Collection: Shop Black

In Circuits of the Sacred Carlos Ulises Decena examines transnational black Latinx Caribbean immigrant queer life and spirit. Decena models what he calls a faggotology-the erotic in the divine as found in the disreputable and the excessive-as foundational to queer black critical and expressive praxis of the future. Drawing on theoretical analysis, memoir, creative writing, and ethnography of Santería/Lucumí in Santo Domingo, Havana, and New Jersey, Decena moves between languages, locations, pronouns, and genres to map the itineraries of blackness as a "circuit," a multipronged and multisensorial field. A feminist pilgrimage and extended conversation with the dead, Decena's study is a provocative work that transforms the academic monograph into a gathering of stories, theoretical innovation, and expressive praxis to channel voices, ancestors, deities, theorists, artists, and spirits from the vantage point of radical feminism and queer-of-color thinking.

With an equal dose of fatalism and dark wit, Antigua captures the body's capacity to cage and cradle sadness.

Diannely Antigua's Good Monster grapples with the body as a site of chronic pain and trauma. Poignant and guttural, the collection "voyage[s] the land between crisis and hope," chronicling Antigua's reckoning with shame and her fallout with faith. As poems cage and cradle devastating truths--a stepfather's abusive touch, a mother's "soft harm"--the speaker's anxiety, depression, and boundless need become monstrous shadows. Here, poems dance on bars, speak in tongues, and cry in psych wards. When "God [becomes] a house [she] can't leave," language becomes the only currency left. We see the messiness of survival unfold through sestinas, a series of Sad Girl sonnets, and diary entries--an invented collage form using Antigua's personal journals. At the crux of despair, Antigua locates a resilient desire to find a love that will remain, to feel pleasure in an inhospitable body and, above all, to keep on living.

"This lyrical testament to life as 'a blind date with mercy' will challenge and inspire." --Publishers Weekly [Starred Review]

In 1991, when he was thirteen years old, Lenny Duncan stepped out of his house in West Philadelphia, walked to the Greyhound station, and bought a ticket--the start of his great American adventure. But little did he know that his great American adventure would include a winding path through sex work and drug deals, prison, and eventually ministry and social justice activism.

Now out in paperback with a new afterword, Duncan brings us his deeply personal story about growing up Black and queer in the US. In his characteristically powerful voice, he recounts hitchhiking across the country, spending time in solitary confinement, battling for sobriety, and discovering a deep faith, examining pressing issues like poverty, mass incarceration, white supremacy, and LGBTQ inclusion through an intimate portrayal of his life's struggles and joys. United States of Grace is a love story about America, revealing the joy and resilience of places in this country that many call "the margins" but that Lenny Duncan has called home. Fierce and incisive, Duncan challenges us and America to seek life out of death. "I was born starving for the good," he writes, "and this country can be a feast of good if we open ourselves up to it."

"Brenda Jackson writes romance that sizzles and characters you fall in love with." --Lori Foster, New York Times bestselling author

An all-new Brenda Jackson romance set in the small Louisiana town of Catalina Cove. A no-strings night of pleasure between two travelers ends up leading to something much more when each must return home to their roots and are unexpectedly reunited.

Catalina Cove

Book 1: Love in Catalina Cove
Book 2: Forget Me Not
Book 3: Finding Home Again
Book 4: Follow Your Heart
Book 5: One Christmas Wish
Book 6: The House on Blueberry Lane

A young girl tries out different genres and instruments in this exuberant celebration of music, winner of the Coretta Scott King New Talent Award--now available in a special anniversary edition.

This is my family. We all love music, begins a young percussionist. When she plays with her father, a cellist, she taps the triangle. With her sister's marching band, she crashes cymbals together. At her aunt's jazz show, she taps a woodblock.

Elbrite Brown's lively cut-paper illustrations, for which he was awarded the Coretta Scott King New Talent Award, depict this diverse, joyous family dancing, strumming, drumming and fiddling their way through a tour of major musical styles--everything from classical string quartets, to rock and roll, to the youngest niece banging on pots and pans. They love music--and most of all, they love to celebrate and play it together.

Includes a glossary covering types of music and instruments mentioned.

Drawing from all six of his collections, The Selected Shepherd offers a new retrospective on the work of an important and sometimes controversial Black, gay poet. Although well known for his erotic poems about white men, Shepherd also wrote consistently about the natural world and its endangerment and his grief over his mother's death. Presented in both publication order and the order in which they originally appeared within each collection, these poems highlight the most important themes of Shepherd's work, along with both his predictability and unpredictability as a poet. Jericho Brown's introduction provides additional context and insight on the life and work of this complex, groundbreaking figure in American poetry.

New York Times bestselling author and Printz Award winner Walter Dean Myers once again connects with teenagers everywhere in Darius & Twig, a novel about friendship and needing to live one's own dream. This touching and raw teen novel from the author of Monster, Kick, We Are America, Bad Boy, and many other celebrated literary works for children and teens is a Coretta Scott King Honor Book.

Darius and Twig are an unlikely pair: Darius is a writer whose only escape is his alter ego, a peregrine falcon named Fury, and Twig is a middle-distance runner striving for athletic success. But they are drawn together in the struggle to overcome the obstacles that life in Harlem throws at them. The two friends must face down bullies, an abusive uncle, and the idea that they'll be stuck in the same place forever.

Maria Russo, writing in the New York Times, included Darius & Twig on her list of "great kids' books with diverse characters." She commented: "The late Myers, one of the greats and a champion of diversity in children's books well before the cause got mainstream attention, is at his elegant, heartfelt best in this 2013 novel. It's about two friends growing up in Harlem, one a writer, one an athlete, facing daily challenges and trying to dream of a brighter future."

A woman journeys into a submerged world of gods and myth to save her home in this powerful historical fantasy that shines a light on the drowned Black towns of the American South.

"Our home began, as all things do, with a wish."

Jane Edwards hasn't spoken since she was eleven years old, when armed riders expelled her family from their hometown along with every other Black resident. Now, twelve years later, she's found a haven in the all-Black town of Awenasa. But the construction of a dam promises to wash her home under the waters of the new lake.

Jane will do anything to save the community that sheltered her. So, when a man with uncanny abilities arrives in town asking strange questions, she wonders if he might be the key. But as the stranger hints at gods and ancestral magic, Jane is captivated by a bigger mystery. She knows this man. Only the last time she saw him, he was dead. His body laid to rest in a rushing river.

Who is the stranger and what is he really doing in Awenasa? To find those answers, Jane will journey into a sunken world, a land of capricious gods and unsung myths, of salvation and dreams made real. But the flood waters are rising. To gain the miracle she desires, Jane will have to find her voice again and finally face the trauma of the past.

For more from Leslye Penelope, check out The Monsters We Defy.

A warm-spirited elegy to an abandoned work, brilliantly comic and wryly contemplative, by one of the great artist-investigators of our time.

Originally published in 2008 in the groundbreaking Atelos series, To After That (TOAF) introduced a new kind of writing--somewhere between criticism and memoir and philosophy--that Renee Gladman has continued to explore in books like Calamities and My Lesbian Novel.

TOAF is a recuperative song, an effort to give space and life to an abandoned project, but it is also, itself, a beautiful meditation on process and distance and duration, and a reminder that time is the subject of any writing.

Pennsylvania State Senator Nikil Saval tells the story of an unlikely partnership between June Jordan and R. Buckminster Fuller, and their attempt to reimagine Harlem in the wake of the 1964 riots.

In the tense days leading up to the 2020 American elections, then-candidate for Pennsylvania State Senate Nikil Saval addressed a virtual audience at the Harvard GSD to tell a story about Black feminist writer June Jordan and a little-known project that resulted from the aftermath of the 1964 Harlem riot. The events of police brutality and community grieving made a lasting impression on Jordan, who, while known for her work as a poet, playwright, and activist, responded with a proposal for a multiple-tower housing design. Through an unlikely partnership with R. Buckminster Fuller, Jordan's "Skyrise for Harlem" project offered a Futuristic vision for Harlem that argued for environmental redesign: "it is architecture, conceived of in its fullest meaning as the creation of environment, which may actually determine the pace, pattern, and quality of living experience."

Jordan was not an architect in the conventional sense, Saval says. "But in the understanding of someone who sought to propose and build interventions in public space, she was."

With its signature "DARE to keep kids off drugs" slogan and iconic t-shirts, DARE (Drug Abuse Resistance Education) was the most popular drug education program of the 1980s and 1990s. But behind the cultural phenomenon is the story of how DARE and other antidrug education programs brought the War on Drugs into schools and ensured that the velvet glove of antidrug education would be backed by the iron fist of rigorous policing and harsh sentencing.
Max Felker-Kantor has assembled the first history of DARE, which began in Los Angeles in 1983 as a joint venture between the police department and the unified school district. By the mid-90s, it was taught in 75 percent of school districts across the United States. DARE received near-universal praise from parents, educators, police officers, and politicians and left an indelible stamp on many millennial memories. But the program had more nefarious ends, and Felker-Kantor complicates simplistic narratives of the War on Drugs. He shows how policing entered US schools and framed drug use as the result of personal responsibility, moral failure, and poor behavior deserving of punishment rather than something deeply rooted in state retrenchment, the abandonment of social service provisions, and structures of social and economic inequality.

An intimate and searching account of the life and legacy of one of America's towering educators, a woman who dared to center the progress of Black women and girls in the larger struggle for political and social liberation

When Mary MacLeod Bethune died, many of the tributes in newspapers around the country said the same thing: she should be on the "Mount Rushmore" of Black American achievement. Indeed, Bethune is the only Black American whose statue stands in Statuary Hall of the U.S. Capitol, and yet for most Americans, she remains a marble figure from the dim past. Now, seventy years later, Noliwe Rooks turns Bethune from stone to flesh, showing her to have been a visionary leader with lessons to still teach us as we continue on our journey towards a freer and more just nation.

Any serious effort to understand how the Black Civil Rights generation found role models, vision, and inspiration during their midcentury struggle for political power must place Bethune at its heart. Her success was unlikely: the 15th of 17 children and the first born into freedom, Bethune survived brutal poverty and caste subordination to become the first in her family to learn to read and to attend college. She gave that same gift to others when in 1904, at age 29, Bethune welcomed her first class of five girls to the Daytona, Florida school she herself had founded. In short order, the school enrolled hundreds of children and eventually would become the university that bears her name to this day. Bethune saw education as an essential dimension of the larger struggle for freedom, vitally connected to the vote and to economic self-sufficiency. She played a big game, and a long game, enrolling Eleanor Roosevelt, Harry Truman, Franklin D. Roosevelt, and many other powerful leaders in her cause.

Rooks grew up in Florida, in Bethune's shadow: her grandparents trained to be teachers at Bethune-Cookman University, and her family vacationed at the all-Black beach that Bethune helped found in one of her many entrepreneurial projects for the community. The story of how--in a state with some of the highest lynching rates in the country--Bethune carved out so much space, and how she catapulted from there onto the national stage, is, in Rooks' hands, a moving and astonishing example of the power of a will and a vision that had few equals. Now, when the gains and losses in the long struggle for full Black equality in this country feel particularly near--and centered on the state of Florida--, it is an enormous gift to have this brilliant and lyrical reckoning with Bethune's journey from one of our own great educators and scholars of that same struggle.

A blazingly honest essay collection from a refreshing new voice exploring the in-between moments for Black women and girls, and what it means to simply exist

"At thirty-seven years old I can say Shenequa is a big name and I'm a big, bold woman."

Shenequa Golding doesn't aim to speak for all Black women. We're too vast, too vibrant, and too complicated. As an adult, Golding begins to own her boldness, but growing up, she found herself "kind of in the middle," fluctuating between not being the fly kid or the overachiever. Her debut collection of essays, A Black Girl in the Middle taps into life's wins and losses, representing the middle ground for Black girls and women.

Golding packs humor, curiosity, honesty, anger, and ultimately acceptance in 12 essays spanning her life in Queens, NY, as a first generation Jamaican American. She breaks down the 10 levels of Black Girl Math, from the hard glare to responses reserved for unfaithful boyfriends. She comes to terms with and heals from fraught relationships with her father, friends, and romantic partners. She takes the devastating news that she's a Black girl with a "flat ass" in stride, and adds squats to her routine, eventually. From a harrowing encounter in a hotel room leading her to explore celibacy (for now) to embracing rather than fearing the "Milli Vanilli" of emotions in hurt and anger, Golding embraces everything she's learned with wit, heart, and humility.

A Black Girl in the Middle is both an acknowledgment of the complexity and pride of not always fitting in and validation of what Black girlhood and womanhood can be.

In this stunning debut novel, four generations of complex Black women contend with motherhood and daughterhood, generational trauma and the deeply ingrained tensions and wounds that divide them as they redefine happiness and healing for themselves.

Erudite Evelyn, her cynical daughter Charlotte, and Charlotte's optimistic daughter Corinna see the world very differently. Though they love each other deeply, it's no wonder that their personalities often clash. But their conflicts go deeper than run-of-the-mill disagreements. Here, there is deep, dark resentment for past and present hurt.

When Corinna gives birth to her own daughter, Camille, the beautiful, intelligent little girl offers this trio of mothers something they all need: hope, joy, and an opportunity to reconcile. They decide to work together to raise their collective daughter with the tenderness and empathy they missed in their own relationships. Yet despite their best intentions, they cannot agree on what that means.

After Camille eventually leaves her mother and grandmother in rural Tennessee for a more cosmopolitan life in Washington, DC with her great-grandmother, it's unclear whether this complex and self-contained girl will thrive or be overwhelmed by the fears and dreams of three generations she carries. As she grows into a gutsy young woman, Camille must decide for herself what happiness will look like.

In masterful, elegant prose, debut novelist Sarai Johnson has created a rich and moving portrait of Black women's lives today.

The Spanish-language edition of the beloved Newbery Honor-winning novel about three sisters who travel to Oakland, California, in 1968 to meet the mother who abandoned them, from award-winning author Rita Williams-Garcia!

Eleven-year-old Delphine is like a mother to her two younger sisters, Vonetta and Fern. She's had to be, ever since their mother, Cecile, left them seven years ago for a radical new life in California.

But when the sisters arrive from Brooklyn to spend the summer with their mother in Oakland, Cecile is nothing like they imagined. While the girls hope to go to Disneyland and meet Tinker Bell, their mother sends them to a day camp run by the Black Panthers.

Unexpectedly, Delphine, Vonetta, and Fern learn much about their family, their country, and themselves during one truly crazy summer.

This moving, funny novel won the Scott O'Dell Award for Historical Fiction and the Coretta Scott King Award and was a National Book Award finalist.

The latest in writer and visual artist Renee Gladman's ever-expanding body of imaginative investigation is a sui generis novel of queerness and art-making, philosophy and sex.

My Lesbian Novel is a novel inside an interview inside an invisible book. It is at once an homage to, an offering in, and a critique of the genre of the lesbian romance, but it is also a meditation on novel writing: how novels accommodate themselves to living, and how our living--cooking, thinking, walking in the forest, drawing--shapes the ways we read and write.