Collection: Products

The Brontës' Christmas invites you to step back in time and explore the delights of a Victorian Christmas through the eyes of our most beloved authors.

While the Brontë family's celebrations weren't the most exuberant, Victorian society cheerfully embraced the newfound idea of Christmas as a time for feasts, decorations, the exchanging of gifts and parlor games.

Through a selection of seasonal recipes, letters, poetry and extracts, The Brontës' Christmas meanders back in time to explore long-forgotten customs, including Vessel Maids and furmenty; the spice cake that Charlotte took around to her husband's parishioners; and childhood games enjoyed by the family.

This festive season, curl up and experience a Haworth Christmas.

From the sure-footed duo of James Howe and Randy Cecil comes a hugely endearing new character -- in a humorous, heart-warming tale about holding on to your dreams.

Brontorina has a dream. She wants to dance. But Brontorina is rather large -- too large to fit in Madame Lucille's dance studio. Brontorina does not have the right shoes, and everyone knows you can't dance without the proper footwear. Still, Brontorina knows, deep in her heart, that she is meant to be a ballerina. James Howe introduces a lovable dinosaur whose size is outmatched only by her determination, and whose talent is outmatched only by her charm. Accompanied by Randy Cecil's beguiling illustrations, here is an irresistible story that proves that no problem is too big when the heart and imagination know no bounds.

When you're from the Bronx, people perceive a certain toughness. It is that Bronx attitude that permeates this memoir. A childhood surrounded by family imbued the author with a sense of duty and empowerment that got this daughter of Puerto Rican parents through a journey in uncharted territory like a college application process and so many things that people in her family had not experienced but expected from her. She writes about culture shock in college and lovely moments of identity and purpose, which lead her to a thirty-year career in New York media.

The author describes her challenges and victories as a young reporter covering city hall during the Koch administration to the role of publisher and CEO. Her career mirrored and coincided with the unprecedented growth in New York's diverse Latino community. From her Bronx childhood to a seat at the table in New York's iconic boardrooms, the author demonstrates how Latinas lead.

This memoir is a celebration of family, traditions, heritage, and good old hardcore New York City hustle.

The author, a veteran of World War II, is now 101 years old. As the population of living veterans of this war dwindles through aging, it becomes important to have a first-person account of life in the Army during that period.

In the case of Bronx Boy Goes to War, the account is as personal and anecdotal as it is about the war. Lee Evers is a born storyteller, so his account of his life in the Army - as well as, briefly, the times before and after - read more like a narrative, complete with humor as well as some poignancy.

Lee Evers (born Abraham Ebersman) was born into a protective Jewish New York City family in 1923. His mother died when he was only a year old, and from that time he was raised by not only his father but also his grandmother, grandfather, and aunt, who all lived in the same apartment building.

"As a result of my mother's death," Evers relates, "I was raised in a rather unusual way: my closest relatives simply poured their love all over me. I was idolized. In our poor neighborhood everyone knew each other, as if it were a small village in Czechoslovakia or Poland. The moms and dads of all my friends showered me with care and warmth, simply because I was "that little boy who lost his mother."

Being drafted at age 19 inaugurated a radical break from his comfortable environment in the Bronx. Suddenly he was thrown in with people and challenges he never could have foreseen. But an optimist at heart, he writes:

My three years in the US Army were just full of luck. So much luck that many years later, my wife Lillian said that my mother had to be watching over me. At nineteen years old, I was provided by the war with experiences I could never have imagined.

Sixty-one (short) chapters' worth of experiences are chronicled in this memoir. Some took place on the Army base in the US, like being tested to see what job he was suited for. He scored high on the intelligence test, but really low - abysmally low - on the mechanical tests.

"Just so you know," [the Sergeant in charge] told me, "we've had about 800,000 guys take this mechanical test, and you have the lowest scores of anyone."

But Lee characteristically made the best of this: "As I ran to catch up with my group, I thought to myself, 'All right, I'm a city man and I'm not good with mechanical stuff. No big deal.'"

And in fact, later on he was able to impress the officers with his mechanical know-how. What they didn't know was that he had memorized all the moves.

Shipped out to the Pacific, his ability to go with the flow served him well - in interpersonal relations, at work in the service, and in other situations. Nevertheless, the subtitle - "I Almost Died Nine Times" - speaks to the danger of war, and the unpredictability. The formerly well-cushioned Bronx boy had to think on his feet - and even then, he was closer than desired to gunfire, a plane running out of fuel, burning shrapnel, enemy soldiers, dying from malaria, a near plane-crash, a tropical storm, and having his head literally knocked off. So being a soldier was serious business.

Still, Evers' reminiscences underscore the human factor. He made friends, lost some through death (in the Army and afterwards), and reconnected with some when back home once more. There was something about this salesman-to-be that won most people over - as illustrated by the unusual fact that three different soldiers offered to set him up in their own home towns with jobs and maybe even a wife.

He turned them all down - a Bronx boy at heart - but always appreciated being taken into their hearts. He may have almost died nine times, but in his stories he makes the whole experience come to life.

The beloved and award-winning novel now available in a new format with a great new cover!

When Wesley Boone writes a poem for his high school English class, some of his classmates clamor to read their poems aloud too. Soon they're having weekly poetry sessions and, one by one, the eighteen students are opening up and taking on the risky challenge of self-revelation. There's Lupe Alvarin, desperate to have a baby so she will feel loved. Raynard Patterson, hiding a secret behind his silence. Porscha Johnson, needing an outlet for her anger after her mother OD's. Through the poetry they share and narratives in which they reveal their most intimate thoughts about themselves and one another, their words and lives show what lies beneath the skin, behind the eyes, beyond the masquerade.

The acclaimed author of TYRELL and KENDRA returns to PUSH to continue Tyrell's astonishing story.

Tyrell's father is just out of jail, and Tyrell doesn't know how to deal with that. It's bad enough that his brother Troy is in foster care and that his mother is no help whatsoever. Now there's another thing up in his face, just when he's trying to settle down. Tyrell's father has plans of his own, and doesn't seem to care whether or not Tyrell wants to go along with them. Tyrell can see the crash that's coming -- with his dad, with the rest of his family, with the girls he's seeing -- but he's not sure he can stop it. Or if he even wants to.

Soho, London. Childhood friends Timi, Sango, and Gbonka reunite on the eve of the British Museum's historic purchase of the works of Timi's father, the seminal Nigerian artist Adewale Balogun.

Timi has been invited as a "guest of honor," but what the Museum is heralding as a triumphant acquisition, the trio see as nothing short of brazen cultural theft. Emboldened by a night of drinking and shared outrage, they concoct a bold scheme... to steal back the artwork themselves!

Celebrated authors Shobo & Shof (New Masters) draw from their Nigerian heritage for the heist of a lifetime, joined by acclaimed artist Alexandre Tefenkgi (Once Upon a Time at the End of the World, The Good Asian).

Collects Bronze Faces #1-6.

From the colonial through the antebellum era, enslaved women in the US used lethal force as the ultimate form of resistance. By amplifying their voices and experiences, Brooding over Bloody Revenge strongly challenges assumptions that enslaved women only participated in covert, non-violent forms of resistance, when in fact they consistently seized justice for themselves and organized toward revolt. Nikki M. Taylor expertly reveals how women killed for deeply personal instances of injustice committed by their owners. The stories presented, which span centuries and legal contexts, demonstrate that these acts of lethal force were carefully pre-meditated. Enslaved women planned how and when their enslavers would die, what weapons and accomplices were necessary, and how to evade capture in the aftermath. Original and compelling, Brooding Over Bloody Revenge presents a window into the lives and philosophies of enslaved women who had their own ideas about justice and how to achieve it.

When thirty years of untreated bipolar disorder left his father fighting for his life, Howard Schaap began to wonder how this man had fallen so far-from Minnesota's Young Farmer of the Year to financial failure in the farm crisis to a bed in the neurology wing of Mayo Clinic.

Brooding Upon the Waters is Howard Schaap's memoir-at once deeply compassionate and searingly honest-of his father's anguished journey. In his search for answers, Howard looks first to the landscape itself, where hard-luck fishing trips to the mud lakes of the tallgrass prairie mirrored his father's dark moods and darkening theology.

But there is also local history, where his father's fall from grace, his manic decisions, and his political swing-not simply from moderate Republican to fervent populist, but "from someone broad-minded and warm-hearted to someone narrow and bitter"-have a precedent in American letters and history: Midwest settler Charles Ingalls, "Pa" in the famous Little House on the Prairie books.

Brooding Upon the Waters recreates the stark beauty and haunting isolation of growing up on a failing family farm in the 1980s and 1990s. Along the way, Howard Schaap grapples with how these forces-as disparate as distorted theology and short-sighted financial greed-complicate his own struggle to remain loyal to the place he has always called home. Brooding Upon the Waters recounts not only a mental health crisis but also a crisis of the American Dream in the Upper Midwest, America's lost landscape.

INSTANT NEW YORK TIMES BESTSELLER

From generational icon Brooke Shields comes an intimate and empowering exploration of aging that flips the script on the idea of what it means for a woman to grow older

Brooke Shields has spent a lifetime in the public eye. Growing up as a child actor and model, her every feature was scrutinized, her every decision judged. Today Brooke faces a different kind of scrutiny: that of being a "woman of a certain age."

And yet, for Brooke, the passage of time has brought freedom. At fifty-nine, she feels more comfortable in her skin, more empowered and confident than she did decades ago in those famous Calvin Kleins. Now, in Brooke Shields Is Not Allowed to Get Old, she's changing the narrative about women and aging.

This is an era, insists Brooke, when women are reclaiming agency and power, not receding into the shadows. These are the years when we get to decide how we want to live--when we get to write our own stories.

With remarkable candor, Brooke bares all, painting a vibrant and optimistic picture of being a woman in the prime of her life, while dismantling the myths that have, for too long, dimmed that perception. Sharing her own life experiences with humor and humility, and weaving together research and reporting, Brooke takes aim at the systemic factors that contribute to age-related bias.

By turns inspiring, moving, and galvanizing, Brooke's honesty and vulnerability will resonate with women everywhere, and spark a new conversation about the power and promise of midlife.

INSTANT NEW YORK TIMES BESTSELLER

From generational icon Brooke Shields comes an intimate and empowering exploration of aging that flips the script on the idea of what it means for a woman to grow older

Brooke Shields has spent a lifetime in the public eye. Growing up as a child actor and model, her every feature was scrutinized, her every decision judged. Today Brooke faces a different kind of scrutiny: that of being a "woman of a certain age."

And yet, for Brooke, the passage of time has brought freedom. At fifty-nine, she feels more comfortable in her skin, more empowered and confident than she did decades ago in those famous Calvin Kleins. Now, in Brooke Shields Is Not Allowed to Get Old, she's changing the narrative about women and aging.

This is an era, insists Brooke, when women are reclaiming agency and power, not receding into the shadows. These are the years when we get to decide how we want to live--when we get to write our own stories.

With remarkable candor, Brooke bares all, painting a vibrant and optimistic picture of being a woman in the prime of her life, while dismantling the myths that have, for too long, dimmed that perception. Sharing her own life experiences with humor and humility, and weaving together research and reporting, Brooke takes aim at the systemic factors that contribute to age-related bias.

By turns inspiring, moving, and galvanizing, Brooke's honesty and vulnerability will resonate with women everywhere, and spark a new conversation about the power and promise of midlife.

INSTANT NEW YORK TIMES BESTSELLER

From generational icon Brooke Shields comes an intimate and empowering exploration of aging that flips the script on the idea of what it means for a woman to grow older

Brooke Shields has spent a lifetime in the public eye. Growing up as a child actor and model, her every feature was scrutinized, her every decision judged. Today Brooke faces a different kind of scrutiny: that of being a "woman of a certain age."

And yet, for Brooke, the passage of time has brought freedom. At fifty-nine, she feels more comfortable in her skin, more empowered and confident than she did decades ago in those famous Calvin Kleins. Now, in Brooke Shields Is Not Allowed to Get Old, she's changing the narrative about women and aging.

This is an era, insists Brooke, when women are reclaiming agency and power, not receding into the shadows. These are the years when we get to decide how we want to live--when we get to write our own stories.

With remarkable candor, Brooke bares all, painting a vibrant and optimistic picture of being a woman in the prime of her life, while dismantling the myths that have, for too long, dimmed that perception. Sharing her own life experiences with humor and humility, and weaving together research and reporting, Brooke takes aim at the systemic factors that contribute to age-related bias.

By turns inspiring, moving, and galvanizing, Brooke's honesty and vulnerability will resonate with women everywhere, and spark a new conversation about the power and promise of midlife.

Colm Tóibín's New York Times bestselling novel--now an acclaimed film starring Saoirse Ronan and Jim Broadbent nominated for four Academy Awards including Best Picture--is "a moving, deeply satisfying read" (Entertainment Weekly) about a young Irish immigrant in Brooklyn in the early 1950s.

"One of the most unforgettable characters in contemporary literature" (Pittsburgh Post-Gazette), Eilis Lacey has come of age in small-town Ireland in the hard years following World War Two. When an Irish priest from Brooklyn offers to sponsor Eilis in America, she decides she must go, leaving her fragile mother and her charismatic sister behind.

Eilis finds work in a department store on Fulton Street, and when she least expects it, finds love. Tony, who loves the Dodgers and his big Italian family, slowly wins her over with patient charm. But just as Eilis begins to fall in love, devastating news from Ireland threatens the promise of her future.

Author "Colm Tóibín...is his generation's most gifted writer of love's complicated, contradictory power" (Los Angeles Times). "Written with mesmerizing power and skill" (The Boston Globe), Brooklyn is a "triumph...One of those magically quiet novels that sneak up on readers and capture their imaginations" (USA TODAY).

While most young people are just getting their footing in life, 24-year-old Bryshon "Boogie" Tolliver is already being groomed to be a boss by his father, Barry Tolliver. At first, he's not so sure he wants to take his father's place in the family business. He has dreams of being the most prominent chef in New York. However, things change when Barry is murdered in cold blood and everything he built is left at Boogie's feet. Gone are those chef dreams, replaced with a new resolve to prove himself worthy of upholding his father's legacy.

Boogie takes his rightful place at the table of the Five Families of New York and is quickly taken under the wing of Caesar, the head of the organization. Known as The Godfather's Godfather, Caesar shows Boogie what it takes to be a boss.

The deeper in Boogie gets, the more obsessed he becomes with finding his father's murderer. When all signs point to the person Boogie knows is untouchable, he'll do anything to even the score, even if it costs him his seat at the table.

In the heart of Bensonhurst, an Italian American family struggles to survive one explosive day-the nation's Bicentennial.

The Agnello family wakes Bicentennial morning to the sound of fireworks. Outside their apartment, block party preparations are already underway. Paulie, husband and father, has been out on strike with his union and is desperate to make ends meet. Dee, wife and mother, is overprotective of her children and a stern judge of character, particularly when it comes to Paulie. Tony, the dutiful elder son who is fast coming of age, now obsesses over his first girlfriend and stands ready to defy his parents to spend the Fourth with her. Alex, the younger son, still sees the world through innocent eyes, a perspective unlikely to survive the day.

As the neighborhood celebrates, a string of public missteps drives the family apart, forcing each Agnello to face their own insecurities and regrets. At nightfall, the fireworks extravaganza draws the scattered family back together-but celebration soon turns into tragedy, and one life is left hanging in the balance. Funny, dark, and unsentimental, Brooklyn '76 is an urgent family drama set against the backdrop of a working-class neighborhood-and a country-on the brink of transformation.

Here come the Brooklyn babies, ready to give you a tour of their neighborhood in this appealing board book!

Spirited and charming images pair with quirky text to introduce young readers to a group of smart, active, stylish, and just plain silly tots enjoying life in Brooklyn. From Prospect Park to the Botanical Garden to the iconic Brooklyn Bridge, this educational and entertaining read is an essential introduction to the fun in store for the babies of Brooklyn.

And the fun doesn't end here. Brooklyn Baby includes oodles of amusing activities and educational reading tips, to help parents enjoy the book with their children over and over again!

• Features bonus tie-in activities in the back for every page, perfect to engage children ages 0-4
• Learn more about your home or favorite place to visit and recognize local landmarks, food, slang, and more on every page
• Gift it as a baby shower or first birthday gift, perfect for new parents or grandparents to read aloud to your little one