: race, fear, borders, the mass movement of peoples, the desire for belonging. What is race and why does it matter? What motivates the human tendency to construct Others? Why does the presence of Others make us so afraid?

Drawing on her Norton Lectures, Toni Morrison takes up these and other vital questions bearing on identity in The Origin of Others. In her search for answers, the novelist considers her own memories as well as history, politics, and especially literature. Harriet Beecher Stowe, Ernest Hemingway, William Faulkner, Flannery O'Connor, and Camara Laye are among the authors she examines. Readers of Morrison's fiction will welcome her discussions of some of her most celebrated books--Beloved, Paradise, and A Mercy.

If we learn racism by example, then literature plays an important part in the history of race in America, both negatively and positively. Morrison writes about nineteenth-century literary efforts to romance slavery, contrasting them with the scientific racism of Samuel Cartwright and the banal diaries of the plantation overseer and slaveholder Thomas Thistlewood. She looks at configurations of blackness, notions of racial purity, and the ways in which literature employs skin color to reveal character or drive narrative. Expanding the scope of her concern, she also addresses globalization and the mass movement of peoples in this century. National Book Award winner Ta-Nehisi Coates provides a foreword to Morrison's most personal work of nonfiction to date.

The earliest known prison memoir by an African American writer--recently discovered and authenticated by a team of Yale scholars--sheds light on the longstanding connection between race and incarceration in America.

"[A] harrowing [portrait] of life behind bars . . . part confession, part jeremiad, part lamentation, part picaresque novel (reminiscent, at times, of Dickens and Defoe)."--Michiko Kakutani, The New York Times

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE

In 2009, scholars at Yale University came across a startling manuscript: the memoir of Austin Reed, a free black man born in the 1820s who spent most of his early life ricocheting between forced labor in prison and forced labor as an indentured servant. Lost for more than one hundred and fifty years, the handwritten document is the first known prison memoir written by an African American. Corroborated by prison records and other documentary sources, Reed's text gives a gripping first-person account of an antebellum Northern life lived outside slavery that nonetheless bore, in its day-to-day details, unsettling resemblances to that very institution.

Now, for the first time, we can hear Austin Reed's story as he meant to tell it. He was born to a middle-class black family in the boomtown of Rochester, New York, but when his father died, his mother struggled to make ends meet. Still a child, Reed was placed as an indentured servant to a nearby family of white farmers near Rochester. He was caught attempting to set fire to a building and sentenced to ten years at Manhattan's brutal House of Refuge, an early juvenile reformatory that would soon become known for beatings and forced labor.

Seven years later, Reed found himself at New York's infamous Auburn State Prison. It was there that he finished writing this memoir, which explores America's first reformatory and first industrial prison from an inmate's point of view, recalling the great cruelties and kindnesses he experienced in those places and excavating patterns of racial segregation, exploitation, and bondage that extended beyond the boundaries of the slaveholding South, into free New York.

Accompanied by fascinating historical documents (including a series of poignant letters written by Reed near the end of his life), The Life and the Adventures of a Haunted Convict is a work of uncommon beauty that tells a story of nineteenth-century racism, violence, labor, and captivity in a proud, defiant voice. Reed's memoir illuminates his own life and times--as well as ours today.

Praise for The Life and the Adventures of a Haunted Convict

"One of the most fascinating and important memoirs ever produced in the United States."--Annette Gordon-Reed, The Washington Post

"Remarkable . . . triumphantly defiant . . . The book's greatest value lies in the gap it fills."--O: The Oprah Magazine

"Reed displays virtuosic gifts for narrative that, a century and a half later, earn and hold the reader's ear."--Thomas Chatterton Williams, San Francisco Chronicle

"[The book's] urgency and relevance remain undiminished. . . . This exemplary edition recovers history without permanently trapping it in one interpretation."--The Guardian

"A sensational, novelistic telling of an eventful life."--The Paris Review

"Vivid and painful."--NPR

"Lyrical and graceful in one sentence, burning with fury and hellfire in the next."--Columbus Free Press

Learn how a slave became one of the leading influential African American intellectuals of the late 19th century.

African American educator, author, speaker, and advisor to presidents of the United States, Booker Taliaferro Washington was the leading voice of former slaves and their descendants during the late 1800s. As part of the last generation of leaders born into slavery, Booker believed that blacks could better progress in society through education and entrepreneurship, rather than trying to directly challenge the Jim Crow segregation. After hearing the Emancipation Proclamation and realizing he was free, young Booker decided to make learning his life. He taught himself to read and write, pursued a formal education, and went on to found the Tuskegee Institute--a black school in Alabama--with the goal of building the community's economic strength and pride. The institute still exists and is home to famous alumnae like scientist George Washington Carver.

Three provocative dramas, Paradise Blue, Detroit '67 and Skeleton Crew, make up Dominique Morisseau's The Detroit Project, a play cycle examining the sociopolitical history of Detroit. Each play sits at a cross-section--of race and policing, of labor and recession, of property ownership and gentrification--and comes alive in the characters and relationships that look toward complex, hopeful futures. With empathetic storytelling and an ear for the voices of her home community, Morisseau brings to life the soul of Detroit, past and present.

The pioneering novel of physical disability, transatlantic travel, and black international politics. A vital document of black modernism and one of the earliest overtly queer fictions in the African American tradition. Published for the first time.

A Penguin Classic

A New York Times Book Review Editors' Choice/Staff Pick
Vulture's Ten Best Books of 2020 pick

Buried in the archive for almost ninety years, Claude McKay's Romance in Marseille traces the adventures of a rowdy troupe of dockworkers, prostitutes, and political organizers--collectively straight and queer, disabled and able-bodied, African, European, Caribbean, and American. Set largely in the culture-blending Vieux Port of Marseille at the height of the Jazz Age, the novel takes flight along with Lafala, an acutely disabled but abruptly wealthy West African sailor. While stowing away on a transatlantic freighter, Lafala is discovered and locked in a frigid closet. Badly frostbitten by the time the boat docks, the once-nimble dancer loses both of his lower legs, emerging from life-saving surgery as what he terms "an amputated man." Thanks to an improbably successful lawsuit against the shipping line, however, Lafala scores big in the litigious United States. Feeling flush after his legal payout, Lafala doubles back to Marseille and resumes his trans-African affair with Aslima, a Moroccan courtesan. With its scenes of black bodies fighting for pleasure and liberty even when stolen, shipped, and sold for parts, McKay's novel explores the heritage of slavery amid an unforgiving modern economy. This first-ever edition of Romance in Marseille includes an introduction by McKay scholars Gary Edward Holcomb and William J. Maxwell that places the novel within both the "stowaway era" of black cultural politics and McKay's challenging career as a star and skeptic of the Harlem Renaissance.

"A living legend." -- Julia Quinn

The newest novel in USA Today bestselling author Beverly Jenkins's compelling Women Who Dare series features a fearless grifter who goes undercover to reclaim the stolen Declaration of Independence.

Lying and cheating may be sins to some people, but for Raven Moreaux, it is a way of life. She comes from a long line of grifters and couldn't be prouder...Until she's forced to help the government.

A former Confederate official is suspected of stealing the Declaration of Independence, and Raven, posing as his housekeeper, is tasked with getting it back. Her partner is the too handsome Braxton Steel. Masquerading as a valet/driver, Brax is also supposed to be her "husband." He has his own reasons for doing this job, but when their pretend marriage ignites into fiery passion, they'll have to put everything--including their hearts--on the line.