Collection: Biography & Memoir

From the New York Times-bestselling author of All Boys Aren't Blue comes an empowering set of essays about Black and Queer icons from the Harlem Renaissance.

In Flamboyants, George M. Johnson celebrates writers, performers, and activists from 1920s Black America whose sexualities have been obscured throughout history. Through 14 essays, Johnson reveals how American culture has been shaped by icons who are both Black and Queer - and whose stories deserve to be celebrated in their entirety.

Interspersed with personal narrative, powerful poetry, and illustrations by award-winning illustrator Charly Palmer, Flamboyants looks to the past for understanding as to how Black and Queer culture has defined the present and will continue to impact the future. With candid prose and an unflinching lens towards truth and hope, George M. Johnson brings young adult readers an inspiring collection of biographies that will encourage teens today to be unabashed in their layered identities.

The world's oddest drag artist
This book is an intimate and in-depth look into the life of Yvie Oddly, winner of season eleven of RuPaul's Drag Race. It begins with their childhood and then tells of their coming out and coming to terms with their sexuality, gender and how those things impact their journey as an artist. It then follows them through their experience on Drag Race (season 11 and All Stars, All Winners), and their rise to super stardom. It's a close glimpse into their wonderful and sometimes turbulent relationships with their friends, family, and all the people they met along their journey. And it's an exploration of Yvie's unique expression of drag as an art form.
Yvie Oddly's memoir will inspire readers as Yvie candidly shares their evolution into their current identity and learning to balance their private and public personas. Readers will follow them on a journey they will sympathize with, and many may even see themselves in their struggles.

#1 NEW YORK TIMES BESTSELLER - NOW A MAJOR MOTION PICTURE STARRING MICHAEL B. JORDAN AND JAMIE FOXX - A powerful true story about the potential for mercy to redeem us, and a clarion call to fix our broken system of justice--from one of the most brilliant and influential lawyers of our time.

"[Bryan Stevenson's] dedication to fighting for justice and equality has inspired me and many others and made a lasting impact on our country."--John Legend

NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN - Named One of the Best Books of the Year by The New York Times - The Washington Post - The Boston Globe - The Seattle Times - Esquire - Time

Bryan Stevenson was a young lawyer when he founded the Equal Justice Initiative, a legal practice dedicated to defending those most desperate and in need: the poor, the wrongly condemned, and women and children trapped in the farthest reaches of our criminal justice system. One of his first cases was that of Walter McMillian, a young man who was sentenced to die for a notorious murder he insisted he didn't commit. The case drew Bryan into a tangle of conspiracy, political machination, and legal brinksmanship--and transformed his understanding of mercy and justice forever.

Just Mercy is at once an unforgettable account of an idealistic, gifted young lawyer's coming of age, a moving window into the lives of those he has defended, and an inspiring argument for compassion in the pursuit of true justice.

Winner of the Carnegie Medal for Excellence in Nonfiction - Winner of the NAACP Image Award for Nonfiction - Winner of a Books for a Better Life Award - Finalist for the Los Angeles Times Book Prize - Finalist for the Kirkus Reviews Prize - An American Library Association Notable Book

"Every bit as moving as To Kill a Mockingbird, and in some ways more so . . . a searing indictment of American criminal justice and a stirring testament to the salvation that fighting for the vulnerable sometimes yields."--David Cole, The New York Review of Books

"Searing, moving . . . Bryan Stevenson may, indeed, be America's Mandela."--Nicholas Kristof, The New York Times

"You don't have to read too long to start cheering for this man. . . . The message of this book . . . is that evil can be overcome, a difference can be made. Just Mercy will make you upset and it will make you hopeful."--Ted Conover, The New York Times Book Review

"Inspiring . . . a work of style, substance and clarity . . . Stevenson is not only a great lawyer, he's also a gifted writer and storyteller."--The Washington Post

"As deeply moving, poignant and powerful a book as has been, and maybe ever can be, written about the death penalty."--The Financial Times

"Brilliant."--The Philadelphia Inquirer

A new translation from the French by Marion Wiesel. Night is Elie Wiesel's masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps.

This new translation by Marion Wiesel, Elie's wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author's original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man's capacity for inhumanity to man.

Night offers much more than a litany of the daily terrors, everyday perversions, and rampant sadism at Auschwitz and Buchenwald; it also eloquently addresses many of the philosophical as well as personal questions implicit in any serious consideration of what the Holocaust was, what it meant, and what its legacy is and will be.

THE PERFECT GIFT FOR NATURE LOVERS, BIRDERS, AND GARDENERS, WITH ORIGINAL COLOR ART THROUGHOUT * USA TODAY BESTSELLER * NATIONAL BESTSELLER * AMAZON EDITOR'S PICK * INDIE NEXT PICKFrom the beloved New York Times opinion writer and bestselling author of Late Migrations comes a "howling love letter to the world" (Ann Patchett): a luminous book that traces the passing of seasons, personal and natural.In The Comfort of Crows, Margaret Renkl presents a literary devotional: fifty-two chapters that follow the creatures and plants in her backyard over the course of a year. As we move through the seasons--from a crow spied on New Year's Day, its resourcefulness and sense of community setting a theme for the year, to the lingering bluebirds of December, revisiting the nest box they used in spring--what develops is a portrait of joy and grief: joy in the ongoing pleasures of the natural world, and grief over winters that end too soon and songbirds that grow fewer and fewer.Along the way, we also glimpse the changing rhythms of a human life. Grown children, unexpectedly home during the pandemic, prepare to depart once more. Birdsong and night-blooming flowers evoke generations past. The city and the country where Renkl raised her family transform a little more with each passing day. And the natural world, now in visible flux, requires every ounce of hope and commitment from the author--and from us. For, as Renkl writes, "radiant things are bursting forth in the darkest places, in the smallest nooks and deepest cracks of the hidden world."With fifty-two original color artworks by the author's brother, Billy Renkl, The Comfort of Crows is a lovely and deeply moving book from a cherished observer of the natural world.

An artful and contemplative tribute to the late actor famed for his role as Dylan McKay in Beverly Hills, 90210.

Best known for playing loner rebel Dylan McKay in Beverly Hills 90210, Luke Perry was fifty-two years old when he died of a stroke in 2019. There have been other deaths of 90's stars, but this one hit different. Gen X was reminded of their own inescapable mortality, and robbed of an exciting career resurgence for one of their most cherished icons--with recent roles in the hit series Riverdale and Quentin Tarantino's Once Upon a Time In Hollywood bringing him renewed attention and acclaim. Only upon his death, as stories poured out online about his authenticity and kindness, did it become clear how little was known about the exceedingly humble actor and how deeply he impacted popular culture.

In A Good Bad Boy, Margaret Wappler attempts to understand who Perry was and why he was unique among his Hollywood peers. To do so, she uses an inventive hybrid narrative. She speaks with dozens who knew Perry personally and professionally. They share insightful anecdotes: how he kept connected to his Ohio upbringing; nearly blew his 90210 audition; tried to shed his heartthrob image by joining the HBO prison drama Oz; and in the last year of his life, sought to set up two of his newly divorced friends. (After his death, the pair bonded in their grief and eventually married.) Amid these original interviews and exhaustive archival research, Wappler weaves poignant vignettes of memoir in which she serves as an avatar to show how Perry shaped a generation's views on masculinity, privilege and the ideal of "cool."

Timed to the fifth anniversary of Perry's death, A Good Bad Boy is a profound and entertaining examination of what it means to be an artist and an adult.

A moving, beautifully illustrated true story for children ages 6 to 9 about growing up in Japanese American incarceration camps during World War II--from the iconic Star Trek actor, activist, and author of the New York Times bestselling graphic memoir They Called Us Enemy.

February 19, 1942. George Takei is four years old when his world changes forever. Two months after the bombing of Pearl Harbor, President Franklin D. Roosevelt declares anyone of Japanese descent an enemy of the United States.

George and his family were American in every way. They had done nothing wrong. But because of their Japanese ancestry, they were removed from their home in California and forced into camps with thousands of other families who looked like theirs.

Over the next three years, George had three different "homes" the Santa Anita racetrack, swampy Camp Rohwer, and infamous Tule Lake. But even though they were now living behind barbed wire fences and surrounded by armed soldiers, his mother and father did everything they could to keep the family safe.

In My Lost Freedom, George Takei looks back at his own memories to help children today understand what it feels like to be treated as an enemy by your own country. Featuring powerful meticulously researched watercolor paintings, this is a story of a family's courage, a young boy's resilience, and the importance of staying true to yourself in the face of injustice.

An astonishing, epic graphic memoir in the spirit of Fun Home by Alison Bechdel and Gender Queer by Maia Kobabe

"I'm So Glad We Had This Time Together is that rarest of things: a book about coming out to a loving yet conservative family that is as heartrending to read as it is to look at. It's an incredibly moving, funny, and ultimately triumphant account (spoiler alert!) of what can only be described as a magical fairy tale (pun totally intended!)."--Anderson Cooper

Meet little Maurice Vellekoop, the youngest of four children raised by Dutch immigrants in the 1970s in a blue-collar suburb of Toronto. Despite their working-class milieu, the Vellekoops are devoted to art, music, and film, and they instill a deep reverence for the arts in young Maurice--except for literature. He'd much rather watch Cher and Carol Burnett on TV than read a book. He also loves playing with his girlfriends' Barbie dolls and helping his Mum in her hair salon, which she runs out of the basement of their house. In short, he is really, really gay. Which is a huge problem, because the family is part of the Christian Reformed Church, a strict Calvinist sect. They go to church twice on Sunday, and they send their kids to a private Christian school, catechism classes, and the Calvinist Cadet Corps. Needless to say, the church is intolerant of homosexuality. Though she loves her son deeply, Maurice's mother, Ann, cannot accept him, setting the course for a long estrangement.

Vellekoop struggles through all of this until he graduates from high school and is accepted into the Ontario College of Art in the early 1980s. Here he finds a welcoming community of bohemians, including a brilliant, flamboyantly gay professor who encourages him to come out. But just as he's dipping his toes into the waters of gay sex and love, a series of romantic disasters, followed by a violent attack, sets him back severely. And then the shadow of the AIDS era descends. Maurice reacts by retreating to the safety of childhood obsessions, and seeks to satisfy his emotional needs with film- and theatre-going, music, boozy self-medication, and prolific art-making. When these tactics inevitably fail, Vellekoop at last embarks on a journey towards his heart's true desire. In psychotherapy, the spiderweb of family, faith, guilt, sexuality, mental health, the intergenerational fallout of World War II, King Ludwig II of Bavaria, French Formula Hairspray, and much more at last begins to untangle. But it's going to be a long, messy, and occasionally hilarious process.

I'm So Glad We Had This Time Together is an enthralling portrait of what it means to be true to yourself, to learn to forgive, and to be an artist.

A moving story about love, AIDS, grief, and memory by one of the most adventurous writers to come out of San Francisco's LGBTQ+ scene.

Bob Glück met Ed Aulerich-Sugai in 1970. Ed was an aspiring artist; Bob wanted to write. They were young men in San Francisco at the high tide of sexual liberation and soon, and for eight years, they were lovers, after which they were friends. Ed was an explorer in the realms of sex. He was beautiful, fragile, exasperating, serious, unassuaged. In 1994 he died of HIV. His dream notebooks became a touchstone for this book, which Glück has been working on for some two decades, while also making his name as a proponent of New Narrative writing and as one of America's most unusual, venturesome, and lyrical authors. About Ed is about Ed, who remains, as our dead do, both familiar and unknowable, faraway and close. It is about Bob too.

The book is a hybrid, at once fiction and fact, like memory, and it takes in many things through tales of political activism and domestic comedy and fury to questions of art and love and experiences of longing and horror. The book also shifts in register, from the delicate to the analytic, to funny and explicit and heartbroken. It begins in the San Francisco of the early 1980s, when Ed and Bob have been broken up for a while. aIds is spreading, but Ed has yet to receive his diagnosis. It follows him backward through his life with Bob in the 1970s and forward through the harrowing particulars of death. It holds on to him and explores his art. It ends in his dreams.

A provocative and original history of the scientists and writers, artists and philosophers who took drugs to explore the hidden regions of the mind

A New Yorker Best of the Week Pick

"Jay is a leading expert on the history of Western drug use, and Psychonauts is the latest in a series of excellent studies in which he has investigated the roots of a kind of psychoactive exploration that we tend to associate with the nineteen-fifties and sixties."--Clare Bucknell, New Yorker

"Captivating. . . . A welcome reconsideration of the role drugs play in life, medicine, and science."--Publishers Weekly

Until the twentieth century, scientists investigating the effects of drugs on the mind did so by experimenting on themselves. Vivid descriptions of drug experiences sparked insights across the mind sciences, pharmacology, medicine, and philosophy. Accounts in journals and literary fiction inspired a fascinated public to make their own experiments--in scientific demonstrations, on exotic travels, at literary salons, and in occult rituals.

But after 1900 drugs were increasingly viewed as a social problem, and the long tradition of self-experimentation began to disappear.

From Sigmund Freud's experiments with cocaine to William James's epiphany on nitrous oxide, Mike Jay brilliantly recovers a lost intellectual tradition of drug-taking that fed the birth of psychology, the discovery of the unconscious, and the emergence of modernism. Today, as we embrace novel cognitive enhancers and psychedelics, the experiments of the original psychonauts reveal the deep influence of mind-altering drugs on Western science, philosophy, and culture.

NOW A HULU ORIGINAL SERIES - NEW YORK TIMES BESTSELLER - REESE'S BOOK CLUB PICK - An anniversary edition of the bestselling collection of "Dear Sugar" advice columns written by the author of #1 bestseller Wild--featuring a new preface and six additional columns.

For more than a decade, thousands of people have sought advice from Dear Sugar--the pseudonym of bestselling author Cheryl Strayed--first through her online column at The Rumpus, later through her hit podcast, Dear Sugars, and now through her popular Substack newsletter. Tiny Beautiful Things collects the best of Dear Sugar in one volume, bringing her wisdom to many more readers. This tenth-anniversary edition features six new columns and a new preface by Strayed. Rich with humor, insight, compassion--and absolute honesty--this book is a balm for everything life throws our way.

PULITZER PRIZE WINNER - NEW YORK TIMES BESTSELLER - A gripping memoir on friendship, grief, the search for self, and the solace that can be found through art, by the New Yorker staff writer Hua Hsu

"This book is exquisite and excruciating and I will be thinking about it for years and years to come." --Rachel Kushner, New York Times bestselling author of The Flamethrowers and The Mars Room

In the eyes of eighteen-year-old Hua Hsu, the problem with Ken--with his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity--is that he is exactly like everyone else. Ken, whose Japanese American family has been in the United States for generations, is mainstream; for Hua, the son of Taiwanese immigrants, who makes 'zines and haunts Bay Area record shops, Ken represents all that he defines himself in opposition to. The only thing Hua and Ken have in common is that, however they engage with it, American culture doesn't seem to have a place for either of them.

But despite his first impressions, Hua and Ken become friends, a friendship built on late-night conversations over cigarettes, long drives along the California coast, and the successes and humiliations of everyday college life. And then violently, senselessly, Ken is gone, killed in a carjacking, not even three years after the day they first meet.

Determined to hold on to all that was left of one of his closest friends--his memories--Hua turned to writing. Stay True is the book he's been working on ever since. A coming-of-age story that details both the ordinary and extraordinary, Stay True is a bracing memoir about growing up, and about moving through the world in search of meaning and belonging.

The long-awaited memoir, generously illustrated with never-before-seen photos, from the iconic Rock and Roll Hall of Famer, Rush bassist, and New York Times bestselling author of Geddy Lee's Big Beautiful Book of Bass.

Geddy Lee is one of rock and roll's most respected bassists. For nearly five decades, his playing and work as co-writer, vocalist and keyboardist has been an essential part of the success story of Canadian progressive rock trio Rush. Here for the first time is his account of life inside and outside the band.

Long before Rush accumulated more consecutive gold and platinum records than any rock band after the Beatles and the Rolling Stones, before the seven Grammy nominations or the countless electrifying live performances across the globe, Geddy Lee was Gershon Eliezer Weinrib, after his grandfather was murdered in the Holocaust.

As he recounts the transformation, Lee looks back on his family, in particular his loving parents and their horrific experiences as teenagers during World War II.

He talks candidly about his childhood and the pursuit of music that led him to drop out of high school.

He tracks the history of Rush which, after early struggles, exploded into one of the most beloved bands of all time.

He shares intimate stories of his lifelong friendships with bandmates Alex Lifeson and Neil Peart--deeply mourning Peart's recent passing--and reveals his obsessions in music and beyond.

This rich brew of honesty, humor, and loss makes for a uniquely poignant memoir.

*Finalist for the Pulitzer Prize and the National Book Critics Circle Award*
*A New York Times Notable Book*
*Winner of the Texas Book Award and the Oklahoma Book Award*

This New York Times bestseller and stunning historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West "is nothing short of a revelation...will leave dust and blood on your jeans" (The New York Times Book Review).

Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches.

Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands.

The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne's exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads, and the amazing story of Cynthia Ann Parker and her son Quanah--a historical feast for anyone interested in how the United States came into being.

Hailed by critics, S. C. Gwynne's account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told. Empire of the Summer Moon announces him as a major new writer of American history.

A finalist for the 2023 National Book Critics Circle Award

NEW YORK TIMES BESTSELLER National Indie Bestseller

A New York Times notable book of 2023 Vulture's #1 book of 2023
One of Slate's ten best books of 2023 A Guardian best ideas book of 2023 One of Time's ten best books of 2023

Winner of the Pacific Northwest Book Award

"I've been raving about Naomi Klein's Doppelganger . . . I can't think of another text that better captures the berserk period we're living through." --Michelle Goldberg, The New York Times

"If I had to name a single book that makes sense of these last few dark years, it would be this one." --Katie Roiphe, The New York Times Book Review (Editors' Choice)

"If ever a book was necessary, it's this one." --Bill McKibben

"Thoughtful and honest . . . Incisive . . . Klein moves her reader toward the truer grounds of solidarity in these times." --Judith Butler

What if you woke up one morning and found you'd acquired another self--a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you'd devoted your life to fighting against?

Not long ago, the celebrated activist and public intellectual Naomi Klein had just such an experience--she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who. Destabilized, she lost her bearings, until she began to understand the experience as one manifestation of a strangeness many of us have come to know but struggle to define: AI-generated text is blurring the line between genuine and spurious communication; New Age wellness entrepreneurs turned anti-vaxxers are scrambling familiar political allegiances of left and right; and liberal democracies are teetering on the edge of absurdist authoritarianism, even as the oceans rise. Under such conditions, reality itself seems to have become unmoored. Is there a cure for our moment of collective vertigo?

Naomi Klein is one of our most trenchant and influential social critics, an essential analyst of what branding, austerity, and climate profiteering have done to our societies and souls. Here she turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical, and political crises. With the assistance of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, among other accomplices, Klein uses wry humor and a keen sense of the ridiculous to face the strange doubles that haunt us--and that have come to feel as intimate and proximate as a warped reflection in the mirror.

Combining comic memoir with chilling reportage and cobweb-clearing analysis, Klein seeks to smash that mirror and chart a path beyond despair. Doppelganger asks: What do we neglect as we polish and perfect our digital reflections? Is it possible to dispose of our doubles and overcome the pathologies of a culture of multiplication? Can we create a politics of collective care and undertake a true reckoning with historical crimes? The result is a revelatory treatment of the way many of us think and feel now--and an intellectual adventure story for our times.

New York Times Bestseller - Read With Jenna Book Club Pick as seen on Today - Winner of the Los Angeles Times Christopher Isherwood Prize for Autobiography - Winner of the American Library Association Alex Award

A young poet tells the inspiring story of his migration from El Salvador to the United States at the age of nine in this "gripping memoir" (NPR) of bravery, hope, and finding family.

Finalist for the PEN/John Kenneth Galbraith Award for Nonfiction - One of the New York Public Library's Ten Best Books of the Year

Longlisted for the Andrew Carnegie Medal for Excellence and the PEN/Open Book Award

"I read Solito with my heart in my throat and did not burst into tears until the last sentence. What a person, what a writer, what a book."--Emma Straub

"A riveting tale of perseverance and the lengths humans will go to help each other in times of struggle."--Dave Eggers

ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, NPR, The Washington Post, San Francisco Chronicle, Vulture, She Reads, Kirkus Reviews

Trip. My parents started using that word about a year ago--"one day, you'll take a trip to be with us. Like an adventure."

Javier Zamora's adventure is a three-thousand-mile journey from his small town in El Salvador, through Guatemala and Mexico, and across the U.S. border. He will leave behind his beloved aunt and grandparents to reunite with a mother who left four years ago and a father he barely remembers. Traveling alone amid a group of strangers and a "coyote" hired to lead them to safety, Javier expects his trip to last two short weeks.

At nine years old, all Javier can imagine is rushing into his parents' arms, snuggling in bed between them, and living under the same roof again. He cannot foresee the perilous boat trips, relentless desert treks, pointed guns, arrests and deceptions that await him; nor can he know that those two weeks will expand into two life-altering months alongside fellow migrants who will come to encircle him like an unexpected family.

A memoir as gripping as it is moving, Solito provides an immediate and intimate account not only of a treacherous and near-impossible journey, but also of the miraculous kindness and love delivered at the most unexpected moments. Solito is Javier Zamora's story, but it's also the story of millions of others who had no choice but to leave home.