Collection: Shop Black

Revealing a history that is deep, broad, and infuriating, The Black Tax casts a bold light on the racist practices long hidden in the shadows of America's tax regimes.

American taxation is unfair, and it is most unfair to the very people who critically need its support. Not only do taxpayers with fewer resources--less wealth, power, and land--pay more than the well-off, but they are forced to fight for their rights within an unjust system that undermines any attempts to improve their position or economic standing. In The Black Tax, Andrew W. Kahrl reveals the shocking history and ruinous consequences of inequitable and predatory tax laws in this country--above all, widespread and devastating racial dispossession.

Throughout the twentieth century, African Americans acquired substantial amounts of property nationwide. But racist practices, obscure processes, and outright theft diminished their holdings and their power. Of these, Kahrl shows, few were more powerful, or more quietly destructive, than property taxes. He examines all the structural features and hidden traps within America's tax system that have forced Black Americans to pay more for less and stripped them of their land and investments, and he reveals the staggering cost. The story of America's now enormous concentration of wealth at the top--and the equally enormous absence of wealth among most Black households--has its roots here.
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Kahrl exposes the painful history of these practices, from Reconstruction up to the present, describing how discrimination continues to take new forms, even as people continue to fight for their rights, their assets, and their power. If you want to understand the extreme economic disadvantages and persistent racial inequalities that African American households continue to face, there is no better starting point than The Black Tax.

A chapter book biography for early readers about one of the women who sparked the Civil Rights movement, by legendary author Eloise Greenfield and with illustrations by Gil Ashby.

When Rosa Parks was growing up in Montgomery, Alabama, she hated the unfair rules that black people had to live by--like drinking out of special water fountains and riding in the back of the bus. Years later, Rosa Parks changed the lives of African American in Montgomery--and all across America--starting with one courageous act. How could one quiet, gentle woman have started it all? This is her story.

Complete with black-and-white illustrations by Gil Ashby, this chapter book by bestselling and award-winning author Eloise Greenfield is the perfect introduction to Rosa Parks for early readers.

* Notable Children's Trade Book in the Field of Social Studies (NCSS/CBC) * Carter G. Woodson Book Award *

With echoes of Audre Lorde's The Cancer Journals and Susan Sontag's Illness as Metaphor, an extraordinary debut collection from a prize-winning poet that chronicles a Black woman's journey through disability, the byzantine healthcare system, life-giving, taking, and sacrifice.

With breathtaking lyricism and a vulnerability that pierces the heart, April Gibson journeys through the emotional abysses, the daily pleasures, the frustrations, and the joys of being a Black woman living with chronic illness.

Gibson offers a unique perspective on "the body," viewing disability and healthcare through both feminist and socio-economic lenses filtered by race and faith. Through gorgeous sensory language that migrates memories, from carefree innocence to the ravages formed in its absence, Gibson bears witness to grief, courage, and resistance to redefine herself on her own terms.

Gibson presents her body as a "looking glass" that re-envisions illness, womanhood, motherhood, religious relics and collective loss through her physicality, through her lamenting, through her unearthing, reckoning and rebirth. Not only do we see her, but see the "we" in her. The Span of a Small Forever is both testimony and transformation--heart-shattering in its honesty, it ultimately offers us transcendent beauty, nourishment, and the strength we need to go on in our lives.

Set in a wonderfully reimagined 15th century West Africa, Masquerade is a dazzling, lyrical tale exploring the true cost of one woman's fight for freedom and self-discovery, and the lengths she'll go to secure her future.

"Sangoyomi delivers an incisive examination of gender, temptation, and the lengths people will go to hold power--a magnificent debut!" --Vaishnavi Patel, New York Times bestselling author of Kaikeyi

Òdòdó's hometown of Timbuktu has been conquered by the warrior king of Yorùbáland. Already shunned as social pariahs, living conditions for Òdòdó and the other women in her blacksmith guild grow even worse under Yorùbá rule.

Then Òdòdó is abducted. She is whisked across the Sahara to the capital city of Ṣàngótẹ̀, where she is shocked to discover that her kidnapper is none other than the vagrant who had visited her guild just days prior. But now that he is swathed in riches rather than rags, Òdòdó realizes he is not a vagrant at all; he is the warrior king, and he has chosen her to be his wife.

In a sudden change of fortune, Òdòdó soars to the very heights of society. But after a lifetime of subjugation, the power that saturates this world of battle and political savvy becomes too enticing to resist. As tensions with rival states grow, revealing elaborate schemes and enemies hidden in plain sight, Òdòdó must defy the cruel king she has been forced to wed by re-forging the shaky loyalties of the court in her favor, or risk losing everything--including her life.

Loosely based on the myth of Persephone, O.O. Sangoyomi's Masquerade takes you on a journey of epic power struggles and political intrigue which turn an entire region on its head.

The story of the fight against fascism across the African diaspora, revealing that Black antifascism has always been vital to global freedom struggles.

At once a history for understanding fascism and a handbook for organizing against, The Black Antifascist Tradition is an essential book for understanding our present moment and the challenges ahead.

From London to the Caribbean, from Ethiopia to Harlem, from Black Lives Matter to abolition, Black radicals and writers have long understood fascism as a threat to the survival of Black people around the world--and to everyone.

In The Black Antifascist Tradition, scholar-activists Jeanelle K. Hope and Bill Mullen show how generations of Black activists and intellectuals--from Ida B. Wells in the fight against lynching, to Angela Y. Davis in the fight against the prison-industrial complex--have stood within a tradition of Black Antifascism.

As Davis once observed, pointing to the importance of anti-Black racism in the development of facism as an ideology, Black people have been "the first and most deeply injured victims of fascism." Indeed, the experience of living under and resisting racial capitalism has often made Black radicals aware of the potential for fascism to take hold long before others understood this danger.

The book explores the powerful ideas and activism of Paul Robeson, Mary McLeod Bethune, Claudia Jones, W. E. B. Du Bois, Frantz Fanon, Aime Cesaire, and Walter Rodney, as well as that of the Civil Rights Congress, the Black Liberation Army, and the We Charge Genocide movement, among others.

In shining a light on fascism and anti-Blackness, Hope and Mullen argue, the writers and organizers featured in this book have also developed urgent tools and strategies for overcoming it.

Mama's Library Summers is a moving picture book tribute to a strong Black mother, libraries, and the power of reading and of seeing oneself in books by the author of Chef Edna, Melvina Noel, and illustrator Daria Peoples.

Every summer, Mama takes her two daughters to the library to pick out books. Not just any books--books about Black people. In the 1960s, such stories were not taught in schools. If there were any books at all, they were often shelved in a separate part of the library. But that didn't stop two sisters from making a beeline to that very spot and gathering up the library's limit: ten books each.

Back at home, the three retreat to their favorite reading spots, and the older sister is soon running to freedom alongside Harriet Tubman; reading poetry with Paul Lawrence Dunbar; listening to Martin Luther King say, "I have a dream." In these books, the older sister sees the struggles, the strength, the love, the hope, and the happiness of people who look like her and never gave up on their dreams. She sees herself.

Golden Kite Award Finalist
Washington State Book Award Winner
Junior Library Guild Gold Standard
Notable Social Studies Reading List
CCBC Choices

Melvin Robinson wants a strong, smooth, He-Man voice that lets him say what he wants, when he wants--especially to his crush Millie Takazawa, and Gary Ratliff, who constantly puts him down. But the thought of starting high school is only making his stutter worse.

And Melvin's growing awareness that racism is everywhere--not just in the South where a boy his age has been brutally killed by two white men, but also in his own hometown of Spokane--is making him realize that he can't mutely stand by.

His new friend Lenny, a fast-talking, sax-playing Jewish boy, who lives above the town's infamous (and segregated) Harlem Club, encourages Melvin to take some risks--to invite Millie to Homecoming and even audition for a local TV variety show. When they play music together, Melvin almost feels like he's talking, no words required. But there are times when one needs to speak up.

When his moment comes, can Melvin be as mighty on the outside as he actually is on the inside?

P R A I S E

★ "This powerful novel weaves strong characters into the tapestry of civil rights, treatment of people with disabilities, fallout fear from the war, and ever-changing cultural shifts that defined the 1950s."
--School Library Journal (starred)

★ "A well-constructed and movingly told story of a thoughtful Black boy making his place in his family and in 1950s America."
--Publishers Weekly (starred)

"A gentle historical novel about finding your voice."
--Kirkus

"Sundee Frazier once again flexes her masterful expertise in understanding the human heart, and the insurmountable will and capacity we have to press forward and persevere triumphantly."
--Kirkus Prize-winner Derrick Barnes

"One of those rare books I found myself reading more slowly as I got to the final pages. I didn't want it to end."
--Newbery Award-winner Christopher Paul Curtis

A strikingly original and absorbing mystery about a white-passing bookbinder in Victorian England and the secrets lurking on the estate where we she works, for fans of Fingersmith and The Confessions of Frannie Langton

The library is under lock and key. But its secrets can't be contained.

1896. After he brought her home from Jamaica as a baby, Florence's father had her hair hot-combed to make her look like the other girls. But as a young woman, Florence is not so easy to tame--and when she brings scandal to his door, the bookbinder throws her onto the streets of Manchester.

Intercepting her father's latest commission, Florence talks her way into the remote, forbidding Rose Hall to restore its collection of rare books. Lord Francis Belfield's library is old and full of secrets--but none so intriguing as the whispers about his late wife.

Then one night, the library is broken into. Strangely, all the priceless tomes remain untouched. Florence is puzzled, until she discovers a half-burned book in the fireplace. She realizes with horror that someone has found and set fire to the secret diary of Lord Belfield's wife-which may hold the clue to her fate...

Evocative, arresting and tightly plotted, The Library Thief is at once a propulsive Gothic mystery and a striking exploration of race, gender and self-discovery in Victorian England.

From acclaimed novelist John Vercher, a profoundly moving novel of what it means to be a father, a son, a writer, and a biracial American fighting to reconcile the past

Reeling from the sudden death of his teenage son, our narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged grandfather. He travels to a beach town several hours south of his home with the intention of immediately selling the land. But upon inspection, what lies beneath the dirt is much more than he can process in the throes of grief. As a biracial Black man struggling with the many facets of his identity, he's now the owner of a former plantation passed down by the men on his white mother's side of the family.

Vercher deftly blurs the lines between real and imagined, past and present, tragedy and humor, and fathers and sons in this story of discovery--and a fight for reclamation--of a painful past. With the wit of Paul Beatty's The Sellout and the nuance of Zadie Smith's On Beauty, Devil Is Fine is a darkly funny and brilliantly crafted dissection of the legacies we leave behind and those we inherit.

God has blessed Ketty Lester to achieve so much in her lifetime. Growing up in the cotton fields of Hope, Arkansas, to her first performance at the infamous Purple Onion in San Francisco, California, with wonderful greats like Maya Angelou and Phyllis Diller, she is most remembered for her 1962 recording of "Love Letters Straight From Your Heart," also known as "Love Letters," which stayed on the charts in the United States and the United Kingdom for three years and rerecorded by many artists. The next most-remembered performance was the first horror movie for Blacks in 1972, which was Blacula. She was a lead, playing Juanita Jones, a vampire. The third role, which was her last, longest-running television series, was Hester-Sue Terhune on The Little House on the Prairie from 1977 to 1983. She played the only Black female teacher in the series. Between the Purple Onion and Little House on the Prairie, Ketty Lester's life bubbled over with successes, accolades, and standing shoulder-to-shoulder with many of the "firsts" Blacks in Hollywood to appear in television commercials, on daytime soap operas, and to co-star in Julia, the first weekly series to depict an African American woman, Diahann Carroll, in a non-stereotypical role. Though Ketty enjoyed one acting role after another, and releasing multiple albums and singles, life was no crystal stairs or a bed of roses. As you share this journey with Ketty, so will agree that she is a great role model and that she is puts the "T" in triumph.

From the New York Times bestselling author of Satchel and Bobby Kennedy, a sweeping and spellbinding portrait of the longtime kings of jazz--Duke Ellington, Louis Armstrong, and Count Basie--who, born within a few years of one another, overcame racist exclusion and violence to become the most popular entertainers on the planet.

This is the story of three revolutionary American musicians, the maestro jazzmen who orchestrated the chords that throb at the soul of twentieth-century America.

Duke Ellington, the grandson of slaves who was christened Edward Kennedy Ellington, was a man whose story is as layered and nuanced as his name suggests and whose music transcended category.Louis Daniel Armstrong was born in a New Orleans slum so tough it was called The Battlefield and, at age seven, got his first musical instrument, a ten-cent tin horn that drew buyers to his rag-peddling wagon and set him on the road to elevating jazz into a pulsating force for spontaneity and freedom.William James Basie, too, grew up in a world unfamiliar to white fans--the son of a coachman and laundress who dreamed of escaping every time the traveling carnival swept into town, and who finally engineered his getaway with help from Fats Waller.

What is far less known about these groundbreakers is that they were bound not just by their music or even the discrimination that they, like nearly all Black performers of their day, routinely encountered. Each defied and ultimately overcame racial boundaries by opening America's eyes and souls to the magnificence of their music. In the process they wrote the soundtrack for the civil rights movement.

Based on more than 250 interviews, this exhaustively researched book brings alive the history of Black America in the early-to-mid 1900s through the singular lens of the country's most gifted, engaging, and enduring African-American musicians.

"This fascinating, profound and engrossing book places Legacy Russell as one of the more provocative, radical and original thinkers of her generation."
-Lynn Hershman Leeson, artist and filmmaker (praise for Glitch Feminism)

A history of Black imagery that recasts our understanding of visual culture and technology

In Black Meme, Legacy Russell, award-winning author of the groundbreaking Glitch Feminism, explores the "meme" as mapped to Black visual culture from 1900 to the present, mining both archival and contemporary media.

Russell argues that without the contributions of Black people, digital culture would not exist in its current form. These meditations include the circulation of lynching postcards; why a mother allowed Jet magazine to publish a picture of her dead son, Emmett Till; and how the televised broadcast of protesters in Selma changed the debate on civil rights.

Questions of the media representation of Blackness come to the fore as Russell considers how a citizen-recorded footage of the LAPD beating Rodney King became the first viral video. And the Anita Hill hearings shed light on the media's creation of the Black icon. The ownership of Black imagery and death is considered in the story of Tamara Lanier's fight to reclaim the daguerreotypes of her enslaved ancestors from Harvard. Meanwhile the live broadcast on Facebook of the murder of Philando Castile by the police after he was stopped for a broken taillight forces us to bear witness to the persistent legacy of the Black meme.

Through imagery, memory and technology Black Meme shows us how images of Blackness have always been central to our understanding of the modern world.

Families trapped in poverty and systemic injustices. Children denied civil rights because of race. A nation with immense potential for freedom spiraling into prejudice, violence, and hate.

The country Frederick Douglass knew over one-hundred years ago is strikingly similar to the one we live in today. The truth, lessons, and hope he offered during his remarkable lifetime not only helped shape Abraham Lincoln's presidency and the American Civil Rights movement, they can guide and inspire us in our own cultural moment.

Born into slavery in 1818, Douglass escaped to New York City at the age of twenty, determined to tell his story and fight for the rights of all men and women to be free. His first autobiography, Narrative of the Life of Frederick Douglass, an American Slave, remains one of the most influential books of modern times, as captivating and stirring now as it was when it was first published in 1845.

This new edition of Douglass's world-changing work includes intimate reflections from modern-day leaders, a foreword and photograph section from Douglass's direct descendants, and a timeline beginning in 1619 with an emphasis on Douglass's life and family.

?Whether you are interested in the history of the abolitionist movement and the Civil War, committed to the cause of abolishing modern-day slavery, or need renewed vigor to fight for human rights today, this timeless book will equip and inspire you to follow your passions, knowing that even against all odds, one person can change the world.

A new edition of this award-winning modern classic, with an introduction by Tayari Jones (An American Marriage), an excerpt from the never before seen follow-up, and discussion guide.

Pakersfield, Georgia, 1958: Thirteen-year-old Tangy Mae Quinn is the sixth of ten fatherless siblings. She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle's, estimation, but she's also the brightest. Rozelle--beautiful, charismatic, and light-skinned--exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at "the farmhouse" on the edge of town, where Rozelle beds local men for money.

But Tangy Mae has been selected to be part of the first integrated class at a nearby white high school. She has a chance to change her life, but can she break from Rozelle's grasp without ruinous--even fatal--consequences?

Through invention and remembrance, a little bump in the earth creates a black town on a hill--its land, its losses, its living and ancestral dead.

Tyree Daye's a little bump in the earth is an act of invention and remembrance. Through sprawling poems, the town of Youngsville, North Carolina, where Daye's family has lived for the last 200 years, is reclaimed as "Ritual House." Here, "every cousin aunt uncle ghost" is welcome. Daye invokes real and imagined people, the ancestral dead, land, snakes, and chickens, to create a black town on a hill. Including dreams, letters, revised rental agreements, and "a little museum in the here & after," where collaged images appear besides documents from Daye's ancestors--census records, marriage licenses, and WWII Draft Registration cards--the collection asks if the past can be a portal to the future, the present a catalyst for the past. a little bump in the earth explores what it means to love someone, someplace, even as it changes, dies right in front of your eyes. Poem by poem, Daye is honoring the people of Youngsville and "bringing back the dead."