Collection: Shop Asian

"What if I told you that the feeling we call love is actually the feeling of metaphysical recognition, when your soul remembers someone from a previous life?"

In the year 4 BCE, an ambitious courtier is called upon to seduce the young emperor--but quickly discovers they are both ruled by blood, sex and intrigue.

In 1740, a lonely innkeeper agrees to help a mysterious visitor procure a rare medicine, only to unleash an otherworldly terror instead.

And in present-day Los Angeles, a college student meets a beautiful stranger and cannot shake the feeling they've met before.

Across these seemingly unrelated timelines woven together only by the twists and turns of fate, two men are reborn, lifetime after lifetime. Within the treacherous walls of an ancient palace and the boundless forests of the Asian wilderness to the heart-pounding cement floors of underground rave scenes, our lovers are inexplicably drawn to each other, constantly tested by the worlds around them.

As their many lives intertwine, they begin to realize the power of their undying love--a power that transcends time itself...but one that might consume them both.

An unpredictable roller coaster of a debut novel, The Emperor and the Endless Palace is a genre-bending romantasy that challenges everything we think we know about true love.

The instant New York Times Bestseller - Nominated for the 2019 National Book Award for Fiction

"A lyrical work of self-discovery that's shockingly intimate and insistently universal...Not so much briefly gorgeous as permanently stunning." --Ron Charles, The Washington Post

Ocean Vuong's debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born -- a history whose epicenter is rooted in Vietnam -- and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard.

With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

Named a Best Book of the Year by:
GQ, Kirkus Reviews, Booklist, Library Journal, TIME, Esquire, The Washington Post, Apple, Good Housekeeping, The New Yorker, The New York Public Library, Elle.com, The Guardian, The A.V. Club, NPR, Lithub, Entertainment Weekly, Vogue.com, The San Francisco Chronicle, Mother Jones, Vanity Fair, The Wall Street Journal Magazine and more!

Winner of the National Book Award
A New York Times Bestseller

"The queer romance we've been waiting for."--Ms. Magazine

Seventeen-year-old Lily Hu can't remember exactly when the feeling took root--that desire to look, to move closer, to touch. Whenever it started growing, it definitely bloomed the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club. Suddenly everything seemed possible.

But America in 1954 is not a safe place for two girls to fall in love, especially not in Chinatown. Red-Scare paranoia threatens everyone, including Chinese Americans like Lily. With deportation looming over her father--despite his hard-won citizenship--Lily and Kath risk everything to let their love see the light of day.

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#1 NEW YORK TIMES BESTSELLER - From the indie rock sensation known as Japanese Breakfast, an unforgettable memoir about family, food, grief, love, and growing up Korean American--"in losing her mother and cooking to bring her back to life, Zauner became herself" (NPR). - CELEBRATING OVER ONE YEAR ON THE NEW YORK TIMES BESTSELLER LIST

In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food.

As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band--and meeting the man who would become her husband--her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.

Vivacious and plainspoken, lyrical and honest, Zauner's voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, and complete with family photos, Crying in H Mart is a book to cherish, share, and reread.

Go-to expert on gender identity, Schuyler Bailar, offers an essential, urgent guide that changes the conversation.

Anti-transgender legislation is being introduced in state governments around the United States in record-breaking numbers. Trans people are under attack in sports, healthcare, school curriculum, bathrooms, bars, and nearly every walk of life. He/She/They clearly and compassionately addresses fundamental topics, from why being transgender is not a choice and why pronouns are important, to more complex issues including how gender-affirming healthcare can be lifesaving and why allowing trans youth to play sports is good for all kids. With a relatable narrative rooted in facts, science, and history, Schuyler helps restore common sense and humanity to a discussion that continues to be divisively coopted and deceptively politicized.

Schuyler Bailar didn't set out to be an activist, but his very public transition to the Harvard men's swim team put him in the spotlight. His choice to be open about his transition and share his experience has touched people around the world. His plain-spoken education has evolved into tireless advocacy for inclusion and collective liberation. In He/She/They, Schuyler uses storytelling and the art of conversation to give us the essential language and context of gender, meeting everyone where they are and paving the way for understanding, acceptance, and, most importantly: connection. He/She/They is more than a book on allyship; it also speaks to trans folks directly, answering the question, "does it get better?" with a resounding yes, celebrating radical trans joy. Myth-busting, affirming, compassionate, and fierce, He/She/They is a crucial, urgent--and lifesaving--book that forever changes the conversation about gender.

Heartstopper meets Crazy Rich Asians in this heartfelt, joyful paperback original rom-com that follows an aspiring chef who discovers the recipe for love is more complicated than it seems when he starts fake-dating a handsome new customer.

Dylan Tang wants to win a Mid-Autumn Festival mooncake-making competition for teen chefs--in memory of his mom, and to bring much-needed publicity to his aunt's struggling Chinese takeout in Brooklyn.

Enter Theo Somers: charming, wealthy, with a smile that makes Dylan's stomach do backflips. AKA a distraction. Their worlds are sun-and-moon apart, but Theo keeps showing up. He even convinces Dylan to be his fake date at a family wedding in the Hamptons.

In Theo's glittering world of pomp, privilege, and crazy rich drama, their romance is supposed to be just pretend . . . but Dylan finds himself falling for Theo. For real. Then Theo's relatives reveal their true colors--but with the mooncake contest looming, Dylan can't risk being sidetracked by rich-people problems.

Can Dylan save his family's business and follow his heart--or will he fail to do both?

Eight mighty island warriors battle to become king. The deciding factor? The one who comes last, of course!

Eight islands represented by their best warriors must battle it out in a tournament to decide their king. To win this battle of endurance, it's not the last one standing but the last one coming that matters!

The tournament to choose the next king of the islands is about to begin. The rules are simple--whoever comes first loses! Participating warriors protect their mighty swords with armor that grows larger and more elaborate with each tournament. But one warrior has returned from studying abroad with a technique certain to force a pleasurable eruption! Is there a competitor alive able to withstand it? Or is this deft warrior destined to become king?!

The New York Times-bestselling collection of poems from the award-winning writer Ocean Vuong

"Take your time with these poems, and return to them often." --The Washington Post

How else do we return to ourselves but to fold
The page so it points to the good part

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.

The author of the critically acclaimed poetry collection Night Sky with Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellowship, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.

INSTANT NEW YORK TIMES BESTSELLER - A REESE'S BOOK CLUB PICK

"Hard to put down, harder to forget." -- Stephen King, #1 New York Times bestselling author

White lies. Dark humor. Deadly consequences... Bestselling sensation Juniper Song is not who she says she is, she didn't write the book she claims she wrote, and she is most certainly not Asian American--in this chilling and hilariously cutting novel from R.F. Kuang, the #1 New York Times bestselling author of Babel.

Authors June Hayward and Athena Liu were supposed to be twin rising stars. But Athena's a literary darling. June Hayward is literally nobody. Who wants stories about basic white girls, June thinks.

So when June witnesses Athena's death in a freak accident, she acts on impulse: she steals Athena's just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers during World War I.

So what if June edits Athena's novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree.

But June can't get away from Athena's shadow, and emerging evidence threatens to bring June's (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves.

With its totally immersive first-person voice, Yellowface grapples with questions of diversity, racism, and cultural appropriation, as well as the terrifying alienation of social media. R.F. Kuang's novel is timely, razor-sharp, and eminently readable.

NEW YORK TIMES BESTSELLER - A searing memoir of reckoning and healing by acclaimed journalist Stephanie Foo, investigating the little-understood science behind complex PTSD and how it has shaped her life

"Achingly exquisite . . . providing real hope for those who long to heal."--Lori Gottlieb, New York Times bestselling author of Maybe You Should Talk to Someone

ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, Cosmopolitan, NPR, Mashable, She Reads, Publishers Weekly

By age thirty, Stephanie Foo was successful on paper: She had her dream job as an award-winning radio producer at This American Life and a loving boyfriend. But behind her office door, she was having panic attacks and sobbing at her desk every morning. After years of questioning what was wrong with herself, she was diagnosed with complex PTSD--a condition that occurs when trauma happens continuously, over the course of years.

Both of Foo's parents abandoned her when she was a teenager, after years of physical and verbal abuse and neglect. She thought she'd moved on, but her new diagnosis illuminated the way her past continued to threaten her health, relationships, and career. She found limited resources to help her, so Foo set out to heal herself, and to map her experiences onto the scarce literature about C-PTSD.

In this deeply personal and thoroughly researched account, Foo interviews scientists and psychologists and tries a variety of innovative therapies. She returns to her hometown of San Jose, California, to investigate the effects of immigrant trauma on the community, and she uncovers family secrets in the country of her birth, Malaysia, to learn how trauma can be inherited through generations. Ultimately, she discovers that you don't move on from trauma--but you can learn to move with it.

Powerful, enlightening, and hopeful, What My Bones Know is a brave narrative that reckons with the hold of the past over the present, the mind over the body--and examines one woman's ability to reclaim agency from her trauma.

A national bestseller in Canada, hailed by The New York Times as an "intimate expression of self-acceptance and forgiveness, tenderly written to fellow trans women and others."

"Required reading."--Glennon Doyle, #1 bestselling author of Untamed

A THEM AND AUTOSTRADDLE BEST BOOK OF THE YEAR

What happens when we imagine loving the people--and the parts of ourselves--that we do not believe are worthy of love?

Kai Cheng Thom grew up a Chinese Canadian transgender girl in a hostile world. As an activist, psychotherapist, conflict mediator, and spiritual healer, she's always pursued the same deeply personal mission: to embrace the revolutionary belief that every human being, no matter how hateful or horrible, is intrinsically sacred.

But then Kai Cheng found herself in a crisis of faith, overwhelmed by the viciousness with which people treated one another, and barely clinging to the values and ideals she'd built her life around: justice, hope, love, and healing. Rather than succumb to despair and cynicism, she gathered all her rage and grief and took one last leap of faith: she wrote. Whether prayers or spells or poems--and whether there's a difference--she wrote to affirm the outcasts and runaways she calls her kin. She wrote to flawed but nonetheless lovable men, to people with good intentions who harm their own, to racists and transphobes seemingly beyond saving. What emerged was a blueprint for falling back in love with being human.

Good Omens meets The Long Way to a Small, Angry Planet in Ryka Aoki's Light From Uncommon Stars, a defiantly joyful adventure set in California's San Gabriel Valley, with cursed violins, Faustian bargains, and queer alien courtship over fresh-made donuts.

Shizuka Satomi made a deal with the devil: to escape damnation, she must entice seven other violin prodigies to trade their souls for success. She has already delivered six.

When Katrina Nguyen, a young transgender runaway, catches Shizuka's ear with her wild talent, Shizuka can almost feel the curse lifting. She's found her final candidate.

But in a donut shop off a bustling highway in the San Gabriel Valley, Shizuka meets Lan Tran, retired starship captain, interstellar refugee, and mother of four. Shizuka doesn't have time for crushes or coffee dates, what with her very soul on the line, but Lan's kind smile and eyes like stars might just redefine a soul's worth. And maybe something as small as a warm donut is powerful enough to break a curse as vast as the California coastline.

As the lives of these three women become entangled by chance and fate, a story of magic, identity, curses, and hope begins, and a family worth crossing the universe for is found.

A haunting debut that is simultaneously dreamlike and visceral, vulnerable and redemptive, and risks the painful rewards of emotional honesty.

For readers of Monsters and Gay Bar, a ferocious inquiry into art and desire, style and politics, madness and salvation, and coming of age in our volatile, image-obsessed present.

You know them when you see them: mean boys take up space, wielding cruelty to claim their place in the pecking order. Some mean boys make art or music or fashion; others make memes. Mean boys stomp the runways in Milan and Paris; mean boys marched at Charlottesville. And in the eyes of critic and style expert Geoffrey Mak, mean boys are the emblem of our society: an era ravenous for novelty, always thirsting for the next edgy thing, even at our peril.

In this pyrotechnic memoir-in-essays, Mak ranges widely over our landscape of paranoia, crisis, and frenetic, clickable consumption. He grants readers an inside pass to the spaces where culture was made and unmade over the past decade, from the antiseptic glare of white-walled galleries to the darkest corners of Berlin techno clubs. As the gay son of an evangelical minister, Mak fled to those spaces, hoping to join a global, influential elite. But when calamity struck, it forced Mak to confront the costs of mistaking status for belonging. Fusing personal essay and cultural critique, Mean Boys investigates exile and return, transgression and forgiveness, and the value of faith, empathy, and friendship in a world designed to make us want what is bad for us.

Eight mighty island warriors battle to become king. The deciding factor? The one who comes last, of course!

Eight islands represented by their best warriors must battle it out in a tournament to decide their king. To win this battle of endurance, it's not the last one standing but the last one coming that matters!

Matthew is studying at a prestigious college, and his new roommate, Harto, is almost too much to take. Harto hails from the mysterious Pulau Yang Indah and grew up with strange island cultural practices involving, well...the butt. Matthew does his best to shield his new roommate from teasing before it devolves into actual sexual harassment, and Harto isn't unmoved by Matthew's kindness--in fact, just thinking of him can bring him to orgasm. But these new developments terrify him too. As his clan's chosen warrior, he can't risk growing weak. Will he be forced to choose between his new love and the clan that raised him?

A USA Today bestseller

A lonely shopkeeper takes it upon herself to solve a murder in the most peculiar way in this captivating mystery by Jesse Q. Sutanto, bestselling author of Dial A for Aunties.

Vera Wong is a lonely little old lady--ah, lady of a certain age--who lives above her forgotten tea shop in the middle of San Francisco's Chinatown. Despite living alone, Vera is not needy, oh no. She likes nothing more than sipping on a good cup of Wulong and doing some healthy detective work on the Internet about what her Gen-Z son is up to.

Then one morning, Vera trudges downstairs to find a curious thing--a dead man in the middle of her tea shop. In his outstretched hand, a flash drive. Vera doesn't know what comes over her, but after calling the cops like any good citizen would, she sort of . . . swipes the flash drive from the body and tucks it safely into the pocket of her apron. Why? Because Vera is sure she would do a better job than the police possibly could, because nobody sniffs out a wrongdoing quite like a suspicious Chinese mother with time on her hands. Vera knows the killer will be back for the flash drive; all she has to do is watch the increasing number of customers at her shop and figure out which one among them is the killer.

What Vera does not expect is to form friendships with her customers and start to care for each and every one of them. As a protective mother hen, will she end up having to give one of her newfound chicks to the police?